The Royal End. Harland Henry

gold-laced Swiss was aiding mesdames to alight.

      “Good night—and thank you so very much,” said Lucilla. “We should have had to camp at the Lido if you hadn't come to our rescue.”

      “I am only too glad to have been of the slightest use,” Bertram assured her.

      “Good night,” said Ruth with a little nod and smile—the first sign she had made him, the first word she had spoken.

      He lifted his hat. Balzatore, fore paws on the seat, tail aloft, head thrust forward, gave a yelp of reluctant valediction (or was it indignant protest and recall?). The ladies vanished through the great doorway; the incident was closed.

V

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      The incident was closed;—and, in a way, for Bertram, as the event proved, it had yet to begin. His unknown “guests of hazard” had departed, disappeared; but they had left something behind them that was as real as it was immaterial, a sense of fluttering garments, of faint fleeting perfumes, of delicate and mystic femininity. The incident was closed, and now, as the strong ashen sweeps bore him rapidly homewards between the unseen palaces of the Grand Canal, it began to re-enact itself; and a hundred details, a hundred graces, unheeded at the moment, became vivid to him. Two women, standing in a rain of moonlight, by the landing-stage at the Lido, brightly silhouetted against the dim lagoon; the sudden tumultuous exordium of his men; his own five words with Lucilla, and the high-bred musical English voice in which she had answered him; then their presence, gracious and distinguished, there beside him in the bend of the boat—their cool, summery toilets, the entire fineness and finish of their persons; and the wide, moonlit water, and the play of the moonlight on the ripples born of their progress, and the wide silence, punctured, as in a sort of melodious pattern, by the recurrent dip and drip of the oars; it all came back, but with an atmosphere, a fragrance, but with overtones of suggestion, even of sentiment, that he had missed. It all came back, unfolding itself as a continuous picture; and what therein, of all, came back with the most insistent clearness was the appearance of the young girl who had so mutely effaced herself in her companion's shadow, and whom, at the time (egregious circumstance), he had just vaguely noticed as pretty and pleasant-looking. This came back with insistent, with disturbing clearness, a visible thing of light in his memory; and he saw, with a kind of bewilderment at his former blindness, that her prettiness was a prettiness full of distinctive character, and that if she was “pleasant-looking” it was with a pleasantness as remote as possible from insipid sweetness. Even in her figure, which was so far typical as to be slender and girlish, he could perceive something that marked it as singular, a latent elasticity of fibre, a hint, as it were, of high energies quiescent; but when he considered her face, he surprised himself by actually muttering aloud, “Upon my word, it's the oddest face I think I have ever seen.” Odd—and pretty? Yes, pretty, or more than pretty, he was quite confident of that; yet pretty notwithstanding an absolutely defiant irregularity of features. Or stay—irregularity? No, unconventionality, rather: for the features in question were so congruous and coherent with one another, so sequent in their correlation, as to establish a regularity of their own. The discreet but resolute salience of her jaw and chin, the assertive lines of her brow and nose, the crisp chiselling of her lips, the size and shape of her eyes, and over all the crinkling masses of her dark hair—unconventional as you will, he said, not attributable to any ready-made category, but everywhere expressing design, unity of design. “High energies quiescent,” he repeated. “You discern them in her face as in her figure; a capacity for emotions and enthusiasms; a temperament that would feel things with intensity. And yet,” he reflected, perpending his image of her with leisurely deliberation, “what in her face strikes one first, I think, what's nearest to the surface, is a kind of sceptic humour—as if she took the world with a grain of salt, and were having a quiet laugh at it in the back of her mind. And then her colouring,” he again surprised himself by muttering aloud. But when could he have observed her colouring, he wondered, when, where? Not in the colour-obliterating moonlight, of course. Where, then? Ah, suddenly he remembered. He saw her standing under the electric lamps on the steps of the Britannia. “Good night,” she said, giving him a quick little nod, a brief little smile. And he saw how red her mouth was, and how red her blood, beneath the translucent whiteness of her skin, and how in the glow of her brown eyes there shone a red undergleam, and how in her crinkling masses of dark hair there were dark-red lights. …

      The incident was closed, in its substance, really, as matter-of-fact a little incident as one could fancy; but the savour of it lingered, persisted, kept recurring, and was sweet and poignant, like a savour of romance.

      “I suppose I shall never see them again,” was his unwilling but stoical conclusion, as the gondola shot through the water-gate of Cà Bertradoni. “I wonder who they are.”

VI

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      He saw them again, however, no later than the next afternoon, and learned who they were. He was seated with dark, lantern-jawed, deepeyed, tragical-looking Lewis Vincent, under the colonnade at the Florian, when they passed, in the full blaze of the sun, down the middle of the Piazza.

      “Hello,” said Vincent, in the light and cheerful voice, that contrasted so surprisingly with the dejected droop of his moustaches, “there goes the richest spinster in England.” He nodded towards their retreating backs.

      “Oh?” said Bertram, raising interested eyebrows.

      “Yes—the thin girl in grey, with the white sunshade,” Vincent apprised him. “Been bestowing largesse on the pigeons, let us hope. The Rubensy-looking woman with her is Lady Dor—a sister of Harry Pontycroft's. I think you know Pontycroft, don't you?”

      Bertram showed animation. “I know him very well indeed—we've been friends for years—I'm extremely fond of him. That's his sister? I've never met his people. Dor, did you say her name was?”

      “Wife of Sir Frederick Dor, of Dortown, an Irishman, a Roman Catholic, and a Unionist M.P.,” answered Vincent, and it seemed uncanny in a way to hear the muse of small-talk speaking from so tenebrous a mien. “The thin girl is a Miss Ruth Adgate—American, I believe, but domiciled in England. You must have seen her name in the newspapers—they've had a lot about her, apropos of one thing or another; and the other day she distinguished herself at the sale of the Rawleigh collection, by paying three thousand pounds for one of the Karasai ivories—record price, I fancy. She's said to have a bagatelle of something like fifty thousand a year in her own right.”

      “Really?” murmured Bertram.

      But he could account now for his puzzled feeling last night, that he had seen Lucilla before. With obvious unlikenesses—for where she was plump and smooth, pink and white, Harry Pontycroft was brown and lined and bony—there still existed between her and her brother a resemblance so intimate, so essential, that our friend could only marvel at his failure to think of it at once. 'Twas a resemblance one couldn't easily have localised, but it was intimate and essential and unmistakable.

      “So that is Ponty's sister. I see. I understand,” he mused aloud.

      “Yes,” said Lewis Vincent, stretching his long legs under the table, while a soul in despair seemed to gaze from his haggard face. “She looks like a fair, fat, feminine incarnation of Ponty himself, doesn't she? Funny thing, family likeness; hard to tell what it resides in. Not in the features, certainly; not in the flesh at all, I expect. In the spirit—it's metaphysical. One might know Lady Dor anywhere for Pontycroft's sister; yet externally she's as unlike him as a pat of butter is unlike a walnut. But it's the spirit showing through, the kindred spirit, the sister spirit? What? You don't think so?”

      “Oh, yes, I think you're quite right,” answered Bertram, a trifle perfunctorily perhaps. “By the by, I wish you'd introduce me to her.”

      “Who?