Gordon Keith. Thomas Nelson Page

of pine-needles, he observed how delicate her features were; the blue veins showed clearly on her temples and the side of her throat, and her face had that refinement that unconsciousness often gives.

      Gordon knew that the best thing to do was to lower her head and unfasten her collar. As he loosened the collar, the whiteness of her throat struck him almost dazzlingly. Instinctively he took the little crumpled handkerchief that lay on the pine carpet beside her, and spread it over her throat reverently. He lifted her limp hand gently and felt her little wrist for her pulse.

      Just then her eyelids quivered; her lips moved slightly, stopped, moved again with a faint sigh; and then her eyelids opened slowly, and again those blue eyes gazed up at him with a vague inquiry.

      The next second she appeared to recover consciousness. She drew a long, deep breath, as though she were returning from some unknown deep, and a faint little color flickered in her cheek.

      "Oh, it's you?" she said, recognizing him. "How do you do? I think I must have hurt myself when I fell. I tried to ride my horse down the bank, and he slipped and fell with me, and I do not remember much after that. He must have run away. I tried to walk, but--but I am better now. Could you catch my horse for me?"

      Keith rose and, followed the horse's track for some distance along the little path. When he returned, the girl was still seated against the rock.

      "Did you see him?" she asked languidly, sitting up.

      "I am afraid that he has gone home. He was galloping. I could tell from his tracks."

      "I think I can walk. I must."

      She tried to rise, but, with the pain caused by the effort, the blood sprang to her cheek for a second and then fled back to her heart, and she sank back, her teeth catching her lip sharply to keep down an expression of anguish.

      "I must get back. If my horse should reach, the hotel without me, my mother will be dreadfully alarmed. I promised her to be back by--"

      Gordon did not hear what the hour was, for she turned away her face and began to cry quietly. She tried to brush the tears away with her fingers; but one or two slipped past and dropped on her dress. With face still averted, she began to feel about her dress for her handkerchief; but being unable to find it, she gave it up.

      There was something about her crying so quietly that touched the young man very curiously. She seemed suddenly much younger, quite like a little girl, and he felt like kissing her to comfort her. He did the next thing.

      "Don't cry," he said gently. "Here, take mine." He pressed his handkerchief on her. He blessed Heaven that it was uncrumpled.

      Now there is something about one's lending another a handkerchief that goes far toward breaking down the barriers of conventionality and bridges years. Keith in a moment had come to feel a friendliness for the girl that he might not have felt in years, and he began to soothe her.

      "I don't know what is the matter--with me," she said, as she dried her eyes. "I am not--usually so--weak and foolish. I was only afraid my mother would think something had happened to me--and she has not been very well." She made a brave effort to command herself, and sat up very straight. "There. Thank you very much." She handed him his handkerchief almost grimly. "Now I am all right. But I am afraid I cannot walk. I tried, but--. You will have to go and get me a carriage, if you please."

      Keith rose and began to gather up his books and stuff them in his pockets.

      "No carriage can get up here; the pines are too thick below, and there is no road; but I will carry you down to where a vehicle can come, and then get you one."

      She took a glance at his spare figure. "You cannot carry me, you are not strong enough I want you to get me a carriage or a wagon, please. You can go to the hotel. We are stopping at the Springs."

      By this time Gordon had forced the books into his pocket, and he squared himself before her.

      "Now," he said, without heeding her protest; and leaning down, he slipped his arms under her and lifted her as tenderly and as easily as if she had been a little girl.

      As he bore her along, the pain subsided, and she found opportunity to take a good look at his face. His profile was clean-cut; the mouth was pleasant and curved slightly upward, but, under the weight he was carrying, was so close shut as to bring out the chin boldly. The cheekbones were rather high; the gray eyes were wide open and full of light. And as he advanced, walking with easy strides where the path was smooth, picking his way carefully where it was rough, the color rose under the deep tan of his cheeks.

      She was the first to break the silence. She had been watching the rising color in his face, the dilation of his nostrils, and feeling the quickening rise and fall of his chest.

      "Put me down now and rest; you are tired."

      "I am not tired." He trudged on. He would show her that if he had not been able to mount her on her horse, at least it was not from lack of strength.

      "Please put me down; it pains me," she said guilefully. He stopped instantly, and selecting a clear place, seated her softly.

      "I beg your pardon. I was a brute, thinking only of myself."

      He seated himself near her, and stole a glance at her face. Their eyes met, and he looked away. He thought her quite beautiful.

      To break the silence, she asked, a little tone of politeness coming into her voice: "May I inquire what your name is? I am Miss Yorke--Miss Alice Yorke," she added, intending to make him feel at ease.

      "Gordon Keith is my name. Where are you from?" His manner was again perfectly easy.

      "From New York."

      "I thought you were."

      She fancied that a little change came over his face and into his manner, and she resented it. She looked down the hill. Without a word he rose and started to lift her again. She made a gesture of dissent. But before she could object further, he had lifted her again, and, with steady eyes bent on the stony path, was picking his way down the steep hill.

      "I am dreadfully sorry," he said kindly, as she gave a start over a little twinge. "It is the only way to get down. No vehicle could get up here at present, unless it were some kind of a flying chariot like Elijah's. It is only a little farther now."

      What a pleasant voice he had! Every atom of pride and protection in his soul was enlisted.

      When they reached the road, the young lady wanted Gordon to go off and procure a vehicle at the hotel. But he said he could not leave her alone by the roadside; he would carry her on to a house only a little way around the bend.

      "Why, I can carry a sack of salt," he said, with boyish pride, standing before her very straight and looking down on her with frank eyes.

      Her eyes flashed in dudgeon over the comparison.

      "A girl is very different from a sack of salt."

      "Not always--Lot's wife, for instance. If you keep on looking back, you don't know what may happen to you. Come on."

      Just then a vehicle rapidly driven was heard in the distance, and the next moment it appeared in sight.

      "There comes mamma now," said the girl, waving to the lady in it.

      Mrs. Yorke sprang from the carriage as soon as it drew up. She was a handsome woman of middle age and was richly dressed. She was now in a panic of motherly solicitude.

      "Oh, Alice, how you have frightened me!" she exclaimed. "You were due at the hotel two hours ago, and when your horse came without you! You will kill me!" She clapped her hands to her heart and panted. "You know my heart is weak!"

      Alice protested her sorrow, and Keith put in a word for her, declaring that she had been dreadfully troubled lest the horse should frighten her.

      "And well she might be," exclaimed Mrs. Yorke, giving him a bare glance and then turning back to her daughter. "Mrs. Nailor was the first who heard your horse had come home.