Children's Book Classics - Kate Douglas Wiggin Edition: 11 Novels & 120+ Short Stories for Children. Kate Douglas Wiggin

corn and his timber lands, bright and honest as were his eyes, never saw such visions as Rebecca. The child, transplanted from her home farm at Sunnybrook, from the care of the overworked but easy-going mother, and the companionship of the scantily fed, scantily clothed, happy-go-lucky brothers and sisters—she had indeed fallen on shady days in Riverboro. The blinds were closed in every room of the house but two, and the same might have been said of Miss Miranda’s mind and heart, though Miss Jane had a few windows opening to the sun, and Rebecca already had her unconscious hand on several others. Brickhouse rules were rigid and many for a little creature so full of life, but Rebecca’s gay spirit could not be pinioned in a strait jacket for long at a time; it escaped somehow and winged its merry way into the sunshine and free air; if she were not allowed to sing in the orchard, like the wild bird she was, she could still sing in the cage, like the canary.

II

       Table of Contents

      If you had opened the carefully guarded volume with the mottled covers, you would first have seen a wonderful title page, constructed apparently on the same lines as an obituary, or the inscription on a tombstone, save for the quantity and variety of information contained in it. Much of the matter would seem to the captious critic better adapted to the body of the book than to the title page, but Rebecca was apparently anxious that the principal personages in her chronicle should be well described at the outset.

      She seems to have had a conviction that heredity plays its part in the evolution of genius, and her belief that the world will be inspired by the possession of her Thoughts is too artless to be offensive. She evidently has respect for rich material confided to her teacher, and one can imagine Miss Dearborn’s woe had she been confronted by Rebecca’s chosen literary executor and bidden to deliver certain “Valuable Poetry and Thoughts,” the property of posterity “unless carelessly destroyed.”

      Thought book of Rebecca Rowena Randall Really of Sunnybrook Farm But temporily of The Brick House Riverboro. Own niece of Miss Miranda and Jane Sawyer Second of seven children of her father, Mr. L. D. M. Randall (Now at rest in Temperance cemmetary and there will be a monument as soon as we pay off the mortgage on the farm) Also of her mother Mrs. Aurelia Randall

      In case of Death the best of these Thoughts

       May be printed in my Remerniscences

       For the Sunday School Library at Temperance, Maine

       Which needs more books fearfully

       And I hereby

       Will and Testament them to Mr. Adam Ladd

       Who bought 300 cakes of soap from me

       And thus secured a premium

       A Greatly Needed Banquet Lamp

       For my friends the Simpsons.

       He is the only one that incourages

       My writing Remerniscences and

       My teacher Miss Dearborn will

       Have much valuable Poetry and Thoughts

       To give him unless carelessly destroyed.

       The pictures are by the same hand that

       Wrote the Thoughts.

      IT IS NOT NOW DECIDED WHETHER REBECCA ROWENA RANDALL WILL BE A PAINTER OR AN AUTHOR, BUT AFTER HER DEATH IT WILL BE KNOWN WHICH SHE HAS BEEN, IF ANY.

      FINIS

      From the title page, with its wealth of detail, and its unnecessary and irrelevant information, the book ripples on like a brook, and to the weary reader of problem novels it may have something of the brook’s refreshing quality.

       OUR DIARIES

      May, 187—

      All the girls are keeping a diary because Miss Dearborn was very much ashamed when the school trustees told her that most of the girls’ and all of the boys’ compositions were disgraceful, and must be improved upon next term. She asked the boys to write letters to her once a week instead of keeping a diary, which they thought was girlish like playing with dolls. The boys thought it was dreadful to have to write letters every seven days, but she told them it was not half as bad for them as it was for her who had to read them.

      To make my diary a little different I am going to call it a THOUGHT Book (written just like that, with capitals). I have thoughts that I never can use unless I write them down, for Aunt Miranda always says, Keep your thoughts to yourself. Aunt Jane lets me tell her some, but does not like my queer ones and my true thoughts are mostly queer. Emma Jane does not mind hearing them now and then, and that is my only chance.

      If Miss Dearborn does not like the name Thought Book I will call it Remerniscences (written just like that with a capital R). Remerniscences are things you remember about yourself and write down in case you should die. Aunt Jane doesn’t like to read any other kind of books but just lives of interesting dead people and she says that is what Longfellow (who was born in the state of Maine and we should be very proud of it and try to write like him) meant in his poem:

      “Lives of great men all remind us

       We should make our lives sublime,

       And departing, leave behind us

       Footprints on the sands of time.”

      I know what this means because when Emma Jane and I went to the beach with Uncle Jerry Cobb we ran along the wet sand and looked at the shapes our boots made, just as if they were stamped in wax. Emma Jane turns in her left foot (splayfoot the boys call it, which is not polite) and Seth Strout had just patched one of my shoes and it all came out in the sand pictures. When I learned The Psalm of Life for Friday afternoon speaking I thought I shouldn’t like to leave a patched footprint, nor have Emma Jane’s look crooked on the sands of time, and right away I thought Oh! What a splendid thought for my Thought Book when Aunt Jane buys me a fifteen-cent one over to Watson’s store.

       REMERNISCENCES

      June, 187—

      I told Aunt Jane I was going to begin my Remerniscences, and she says I am full young, but I reminded her that Candace Milliken’s sister died when she was ten, leaving no footprints whatever, and if I should die suddenly who would write down my Remerniscences? Aunt Miranda says the sun and moon would rise and set just the same, and it was no matter if they didn’t get written down, and to go up attic and find her piece-bag; but I said it would, as there was only one of everybody in the world, and nobody else could do their remerniscensing for them. If I should die tonight I know now who would describe me right. Miss Dearborn would say one thing and brother John another. Emma Jane would try to do me justice, but has no words; and I am glad Aunt Miranda never takes the pen in hand.

      My dictionary is so small it has not many genteel words in it, and I cannot find how to spell Remerniscences, but I remember from the cover of Aunt Jane’s book that there was an “s” and a “c” close together in the middle of it, which I thought foolish and not needful.

      All the girls like their dairies very much, but Minnie Smellie got Alice Robinson’s where she had hid it under the school wood pile and read it all through. She said it was no worse than reading anybody’s composition, but we told her it was just like peeking through a keyhole, or listening at a window, or opening a bureau drawer. She said she didn’t look at it that way, and I told her that unless her eyes got unscealed she would never leave any kind of a sublime footprint on the sands of time. I told her a diary was very sacred as you generally poured your deepest feelings into it expecting nobody to look at it but yourself and your indulgent heavenly Father who seeeth all things.

      Of course it would not hurt Persis Watson to show her diary because she has not a sacred plan and this is the way it goes, for she reads it out loud to us:

      “Arose at six this morning—(you always arise in a diary but you say get up when you talk about it). Ate breakfast at half past six. Had soda biscuits, coffee,