Название | Sister Teresa |
---|---|
Автор произведения | George Moore |
Жанр | Языкознание |
Серия | |
Издательство | Языкознание |
Год выпуска | 0 |
isbn | 4064066133191 |
Evelyn saw that the devoted Mérat was annoyed; as well she might be, for Thornton Grange was a pleasant house for valets and lady's maids. "Some new valet," Evelyn thought, and she was sorry to drag Mérat away from him, for Mérat's sins were her own—no one was answerable for another; there was always that in her mind; and what applied to her did not apply to anybody else.
"Dear Lady Ascott, you'll forgive me?" she said during breakfast, "but I have to go to Glasgow this afternoon. I am obliged to leave by an early train."
"Sir Owen, will you try to persuade her? Get her some omelette, and I will pour out some coffee. Which will you have, dear? Tea or coffee? Everybody will be so disappointed; we have all been looking forward to some singing to-night."
Expostulations and suggestions went round the table, and Evelyn was glad when breakfast was over; and to escape from all this company, she accepted Owen's proposal to go for a walk.
"You haven't seen my garden, or the cliffs? Sir Owen, I count upon you to persuade her to stay until to-morrow, and you will show her the glen, won't you? And you'll tell me how many trees we have lost in last night's storm."
Owen and Evelyn left the other guests talking of how they had lain awake last night listening to the wind.
"Shall we go this way, round by the lake, towards the glen? Lady
Ascott is very disappointed; she said so to me just now."
"You mean about my leaving?"
"Yes, of course, after all she had done for you, the trouble she had taken about the Edinburgh concert. Of course they all like to hear you sing; they may not understand very well, still they like it, everybody likes to hear a soprano. You might stay."
"I'm very sorry, Owen, I'm sorry to disappoint Lady Ascott, who is a kindly soul, but—well, it raises the whole question up again. When one has made up one's mind to live a certain kind of life—"
"But, Evelyn, who is preventing you from living up to your ideal? The people here don't interfere with you? Nobody came knocking at your door last night?"
"No."
"I didn't come, and I was next door to you. Didn't it seem strange to you, Evelyn, that I should sleep so near and not come to say good-night? But I knew you wouldn't like it, so I resisted the temptation."
"Was that the only reason?"
"What do you mean?"
"Of course, I know you wouldn't do anything that would displease me; you've been very kind, more kind than I deserve, but—"
"But what?"
"Well, it's hard to express it. Nothing happened to prevent you?"
"Prevent me?"
"I don't mean that you were actually prevented, but was there another reason?"
"You mean a sudden scruple of conscience? My conscience is quite healthy."
"Then what stayed you was no more than a fear of displeasing me? And you wanted to come to see me, didn't you?"
"Of course I did. Well, perhaps there was another reason … only … no, there was no other reason."
"But there was; you have admitted that there was. Do tell me."
And Owen told her that something seemed to have held him back when the thought came of going to her room. "It was really very strange. The thought was put into my mind suddenly that it would be better for me not to go to your room."
"No more than a sudden thought? But the thought was very clear and distinct?"
"Yes; but between waking and sleeping thoughts are unusually distinct."
"You don't believe in miracles, Owen?" And she told him of her dream and her sudden awaking, and the voices heard in her ears at first, then in the room, and then about the house. "So you see the nuns kept us apart."
"And you believe in these things?"
"How can I do otherwise?"
Owen sighed, and they walked on a few paces. The last leaves were dancing; the woods were cold and wet, the heavy branches of the fir-trees dripping with cold rain, and in the walks a litter of chestnut-leaves.
"Not a space of blue in the sky, only grey. It will be drearier still in Glasgow; you had better stay here," he said, as they walked round the little lake, watching the water-fowl moving in and out of the reeds, and they talked for some time of Riversdale, of the lake there, and the ducks which rose in great numbers and flew round and round the park, dropping one by one into the water. "You will never see Riversdale again, perhaps?"
"Perhaps not," she answered; and hearing her say it, his future life seemed to him as forlorn as the landscape.
"What will you do? What will become of you? What strange transformation has taken place in you?"
"If—But what is the use of going over it again?"
"If what?"
"What would you have me do? Marriage would only ruin you, Owen, make you very unhappy. Why do you want me to enter on a life which I feel isn't mine, and which could only end in disaster for both of us." He asked her why it would end in disaster, and she answered, "It is impossible to lay bare one's whole heart. When one changes one's ideas one changes one's friends."
"Because one's friends are only the embodiment of one's ideas. But I cannot admit that you would be unhappy as my wife."
"Everybody is unhappy when they are not doing what Nature intended them to do."
"And what did Nature intend you to do? Only to sing operas?"
"I should be sorry to think Nature intended me for nothing else. Would you have me go on singing operas? I don't want to appear unreasonable, but how could I go on singing even if I wished to go on? The taste has changed; you will admit that light opera is the fashion, and I shouldn't succeed in light opera. Whatever I do you praise, but you know in the bottom of your heart there are only a few parts which I play well. You may deceive yourself, you do so because you wish to do so, but I have no wish to deceive myself and I know that I was never a great singer; a good singer, an interesting singer in certain parts if you like, but no more. You will admit that?"
"No, I don't admit anything of the kind. If you leave the stage what will you do with your time? Your art, your friends—"
"No one can figure anybody else's life: everybody has interests and occupations, not things that interest one's neighbour, but things that interest herself."
"So it is because light opera has come into fashion again that you are going to give up singing? Such a thing never happened before: a woman who succeeded on the stage, who has not yet failed, whose voice is still fresh, who is in full possession of her art, to say suddenly, 'Money and applause are nothing to me, I prefer a few simple nuns to art and society.' Nothing seems to happen in life, life is always the same; rien ne change mais pourtant tout arrive, even the rare event of a successful actress relinquishing the stage."
"It is odd," she said as they followed the path through the wintry wood, startled now and again by a rabbit at the end of the alley, by a cock pheasant rising up suddenly out of the yew hedges, and, beguiled by the beauty of the trees, they passed on slowly, pausing to think what a splendid sight a certain wild cherry must be in the spring-time. At the end of the wood Owen returned to the subject of their conversation.
"Yes, it is strange that an actress should give up her art."
"But, Owen, it isn't so strange in my case as in any other; for you know I was always a hothouse flower. You took me away to Paris and had me trained regardless of expense, and with your money it was easy to get an engagement."
"My money had nothing to do with your engagements."
"Perhaps