Название | The Great Push: An Episode of the Great War |
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Автор произведения | Patrick MacGill |
Жанр | Документальная литература |
Серия | |
Издательство | Документальная литература |
Год выпуска | 0 |
isbn | 4064066151874 |
On the field of death, the shells, in colossal joy, chorused their terrible harmonies, making the heavens sonorous with their wanton and unbridled frenzy; star-shells, which seemed at times to be fixed on the ceiling of the sky, oscillated in a dazzling whirl of red and green—and men died. … We remained in the trenches the next day. They were very quiet, and we lay at ease in our dug-outs, read week-old papers, wrote letters and took turns on sentry-go. On our front lay a dull brown, monotonous level and two red-brick villages, Loos and Hulluch. Our barbed-wire entanglement, twisted and shell-scarred, showed countless rusty spikes which stuck out ominous and forbidding. A dead German hung on a wire prop, his feet caught in a cheval de frise, the skin of his face peeling away from his bones, and his hand clutching the wire as if for support. He had been out there for many months, a foolhardy foe who got a bullet through his head when examining our defences.
Here, in this salient, the war had its routine and habits, everything was done with regimental precision, and men followed the trade of arms as clerks follow their profession: to each man was allocated his post, he worked a certain number of hours, slept at stated times, had breakfast at dawn, lunch at noon, and tea at four. The ration parties called on the cave-dwellers with the promptitude of the butcher and baker, who attend to the needs of the villa-dwellers.
The postmen called at the dug-outs when dusk was settling, and delivered letters and parcels. Letter-boxes were placed in the parados walls and the hours of collection written upon them in pencil or chalk. Concerts were held in the big dug-outs, and little supper parties were fashionable when parcels were bulky. Tea was drunk in the open, the soldiers ate at looted tables, spread outside the dug-out doors. Over the "Savoy" a picture of the Mother of Perpetual Succour was to be seen and the boys who lived there swore that it brought them good luck; they always won at Banker and Brag. All shaved daily and washed with perfumed soaps.
The artillery exchanged shots every morning just to keep the guns clean. Sometimes a rifle shot might be heard, and we would ask, "Who is firing at the birds on the wire entanglements?" The days were peaceful then, but now all was different. The temper of the salient had changed.
In the distance we could see Lens, a mining town with many large chimneys, one of which was almost hidden in its own smoke. No doubt the Germans were working the coal mines. Loos looked quite small, there was a big slag-heap on its right, and on its left was a windmill with shattered wings. We had been shelling the village persistently for days, and, though it was not battered as Philosophé and Maroc were battered, many big, ugly rents and fractures were showing on the red-brick houses.
But it stood its beating well; it takes a lot of strafing to bring down even a jerry-built village. Houses built for a few hundred francs in times of peace, cost thousands of pounds to demolish in days of war. I suppose war is the most costly means of destruction.
Rumours flew about daily. Men spoke of a big push ahead, fixed the date for the great charge, and, as proof of their gossip, pointed at innumerable guns and wagons of shell which came through Les Brebis and Nouex-les-Mines daily. Even the Germans got wind of our activities, and in front of the blue-black slag-heap on the right of Loos they placed a large white board with the question written fair in big, black letters:
"WHEN IS THE BIG PUSH COMING OFF?
WE ARE WAITING."
A well-directed shell blew the board to pieces ten minutes after it was put up.
I had a very nice dug-out in these trenches. It burrowed into the chalk, and its walls were as white as snow. When the candle was lit in the twilight, the most wonderfully soft shadows rustled over the roof and walls. The shadow of an elbow of chalk sticking out in the wall over my bed looked like the beak of a great formless vulture. On a closer examination I found that I had mistaken a wide-diffused bloodstain for a shadow. A man had come into the place once and he died there; his death was written in red on the wall.
I named the dug-out "The Last House in the World." Was it not? It was the last tenanted house in our world.
Over the parapet of the trench was the Unknown with its mysteries deep as those of the grave.
CHAPTER III
Preparations for Loos
"Death will give us all a clean sheet."—Dudley Pryor.
We, the London Irish Rifles, know Les Brebis well, know every café and estaminet, every street and corner, every house, broken or sound, every washerwoman, wine-shop matron, handy cook, and pretty girl. Time after time we have returned from the trenches to our old billet to find the good housewife up and waiting for us. She was a lank woman, made and clothed anyhow. Her garments looked as if they had been put on with a pitchfork. Her eyes protruded from their sockets, and one felt that if her tightly strained eyelids relaxed their grip for a moment the eyes would roll out on the floor. Her upper teeth protruded, and the point of her receding chin had lost itself somewhere in the hollow of her neck. Her pendant breasts hung flabbily, and it was a miracle how her youngest child, Gustave, a tot of seven months, could find any sustenance there. She had three children, who prattled all through the peaceful hours of the day. When the enemy shelled Les Brebis the children were bundled down into the cellar, and the mother went out to pick percussion caps from the streets. These she sold to officers going home on leave. The value of the percussion cap was fixed by the damage which the shell had done. A shell which fell on Les Brebis school and killed many men was picked up by this good woman, and at the present moment it is in my possession. We nicknamed this woman "Joan of Arc."
We had a delightful billet in this woman's house. We came in from war to find a big fire in the stove and basins of hot, steaming café-au-lait on the table. If we returned from duty dripping wet through the rain, lines were hung across from wall to wall, and we knew that morning would find our muddy clothes warm and dry. The woman would count our number as we entered. One less than when we left! The missing man wore spectacles. She remembered him and all his mannerisms. He used to nurse her little baby boy, Gustave, and play games with the mite's toes. What had happened to him? He was killed by a shell, we told her. On the road to the trenches he was hit. Then a mist gathered in the woman's eyes, and two tears rolled down her cheeks. We drank our café-au-lait.
"Combien, madam?"
"Souvenir," was the reply through sobs, and we thanked her for the kindness. Upstairs we bundled into our room, and threw our equipment down on the clean wooden floor, lit a candle and undressed. All wet clothes were flung downstairs, where the woman would hang them up to dry. Everything was the same here as when we left; save where the last regiment had, in a moment of inspiration, chronicled its deeds in verse on the wall. Pryor, the lance-corporal, read the poem aloud to us:
"Gentlemen, the Guards,
When the brick fields they took
The Germans took the hook
And left the Gentlemen in charge."
The soldiers who came and went voiced their griefs on this wall, but in latrine language and Rabelaisian humour. Here were three proverbs written in a shaky hand:
"The Army pays good money, but little of it."
"In the Army you are sertin to receive what you get."
"The wages of sin and a soldir is death."
Under these was a couplet written by a fatalist:
"I don't care if the Germans come,
If I have an extra tot of rum."
Names of men were scrawled everywhere on the wall, from roof to floor. Why have some men this desire to scrawl their names on every white surface they see, I often wonder? One of my mates, who wondered as I did, finally found expression in verse, which glared forth accusingly from the midst of the riot of names in the room:
"A man's ambition must be small
Who writes his name upon this wall,
And