The Complete Works. Robert Burns

of Contents

REMORSE.

       Table of Contents

      A FRAGMENT.

      [“I entirely agree,” says Burns, “with the author of the Theory of Moral Sentiments, that Remorse is the most painful sentiment that can embitter the human bosom; an ordinary pitch of fortitude may bear up admirably well, under those calamities, in the procurement of which we ourselves have had no hand; but when our follies or crimes have made us wretched, to bear all with manly firmness, and at the same time have a proper penitential sense of our misconduct, is a glorious effort of self-command.”]

      Of all the numerous ills that hurt our peace,

       That press the soul, or wring the mind with anguish,

       Beyond comparison the worst are those

       That to our folly or our guilt we owe.

       In every other circumstance, the mind

       Has this to say, ‘It was no deed of mine;’

       But when to all the evil of misfortune

       This sting is added—‘Blame thy foolish self!’

       Or worser far, the pangs of keen remorse;

       The torturing, gnawing consciousness of guilt—

       Of guilt, perhaps, where we’ve involved others;

       The young, the innocent, who fondly lov’d us,

       Nay, more, that very love their cause of ruin!

       O burning hell! in all thy store of torments,

       There’s not a keener lash!

       Lives there a man so firm, who, while his heart

       Feels all the bitter horrors of his crime,

       Can reason down its agonizing throbs;

       And, after proper purpose of amendment,

       Can firmly force his jarring thoughts to peace?

       O, happy! happy! enviable man!

       O glorious magnanimity of soul!

XIV.

       Table of Contents

THE JOLLY BEGGARS.

       Table of Contents

      A CANTATA.

      [This inimitable poem, unknown to Currie and unheardof while the poet lived, was first given to the world, with other characteristic pieces, by Mr. Stewart of Glasgow, in the year 1801. Some have surmised that it is not the work of Burns; but the parentage is certain: the original manuscript at the time of its composition, in 1785, was put into the hands of Mr. Richmond of Mauchline, and afterwards given by Burns himself to Mr. Woodburn, factor of the laird of Craigen-gillan; the song of “For a’ that, and a’ that” was inserted by the poet, with his name, in the Musical Museum of February, 1790. Cromek admired, yet did not, from overruling advice, print it in the Reliques, for which he was sharply censured by Sir Walter Scott, in the Quarterly Review. The scene of the poem is in Mauchline, where Poosie Nancy had her change-house. Only one copy in the handwriting of Burns is supposed to exist; and of it a very accurate fac-simile has been given.]

      RECITATIVO.

      When lyart leaves bestrow the yird,

       Or wavering like the bauckie-bird,

       Bedim cauld Boreas’ blast;

       When hailstanes drive wi’ bitter skyte

       And infant frosts begin to bite,

       In hoary cranreuch drest;

       Ae night at e’en a merry core

       O’ randie, gangrel bodies,

       In Poosie-Nansie’s held the splore,

       To drink their orra duddies:

       Wi’ quaffing and laughing,

       They ranted an’ they sang;

       Wi’ jumping and thumping,

       The vera girdle rang.

      First, neist the fire, in auld red rags,

       Ane sat, weel brac’d wi’ mealy bags,

       And knapsack a’ in order;

       His doxy lay within his arm,

       Wi’ usquebae an’ blankets warm—

       She blinket on her sodger:

       An’ ay he gies the tozie drab

       The tither skelpin’ kiss,

       While she held up her greedy gab

       Just like an aumous dish.

       Ilk smack still, did crack still,

       Just like a cadger’s whip,

       Then staggering and swaggering

       He roar’d this ditty up—

      AIR.

      Tune—“Soldiers’ Joy.”

      I am a son of Mars,

       Who have been in many wars,

       And show my cuts and scars

       Wherever I come;

       This here was for a wench,

       And that other in a trench,

       When welcoming the French

       At the sound of the drum.

       Lal de daudle, &c.

      My ‘prenticeship I past

       Where my leader breath’d his last,

       When the bloody die was cast

       On the heights of Abram;

       I served out my trade

       When the gallant game was play’d,

       And the Moro low was laid

       At the sound of the drum.

       Lal de daudle, &c.

      I lastly was with Curtis,

       Among the floating batt’ries,

       And there I left for witness

       An arm and a limb;

       Yet let my country need me,

       With Elliot to head me,

       I’d clatter on my stumps

       At the sound of a drum.

       Lal de dandle, &c.

      And now tho’ I must beg,

       With a wooden arm and leg,

       And many a tatter’d rag

       Hanging over my bum

       I’m as happy with my wallet,

       My bottle and my callet,

       As when I used in scarlet

       To follow a drum.

       Lal de daudle, &c.

      What tho’ with hoary locks

       I must stand the winter shocks,

       Beneath the woods and rocks

       Oftentimes for a home,