Theo. Frances Hodgson Burnett

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Название Theo
Автор произведения Frances Hodgson Burnett
Жанр Языкознание
Серия
Издательство Языкознание
Год выпуска 0
isbn 4064066223748



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at all," answered Lady Throckmorton. "Only innocent. But I can tell you all about Priscilla in a dozen words. Priscilla is a modern Sappho. Priscilla is an elderly young lady, who never was a girl—Priscilla is my poor Denis Oglethorpe's fiancee."

      "Oh!" said Theodora.

      Her august relative drew her rich silk skirts a little farther away from the heat of the fire, and frowned slightly; but not at Theodora—at Priscilla, in her character of fiancee.

      "Yes," she went on. "And I think you would agree with me in saying poor Denis Oglethorpe, if you could see Priscilla."

      "Is she ugly?" asked Theo, concisely.

      "No," sharply. "I wish she was; but at twenty-two she is elderly, as I said just now—and she never was anything else. She was elderly when they were engaged, five years ago."

      "But why—why didn't they get married five years ago, if they were engaged?"

      "Because they were too poor," Lady Throckmorton explained; "because Denis was only a poor young journalist, scribbling night and day, and scarcely earning his bread and butter."

      "Is he poor now?" ventured Theo again.

      "No," was the answer. "I wish he was, if it would save him from the Gowers. As it is, I suppose, if nothing happens to prevent it, he will marry Priscilla before the year is out. Not that it is any business of mine, but that I am rather fond of him—very fond of him, I might say, and I was once engaged to his father."

      Theo barely restrained an ejaculation. Here was another romance—and she was so fond of romances. Pamela's love-story had been a great source of delight to her; but if Mr. Oglethorpe's father had been anything like that gentleman himself, what a delightful affair Lady Throckmorton's love-story must have been! The comfortable figure in the arm-chair at her side caught a glow of the faint halo that surrounded poor Pam; but in this case the glow had a more roseate tinge, and was altogether free from the funereal gray that in Pamela always gave Theo a sense of sympathizing discomfort.

      The next day she wrote to Pamela:

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