On the Heights. Auerbach Berthold

we driving?" asked Walpurga.

      "Certainly."

      "It seems like flying. I can't hear the least rumbling of the wheels."

      "Of course you can't. The tires are covered with india-rubber."

      "And so they wear cloth shoes just as we do when we walk on smooth floors. Oh, how clever they all are here. Out yonder, they don't know a thing. They live just like cattle; the only difference is they don't eat grass--but what's the matter?" said she, starting with fright. "They're beating the drums and the soldiers are rushing toward us. Is there a fire somewhere?"

      "That's on our account. The guard always present arms when a member of the royal family passes by--watch them. They're presenting arms and after we've passed they'll lay their muskets aside and return to the guardroom. Their regiment is known as the crown prince's, for it belongs to him."

      "And so he'll have live soldiers to play with when he grows up."

      Mademoiselle Kramer showed all the self-command befitting one who could boast of a line of sixteen ancestors. A slight start and an odd, nervous twitching of the features, as if suppressing a yawn, were the only visible effects of Walpurga's words. But of laughter there was not a sign. An upper servant of the right sort must hear and see all that is going on, and yet stand by as if he were no more than the table or plate that can be moved about at will; and although Walpurga was not her superior, it would not do to laugh at her, for she was nurse to his royal highness the crown prince. Mademoiselle Kramer therefore refrained from laughing, and, as if to evade answering, merely said: "When we pass the guard on our way home, the same thing will happen again."

      "And may I ask what's the good of it all?"

      "Certainly; there is a good reason for everything, and this serves to accustom the people, and especially the soldiers, to show proper respect to their superiors."

      "But our prince don't know anything of that."

      "We must show our respect for him, even though he know nothing of it; and now let me tell you something which it would be well for you to know. Whenever you speak or think of their majesties, the king and queen, let it be as 'his majesty' or 'her majesty,' but never simply as king and queen, so that you may never so far forget yourself as to speak of them in a disrespectful manner. Bear this in mind."

      Walpurga scarcely heard a word of what she said.

      "Oh, Lord!" she exclaimed, "how wisely they've arranged everything. It must have taken many thousand years before they could get so far."

      "It has, indeed. But you needn't nod to everyone you see bowing. It isn't meant for you."

      "But I'd like to do it for my prince, until he can attend to it himself. They all show how glad they'll be to get a look at him. They all bow to you, my child--you're well off, indeed--oh, what a lovely carriage this is. It's as soft as a bed, and as comfortable as a room, and you can sit here and see all that's going on outside, and--dear me, how fast we're going."

      They turned into the park. The carriage drove slowly while they passed the lake, and Walpurga was ever saying:

      "I feel as if I were in fairyland."

      They alighted by the shady and fragrant Grove of the Nymphs. As soon as she had left the carriage, Walpurga, who was carrying the child in her arms, said:

      "Open your eyes! Look about you! The whole world's yours. There are trees and meadows and, overhead the blue sky. But your father can't give you that; you'll have to earn it by being good, and if you and I both remain good, we'll meet again, up above."

      "Sit down here, Walpurga, and pray cease talking," said Mademoiselle Kramer.

      She was terribly anxious about Walpurga, who talked incessantly and incoherently, and was as unmanageable as a young foal that had just been let loose in the meadow.

      For this reason, Mademoiselle Kramer again remarked: "Speak softly, and address all your remarks to me. I should be sorry if the lackeys behind us were making sport of you. Do you see the outrider over there? He is my nephew." Walpurga had not, until then, noticed that two lackeys, one of whom was Baum, were following them. The carriage was being driven up and down the side avenues. Suddenly Walpurga stopped, as if spellbound, before a marble figure.

      "Isn't it beautiful?" asked Mademoiselle Kramer.

      "Fie!" replied Walpurga. "It's abominable; and to think of men and women walking about here and looking at such an object."

      When the old king had the statues placed in the park, Mademoiselle Kramer had deemed them objectionable, but as their majesties had found them beautiful, she had gradually come to look upon them in the same light.

      They went into a side avenue, where Walpurga sat down on a bench and, falling into a reverie, soon knew as little of the world as did the child in her arms.

      "Who's there?" said she, as if awakened from sleep.

      Riding between two horsemen, she beheld a lady mounted on a glossy black steed. Her riding-habit was of blue and the long flowing veil fastened to her hat was of the same color.

      "It looks like the countess."

      "It is she, and now they dismount. His majesty the king and their royal highnesses the hereditary prince and princess, are with her. They are coming this way," said Mademoiselle Kramer. "Keep your seat. As nurse, you need not trouble about being polite."

      But Walpurga could not help putting her hands up to her hat, in order to feel whether the tassel at the back and the flowers in front were still in place.

      Mademoiselle Kramer begged their highnesses not to look at the sleeping child, lest they might awaken it.

      Irma was the first to speak. "How deeply significant are all of nature's laws. The waking eye arouses the sleeping child. In the depths of every human soul, an infant soul rests sleeping, and it is not well to permit either sympathy or idle curiosity to disturb it."

      "I would like to know how you always manage to have such original thoughts," replied the king.

      "I don't know," replied Irma, playing with her riding-whip. "I've courage enough to say what I think, and that passes for originality. Nearly all human beings are changelings. They were changed while in the cradle of education."

      The king laughed. Walpurga, however, quickly turned her thumbs inward, and said:

      "Changelings. It's wrong to speak of anything of that sort before a child that's less than seven months old, for the evil spirits are all powerful up to that time, even if the child is christened."

      In order to exorcise any evil spell from the child, she breathed upon it thrice.

      The princess looked sadly at the nurse and the child, but did not utter a word.

      "I don't understand a word of what the nurse says," remarked the hereditary prince.

      Walpurga blushed scarlet.

      "Why do you look at me so?" asked Countess Irma, "don't you know me?"

      "Of course I do, but do you know who you look like? like the Lady of the Lake. When she rises from the waves, her dress hangs about her in a sea of folds just like yours."

      Irma laughed, while she, in High German, told the prince and princess what the nurse had been saying. The prince nodded to Walpurga much as he would have done with a dumb animal to which he could not render himself intelligible.

      "But Countess Irma's feet are not swan's feet. Don't believe that, Walpurga," said the king laughing. "Come, 'Lady of the Lake.'"

      They mounted their horses and rode away.

      It was time for the prince to return.

      On their return, they at once repaired to the new apartments on the ground floor, into which everything had been removed during their absence.

      They now had sunlight at all hours of the day. The apartments opened