One Of Them. Charles James Lever

the things you fear and hope, the weak points you would fortify, and sometimes the strong ones you would mask—in a word, for all the purposes of intercourse, they are able to estimate your strength and weakness, and all this ere, perhaps, you have noted the accents of their voice or the color of their eyes.

      The lady of whom it is now our business to speak was one of this gifted class. Whence she came, and how she became such, we are not about to enter upon. She had had her share of trials, and yet was both young and good-looking; her good looks in no wise evidencing the vestiges of any sorrow. Whether a widowed or deserted wife, she bore bereavement admirably; indeed, so far as one could see, she professed a very rare ethical philosophy. Her theory was, the world was a very nice world, the people in it very nice people; life itself a very nice thing; and that people, generally speaking, only needed their own consent to be very happy and contented. She had, it is true, some very able adjuncts to carry out her system. There was scarcely an acquirement that she did not possess reasonably well; she spoke several languages, sang, rode, drew, played billiards most gracefully, and could manufacture the most charming cigarettes that ever were smoked. Some of these are envied qualities, and suggest envy; but against this she was careful to guard, and this by a very simple method indeed. In whatever she did, tried, or attempted, she always asked your advice. She had carefully studied the effect of the imputed superiority of those who counsel their neighbors, and she saw in its working one of the most tangible of all human weaknesses. The tendency to guide and direct others is a very popular one. Generous people practise it out of their generosity; gentle natures indulge in the practice in very sympathy. To stern moralists it is an occasion for the hard lessons they love to inculcate. The young are pleased with its importance; the old are gratified to exercise their just prerogative. “Tell me how do you do this;” or, “Teach me how to correct that;” “What would you advise in my place?” or, “What reply would you give to that?” are appeals that involve a very subtle flattery. Every man, and more decisively too, every woman, likes to be deemed shrewd and worldly-wise. Now, Mrs. Morris had reflected deeply over this trait, and saw to what good account care and watchfulness might turn it. He who seeks to be guided by another makes his appeal in a guise of humility, besides, which is always a flattery, and when this is done artfully, with every aid from good looks and a graceful manner, success is rarely wanting; and lastly, it is the only form of selfishness the world neither resents nor repudiates.

      He who comes to you with a perfectly finished tale of his misfortunes, with “Finis” written on the last volume of his woes, is simply a bore; whereas he who approaches you while the catastrophe yet hangs impending, has always an interest attached to him. He may marry the heiress yet, he may be arrested on that charge of forgery, obtain that Cross of the Bath, or be shot in that duel; you are at least talking to a man Fortune has not done with, and this much is something.

      Mrs. Morris had been little more than a fortnight domesticated at the Villa Caprini, where her weakness still detained her, and yet she had contrived to consult Sir William about her fortune, invested, almost entirely, in “Peruvians,” which her agent, Mr. Halker, had told her were “excellent;” but whether the people of that name, or the country, or the celebrated Bark, was the subject of the investment, she really professed not to know.

      To May Leslie she had confided the great secret of her heart—an unpublished novel; a story mainly comprised of the sad events of her own life, and the propriety of giving which to the world was the disputed question of her existence.

      As to Charles, she had consulted him how best to disembarrass herself of the attentions of Mr. Mosely, who was really become a persecutor. She owned that in asking his counsel she could not impart to him all the circumstances which he had a right to be possessed of—she appealed to his delicacy not to question her. So that whether wife or widow, he knew not what she might be, and, in fact, she even made of the obscurity another subject of his interest, and so involved him in her story that he could think of nothing else. She managed each of these confidences with such consummate skill that each believed himself her one sole trusted friend, depositary of her cares, refuge of her sorrows; and while thus insinuating herself into a share of their sympathy, she displayed, as though by mere accident, many of her attractions, and gave herself an opportunity of showing how interesting she was in her sorrow and how fascinating in her joy!

      The Heathcotes—father, son, and niece—were possessed of a very ample share of the goods of fortune. They had health, wealth, freedom to live where and how they liked.

      They were well disposed towards each other and towards the world; inclined to enjoy life, and suited to its enjoyment. But somehow, pretty much like some mass of complicated machinery, which by default of some small piece of mechanism—a spring, a screw, or a pinion the more—stands idle and inert—all its force useless, all its power unused, they had no pursuit—did nothing. Mrs. Morris was exactly the motive power wanting; and by her agency interests sprang up, occupations were created, pleasures invented. Without bustle, without even excitement, the dull routine of the day grew animate; the hours sped glibly along. Little Clara, too, was no small aid to this change. In the quiet monotony of a grave household a child's influence is magical. As the sight of a butterfly out at sea brings up thoughts of shady alleys and woodbine-covered windows, of “the grass and the flowers among the grass,” so will a child's light step and merry voice throw a whole flood of sunny associations over the sad-colored quietude of some old house. Clara was every one's companion and everywhere—with Charles as he fished, with May Leslie in the flower-garden, with old Sir William in the orangery, or looking over pictures beside him in the long-galleried library.

      Mrs. Morris herself was yet too great an invalid for an active life. Her chair would be wheeled out into the lawn, under the shade of an immense weeping-ash, and there, during the day, as to some “general staff,” came all the “reports” of what was doing each morning. Newspapers and books would be littered about her, and even letters brought her to read, from dear friends, with whose names conversation had made her familiar. A portion of time was, however, reserved for Clara's lessons, which no plan or project was ever suffered to invade.

      It may seem a somewhat dreary invitation if we ask our readers to assist at one of these mornings. Pinnock and Mrs. Barbauld and Mangnall are, perhaps, not the company to their taste, nor will they care to cast up multiplications, or stumble through the blotted French exercise. Well, we can only pledge ourselves not to exaggerate the infliction of these evils. And now to our task. It is about eleven o'clock of a fine summer's day, in Italy; Mrs. Morris sits at her embroidery-frame, under the long-branched willow; Clara, at a table near, is drawing, her long silky curls falling over the paper, and even interfering with her work, as is shown by an impatient toss of her head, or even a hastier gesture, as with her hands she flings them back upon her neck.

      “It was to Charley I said it, mamma,” said she, without lifting her head, and went on with her work.

      “Have I not told you, already, to call him Mr. Charles Heathcote, or Mr. Heathcote, Clara?”

      “But he says he won't have it.”

      “What an expression—'won't have it'!”

      “Well, I know,” cried she, with impatience; and then laughingly said, “I 've forgot, in a hurry, old dear Lindley Murray.”

      “I beg of you to give up that vile trash of doggerel rhyme. And now what was it you said to Mr. Heathcote?”

      “I told him that I was an only child—'a violet on a grassy bank, in sweetness all alone,' as the little book says.”

      “And then he asked about your papa; if you remembered him?”

      “No, mamma.”

      “He made some mention, some allusion, to papa?”

      “Only a little sly remark of how fond he must be of me, or I of him.”

      “And what did you answer?”

      “I only wiped my eyes, mamma; and then he seemed so sorry to have given me pain that he spoke of something else. Like Sir Guyon—

      “'He talked of roses, lilies, and the rest,

      The