Autobiography and Selected Essays. Thomas Henry Huxley

reduced more or less of it to combings. M—— therefore excludes him from the dining-room and all those opportunities of higher education which he would have in MY house." Frequently one finds a description of some event, so vividly done that the mere reading of it seems like a real experience. An account of Tennyson's burial in Westminster is a typical bit of description:—

      Bright sunshine streamed through the windows of the nave, while the choir was in half gloom, and as each shaft of light illuminated the flower-covered bier as it slowly travelled on, one thought of the bright succession of his works between the darkness before and the darkness after. I am glad to say that the Royal Society was represented by four of its chief officers, and nine of the commonalty, including myself. Tennyson has a right to that, as the first poet since Lucretius who has understood the drift of science.

      No parts of the Life and Letters are more enjoyable than those concerning the "Happy Family," as a friend of Huxley's names his household. His family of seven children found their father a most engaging friend and companion. He could tell them wonderful sea stories and animal stories and could draw fascinating pictures. His son writes of how when he was ill with scarlet fever he used to look forward to his father's home-coming. "The solitary days—for I was the first victim in the family—were very long, and I looked forward with intense interest to one half-hour after dinner, when he would come up and draw scenes from the history of a remarkable bull-terrier and his family that went to the seaside in a most human and child-delighting manner. I have seldom suffered a greater disappointment than when, one evening, I fell asleep just before this fairy half-hour, and lost it out of my life."

      The account of the comradeship between Huxley and his wife reads like a good old-time romance. He was attracted to her at first by her "simplicity and directness united with an unusual degree of cultivation," Huxley's son writes. On her he depended for advice in his work, and for companionship at home and abroad when wandering in search of health in Italy and Switzerland. When he had been separated from her for some time, he wrote, "Nobody, children or anyone else, can be to me what you are. Ulysses preferred his old woman to immortality, and this absence has led me to see that he was as wise in that as in other things." Again he writes, "Against all trouble (and I have had my share) I weigh a wife-comrade 'trew and fest' in all emergencies."

      The letters also give one a clear idea of the breadth of Huxley's interests, particularly of his appreciation of the various forms of art. Huxley believed strongly in the arts as a refining and helpful influence in education. He keenly enjoyed good music. Professor Hewes writes of him that one breaking in upon him in the afternoon at South Kensington would not infrequently be met "with a snatch of some melody of Bach's fugue." He also liked good pictures, and always had among his friends well-known artists, as Alma-Tadema, Sir Frederick Leighton, and Burne-Jones. He read poetry widely, and strongly advocated the teaching of poetry in English schools. As to poetry, his own preferences are interesting. Wordsworth he considered too discursive; Shelley was too diffuse; Keats, he liked for pure beauty, Browning for strength, and Tennyson for his understanding of modern science; but most frequently of all he read Milton and Shakespeare.

      As to Huxley's appearance, and as to the impression which his personality made upon others, the description of a friend, Mr. G. W. Smalley, presents him with striking force. "The square forehead, the square jaw, the tense lines of the mouth, the deep flashing dark eyes, the impression of something more than strength he gave you, an impression of sincerity, of solid force, of immovability, yet with the gentleness arising from the serene consciousness of his strength—all this belonged to Huxley and to him alone. The first glance magnetized his audience. The eyes were those of one accustomed to command, of one having authority, and not fearing on occasion to use it. The hair swept carelessly away from the broad forehead and grew rather long behind, yet the length did not suggest, as it often does, effeminacy. He was masculine in everything—look, gesture, speech. Sparing of gesture, sparing of emphasis, careless of mere rhetorical or oratorical art, he had nevertheless the secret of the highest art of all, whether in oratory or whatever else—he had simplicity."

      Simplicity, directness, sincerity—all these qualities describe Huxley; but the one attribute which distinguishes him above all others is love of truth. A love of truth, as the phrase characterizes Huxley, would necessarily produce a scholarly habit of mind. It was the zealous search for truth which determined his method of work. In science, Huxley would "take at second hand nothing for which he vouched in teaching." Some one reproached him for wasting time verifying what another had already done. "If that is his practice," he commented, "his work will never live." The same motive made him a master of languages. To be able to read at first hand the writings of other nations, he learned German, French, Italian, and Greek. One of the chief reasons for learning to read Greek was to see for himself if Aristotle really did say that the heart had only three chambers—an error, he discovered, not of Aristotle, but of the translator. It was, moreover, the scholar in Huxley which made him impatient of narrow, half-formed, foggy conclusions. His own work has all the breadth and freedom and universality of the scholar, but it has, also, a quality equally distinctive of the scholar, namely, an infinite precision in the matter of detail.

      If love of truth made Huxley a scholar, it made him, also, a courageous fighter. Man's first duty, as he saw it, was to seek the truth; his second was to teach it to others, and, if necessary, to contend valiantly for it. To fail to teach what you honestly know to be true, because it may harm your reputation, or even because it may give pain to others, is cowardice. "I am not greatly concerned about any reputation," Huxley writes to his wife, "except that of being entirely honest and straightforward." Regardless of warnings that the publication of Man's Place in Nature would ruin his career, Huxley passed on to others what nature had revealed to him. He was regardless, also, of the confusion and pain which his view would necessarily bring to those who had been nourished in old traditions. To stand with a man or two and to do battle with the world on the score of its old beliefs, has never been an easy task since the world began. Certainly it required fearlessness and determination to wrestle with the prejudices against science in the middle of the nineteenth century—how much may be gathered from the reading of Darwin's Life and Letters. The attitude of the times toward science has already been indicated. One may be allowed to give one more example from the reported address of a clergyman. "O ye men of science, ye men of science, leave us our ancestors in paradise, and you may have yours in Zoological gardens." The war was, for the most part, between the clergy and the men of science, but it is necessary to remember that Huxley fought not against Christianity, but against dogma; that he fought not against the past—he had great reverence for the accomplishment of the past—but against unwillingness to accept the new truth of the present.

      A scholar of the highest type and a fearless defender of true and honest thinking, Huxley certainly was: but the quality which gives meaning to his work, which makes it live, is a certain human quality due to the fact that Huxley was always keenly alive to the relation of science to the problems of life. For this reason, he was not content with the mere acquirement of knowledge; and for this reason, also, he could not quietly wait until the world should come to his way of thinking. Much of the time, therefore, which he would otherwise naturally have spent in research, he spent in contending for and in endeavoring to popularize the facts of science. It was this desire to make his ideas prevail that led Huxley to work for a mastery of the technique of speaking and writing. He hated both, but taught himself to do both well. The end of all his infinite pains about his writing was not because style for its own sake is worth while, but because he saw that the only way to win men to a consideration of his message was to make it perfectly clear and attractive to them. Huxley's message to the people was that happiness, usefulness, and even material prosperity depend upon an understanding of the laws of nature. He also taught that a knowledge of the facts of science is the soundest basis for moral law; that a clear sense of the penalties which Nature inflicts for disobedience of her laws must eventually be the greatest force for the purification of life. If he was to be remembered, therefore, he desired that he should be remembered primarily as one who had helped the people "to think truly and to live rightly." Huxley's writing is, then, something more than a scholarly exposition of abstruse matter; for it has been further devoted to the increasing of man's capacity for usefulness, and to the betterment of his life here on earth.

II—SUBJECT-MATTER,