London's Heart. B. L. Farjeon

the world of it!" While another holds his burden loosely, and proclaims, "This is Ours, and I wish it was Yours!" See this last specimen of the British father slouching along, and his wife walking discontentedly a few steps behind him. He carries his baby in the most uncomfortable of positions, with its head hanging down. He is a miserable dissatisfied man. He does not look this way or that, but straight before him, surlily and wearily. He seems to say, "A nice kind of thing this is, after my hard week's work! I can't go out for my Sunday walk without dragging the brat along with me. What a fool I was to get married!" And though really the burden is as a feather's weight in the strong man's arms, his discontent makes it as weighty as so much lead. There isn't a bright bit of ribbon in the child's dress, and if you could see into the man's heart, you would learn that it would not be a very great grief to him if the child were to die quietly in his arms. You may depend upon it that the home of this man and woman is not a happy one, and that life is truly a burden to them. See this other and better specimen. Working-man father and working-woman mother, in precisely the same position of life as the discontented man. He carries the baby carefully and tenderly, and the mother walks briskly by his side. There are refreshing bits of colour about the woman's dress, and the baby's dress is, pretty and bright. Sometimes the man pauses, and his wife uncovers the baby's face, and they both look at it lovingly while she makes a fuss and pretence about setting something right with the baby's hood. He gazes about him cheerfully and seems to say, "This is one of my brightest bits of sunshine. I shouldn't enjoy my Sunday's walk without it. What a happy day for me was the day I got married!" And he thinks that soon--in twelve months, perhaps--his little treasure will be able to toddle along by his side, and throw bread to the ducks in the Park. And though the child is plump and heavy, love makes it light. Happy father! Happy home!

      No such reflections as these passed through the mind of Gribble junior as he continued the enunciation of his sensible philosophy.

      "My way is, to take things as they come, and to keep moving. You knock your head against things, and you're sure to rasp your skin. What's the use of fretting? You only chafe yourself, and nobody takes any notice. Make the best of things. That's what I tell father; but he doesn't agree with me. The consequence is, that he shows his weak hand, as a body might say. And that's not wise. If you have a weakness, keep it to yourself. Don't let the world see it. Father said to me one night last week when he was shutting up--(he'd only taken three and fourpence the whole day, and that's enough, I own, or isn't enough, perhaps I ought to say, to drive a shopkeeper wild)--that if he could catch hold of a co-operation manager, he'd pitch into him. I told him that if he did, he'd very likely get locked-up for it; and he said, 'Never mind, I shouldn't be the only martyr that's suffered in a good cause.' The fact is, Mr. Wheels, father belongs to the old school--he won't keep moving; and as all the world's on the move, he's left behind. I belong to the new school; and I run along with the tide as fast as I can. Mrs. J. G. belongs to the new school, and so does her brother. His name is Thompson. He's got a shop about half a mile from here. He advertises himself everywhere as Thompson the Great. He has thousands of bills circulated: 'The great Thompson! the unrivalled Thompson! Thompson the First! Come and see him to-night. No charge for admission. Where's Thompson? Who's Thompson?' That's his style. He has an illumination over his shop every night, with his portrait in the middle--although he's not a handsome man by any means. And what do you think his business is? He keeps a little paper-hanging shop. By-and-by he'll have a big paper-hanging shop. He keeps moving."

      Here Gribble junior gave a finishing tap to the patient in hand, and whipped off his apron.

      "I've done work for the night," he said.

      At the same moment Mrs. Gribble entered, and whispered to the old man that the woman down-stairs was sleeping soundly.

      "That's where it is," said the old man, with a disturbed look; "that's what I've come in for. She's got to have her medicine given to her directly she wakes, and she won't take it from any other hand than mine or Lily's; and it's now half-past ten o'clock, and I ought to be at the Hall to bring Lily home, although it'll be an hour yet before she's ready. Lily can't walk home by herself, especially on Saturday night, when there are so many roughs about and so much money spent in drink."

      "Where's Alf?" asked Gribble junior.

      "I don't know; he promised to be here at ten o'clock; but he hasn't come."

      "Do you want Mrs. J. G. to sit with your girl down-stairs while you go and fetch Lily?"

      "Didn't I tell you," said the old man fretfully, "that my daughter's got to have her medicine given her directly she wakes, and that she won't take it from anybody but me or Lily?"

      "Well, then," asked Gribble junior, with great good-humour, "do you want me to go and fetch Lily?"

      "Yes--yes--yes," with a jealous little sigh between each yes, as if the speaker were unwilling to give to another a task that he would fain perform himself. "I came in to ask you. I thought of Mr. Podmore at first; but he's dead-beat."

      Gribble junior's coat was off before the old man was finished, and he was plunging his face in water.

      "What makes Lily late to-night?" he called out in the midst of his plashing.

      "They've changed the programme, and she's got a new song to sing; and her turn won't come on until past eleven o'clock. The manager's an artful man, and knows what an attraction Lily is; the people'll stop to the last to see her pretty face and hear her pretty voice. My Lily!" He uttered the last words softly to himself, in a tone of infinite tenderness. "Here are the tickets. This admits to the Hall; show it to the man at the door, and he'll let you in. Wait until Lily comes on; and when she has finished--which'll not be until they call her back two or three times--go out at once, and ask your way to the stage-door. This ticket'll admit you to the side of the stage. Tell Lily I couldn't come because mother's not awake, and that I've sent you to take care of her, and to bring her home."

      "All right," said Gribble junior, twisting himself into his coat, delighted at the opportunity of getting free admission to a music-hall. "Get supper ready, Liz, by the time I come back. I'll bring Lily safe home, Mr. Wheels."

      With a parting nod, the cheerful little man skipped down the stairs and into the street, and the old man went back to his room. The woman was still sleeping. He took up the work-box on which he had been working, and looked at it affectionately. "My Lily!" he murmured again, in the same tone of tenderness he had used before; and so sat musing, with that yearning of deep love which is almost painful in its intensity. Soon the Swiss clock struck eleven, and the old man laid the cloth for supper. There was the little cruet on wheels, and the breadbasket, and the salt-cellar; and each plate and dish had a wooden rim on the bottom, in which very small wheels were inserted. He took these and the remains of a small joint of roast beef from a cupboard on the landing; placed the vase with the roses in it in the centre of the table; went out for beer; and when he returned, arranged the supper-things again and again, until he was satisfied that everything was in the exact place to please his darling.

CHAPTER III.

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INTRODUCES THE ROYAL WHITE ROSE MUSIC-HALL.

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      Gribble junior had the finest spirits of any man in London. Nothing jarred upon him. From the days of his infancy, when he used to munch his knuckles contentedly, to the present time, he was never known to be out of temper. He had never had a ten-pound note to call his own, and he was always blithe and happy. His father had been a struggling small tradesman all his life, taking just enough over his counter to keep body and soul together, as he expressed it; and therefore, although Gribble junior was his son, he could scarcely be called his heir. But the lucky junior came into a rare inheritance from his mother--the inheritance of a cheerful nature. Such a patrimony is worth more than great estates and much money.

      He was in one of his happiest moods as, in accordance