Boys Who Became Famous Men. Harriet Pearl Skinner

organist's young wife had cared for Sebastian with all the gentleness of a sister. They sent him to the Lyceum school, and Christoff taught him music at home. At first the elder brother rejoiced over the boy's progress in organ playing, and often rubbed his hands with pride as he predicted for his pupil a future filled with musical successes. But as the months rolled by, and the lad acquired greater knowledge, Christoff became silent.

      Had Sebastian been content to dawdle at his practising, or even to work with moderate zest, his experience might have proved no different from that of most music students; but he did nothing by halves, and whether he worked or whether he played, whether he studied grammar or whether he led the games at school, he attacked the enterprise with such force that he usually came off victorious. Bringing this same determination to bear upon his music, he soon left his fellow-students far behind; and practising hour after hour and day after day, with his mind set upon conquering all obstacles as soon as they appeared, he climbed and presently leaped into musicianly skill. Some of his music mates complained that Sebastian learned more in one week than they did in three or four, and their conclusion was wholly correct; but while they grumbled they forgot that he daily spent twice as many hours at the organ as did any one of them, toiling steadily, unfalteringly, until he had acquired a skill far exceeding theirs.

      He was such a good comrade, however, that they readily forgave him his musical progress, and in every game and contest on the playground he was eagerly sought as an ally.

      Strangely enough, as Sebastian's facility increased, his teacher's brow clouded. The boy could not understand why his brother was more plainly vexed over a perfect lesson than with a faulty one. In the beginning Christoff had cheered Sebastian on, but of late he had grown crabbed and irritable, and the lessons had come to be hours of harsh and sneering criticism. Sebastian did not dream that his brother was jealous, but this was really the case; and Christoff heard the boy's lessons with deepening anxiety and distaste. Never, however, until to-day had the organist admitted, even to himself, that he was afraid of his younger brother, that he dreaded lest he himself should be outstripped by his pupil.

      When Sebastian opened the door of the great kitchen, which served the family for dining-room and living-room as well, a savory odor floated out to greet him.

      "Hurrah for the goose, Schwester! I hope it is nearly done!" he cried, throwing down his music and hanging his cap and cloak on a peg beside the door.

      Mrs. Bach was kneeling before the open fireplace, busily engaged in turning the fowl that browned so temptingly above the blaze; but upon Sebastian's entrance, she rose and approached him with a troubled look.

      "Christoff is very angry with you," she whispered, indicating the chamber above with a motion of her hand.

      "Angry with me? What for? What's wrong?" exclaimed Sebastian astonished. Before she could reply, a door above was heard to open, and down the wooden stairway at the end of the kitchen rushed Christoff Bach, his face purple, his eyes gleaming.

      Seizing Sebastian roughly by the arm, he loudly demanded—

      "What do you mean by stealing my pieces, and trying to learn them behind my back, so that the town can laugh at me when you perform?"

      "Steal! Laugh!" echoed Sebastian blankly, unable to comprehend his brother's meaning.

      "Don't pretend to be innocent! You can't hoodwink me any longer, my young cub. I'll see that nothing like this occurs again."

      "What have I done, Christoff? I don't know what you mean."

      "You stole my book that I copied at Arnstadt, taking pains to lay hold of it while I was safe at Gotha."

      "I didn't steal it," returned Sebastian horrified.

      "You didn't? What do you call your going into my room, taking music without my permission, and practising it while I am out of town?"

      "I didn't suppose you would care a bit. I thought if I learned one or two of Pachelbel's fugues, it would be a nice surprise for you when you came back from Gotha."

      "A nice surprise! Ha, ha! Ho, ho! I suppose that next time I go from home for a week you will surprise me by pilfering the contents of my money-drawer."

      "I didn't steal, I didn't steal the book," protested Sebastian, paling under the sting of his brother's taunt.

      "No, no, Christoff, I'm sure the boy meant no harm," interposed Mrs. Bach, touching her husband's arm with a coaxing gesture; "I knew that he borrowed your music book, but I thought also that you would be pleased with his desire to study it."

      "Then you, too, are engaged in a plot to ruin me!" shrieked the organist, carried quite beyond himself by the fury of his jealousy; "I'll see whether I am not to be master in my own house. If I can't leave my belongings in my room without fear that my brother will use them expressly to injure me, and that my wife will help him along with the scheme, I'll begin to put them out of reach!"

      Snatching up Sebastian's music bag, Christoff, too impatient to loose its fastenings of hook and tape, ripped it apart, seized his roll of manuscript, thrust it into the shelf of a side cupboard, slammed the steel wicker door, locked it grimly, and pocketed the key.

      "Let's have dinner," he growled, drawing out his chair noisily, and dropping into his place at table without a glance toward either member of his household.

      Mrs. Bach brought on the steaming goose, but everybody was dismally uncomfortable throughout the meal. The organist's rosy-cheeked wife tried to banish the gloom by speaking cheerily upon subjects not akin to music; but Christoff would not reply, and Sebastian could not, so her brave attempts soon failed, and the room was left in silence.

      Sebastian's appetite was gone, and as soon as possible he hurried away to his own room, where, deeply dejected, he sat with his face buried in his folded arms.

      As the shade of twilight fell across his bowed figure, a quick footstep sounded behind him, and a soft hand was laid upon his head.

      "Come, Bübchen," said Mrs. Bach kindly, "don't worry any more. Christoff didn't mean all that he said to-day, and he is sorry that he spoke as he did. See, I have brought you a bowl of bread and milk, for I noticed that you ate no dinner. So now forgive Christoff for what he said when he was angry, and forget all that happened this afternoon. If you act toward him just as usual, he will do the same with you, and we shall all be happy again."

      Sebastian eagerly raised his head.

      "He won't think me a thief any longer?"

      "No, no. Certainly not. After he had cooled down a bit I explained to him what you meant by borrowing his book, and how hard you practised to learn the second fugue against his return; and he said that he believed that you were truly honest, and he was sorry that he had accused you wrongfully."

      "And he'll let me use his book hereafter, and learn to play the fugues?" cried Sebastian joyfully.

      Mrs. Bach shook her head slowly, her blue eyes fixed sorrowfully upon the boy.

      "No," she said, "you cannot use his book any more. He said that he would never scold you again for having taken it last week, but that you must send him your promise never to play out of it again."

      "Schwester!" ejaculated the boy in keen distress, "why does he forbid me to use it?"

      "I do not know; I do not know."

      "I may as well give up my playing altogether, for I have finished my own pieces; Christoff himself said I might leave them now, and I have no others to study. Music is so costly that I cannot buy any for myself—yes, I may as well forget that I wished to be a great, great musician. Schwester!" The boy's eyes kindled and his cheeks glowed as he continued ardently—

      "I'd like to play so wonderfully by the time I'm a man that whole audiences would sometimes smile and sometimes cry with the sweetness of my music, and little children would drop their toys in the street and stand in my garden listening. But how can I learn without any music to study?"

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