Dividing Waters. I. A. R. Wylie

she asked in a low voice.

      "If by 'everything' you mean your musical studies—yes," her father returned impatiently. The next minute he relented, and, leaning forward, took her passive hand in his. "But surely it is not 'everything,'" he said. "Surely your home and your people are more to you than even this favourite pursuit? I know it is hard for you—it is indeed hard for us all; but if we kept our promise and sent you to London other things would have to pay for it—the dear old house, the garden, Miles's career. You see how it is? You know there is nothing for your real good that I would withhold from you if I could help it, dear child."

      He waited, expecting her to throw herself into his arms in generous self-reproach at her own hesitation; but she said nothing, and there was a long, uncomfortable silence.

      "And then time will not hang heavy on your hands," he went on, with forced cheerfulness. "Your mother will need you and I shall need you—good little amanuensis that you are! Is it not something to you that we all need you so much?"

      "Yes," she said.

      The monosyllable encouraged him, though it would have encouraged no one else.

      "And, of course, in between whiles you will be able to keep up your music," he added, patting her hand.

      This time there was not even a monosyllable to reassure him. Nora Ingestre stood motionless at her father's side, her eyes fixed straight ahead, her fine, resolute features set, and almost expressionless.

      Miles swung impatiently on his heel.

      "I can't think what you are making all this fuss about," he said. "You ought to be jolly glad that we can keep on the old place, and that you have such a decent home. I know lots of girls who would give their eyes to be in your shoes."

      "Have I been making a fuss?"

      She spoke perfectly quietly, without changing her position, but her question seemed to cause Miles fresh annoyance.

      "I call it a fuss to stand there and say nothing," he said, with sound masculine logic. "And anyhow—what does it matter whether you can tinkle a few tunes on the old tin-kettle or not?"

      "That is something you do not understand," she blazed out. It was as though he had unwittingly set fire to some hidden powder-mine in her character. She was breathing quickly and brokenly, and every line in her face betrayed a painfully repressed feeling which threatened to break out into passionate expression.

      Mrs. Ingestre rose from her couch. When she stood upright she seemed to dominate them all, to command silence and respect, by the very dignity of her bearing.

      "I think this has all lasted long enough," she said. "What is done cannot be undone. We must face matters as best we can. As your father says, it is the will of Providence, and as such we must accept it. Only"—she turned to Miles, and from the faintest possible inflection of irony her tone deepened to reproof—"there are some things you do not understand, dear boy, and which you had better leave to wiser heads. Perhaps I understand better. At any rate, I should like to speak to Nora alone."

      Thus she virtually dismissed the masculine members of the family. Miles shrugged his shoulders, and went out into the garden whistling. The Rev. John rose, and gathered up the business papers which he had brought in with him.

      "I am sure that your mother will show it is all for the best," he said weakly.

      At the door he turned and looked back over his spectacles.

      "Remember always what we have both tried to impress upon you—it is the will of Providence," he said. "We must not kick against the pricks."

      He then went out, leaving the two women alone.

      CHAPTER II

      "WANDERLUST"

      For some minutes mother and daughter did not speak. Nora had turned her back, and was gazing out on to the pleasant country garden with eyes that saw neither the flowers nor the evening shadows which lengthened out over the lawn. She was still too profoundly occupied in the effort to appear indifferent, to cover over that one slip of feeling, to notice what was going on about her. She hated herself for having shown what she felt, she hated herself for feeling as she did; but no amount of hatred or self-condemnation would retrieve the one or change the other, and when she at last turned, aroused by the prolonged silence, the signals of anger and resentment still burned in her cheeks and eyes.

      "Oh, I am a wretch," she cried impetuously. "Dearest, don't look so grave and distressed. It isn't your fault that you have such a disagreeable daughter. There, I ought to be a help and comfort, and instead——"

      "An old woman does not need so much help and comfort as a young one," Mrs. Ingestre interrupted gently. "Just at present I am not suffering one-tenth of what you are suffering. And, dear Nora, don't treat me like some frail old wreck that must be shielded at all costs from the rough winds. Don't stand there and swallow up everything you are feeling because you are afraid of hurting me. It will only rankle all the worse. I would rather have your full confidence, however painful it may be. Come here and sit down beside me. Tell me everything you are thinking and feeling, honest Injun!"

      The "honest Injun" brought a smile to Nora's eyes. Like everything else that she said or did, Mrs. Ingestre stamped the schoolboy phrase with an exotic, indefinable charm that was all her own. Yet beneath the half-gay appeal there lay a note of command, and Nora drew nearer awkwardly and hesitatingly, bereft for the moment of her youthful assurance and thrust back to the school days which at the age of nineteen are not so far away. She took the white outstretched hand and stood with bent head, frowning at the carpet. Suddenly she knelt down and buried her face in her mother's lap.

      "I feel like a trapped rabbit," she murmured indistinctly.

      A very faint smile touched Mrs. Ingestre's lips.

      "A trapped rabbit, Nora? And who has trapped you, pray?"

      "You have, and you know it. You always do!"

      "Really, dear, it would have to be a very old and shortsighted rabbit to allow me to trap it, and you are neither. You must explain."

      Nora lifted her face. She was laughing, but she was also very near crying.

      "I mean—that is how you make me feel," she said. "I can defy other people when they want to do any soul-exploring on my territory. I just shut my mouth and my heart, and leave them out in the cold. But you are different. You mesmerise me till I not only have to tell you what I am feeling, but I positively want to—even though it is the most disgraceful, most disreputable feeling possible."

      "And just now——?"

      "It was a thought."

      "What sort of a thought?"

      "A dreadful one."

      "Couldn't you tell me?"

      "Of course I can—I must—but——"

      "Well?"

      "Do you want to know exactly?"

      "Word for word."

      "I was thinking what a duffer father is—was, I mean."

      A complete silence. Mrs. Ingestre stroked her daughter's hand and stared sightlessly into the deepening shadows. The smile had died from her lips.

      "Go on," she said at last.

      "I don't think there is anything else. I always think that when father talks about Providence and—and that sort of thing. I feel sometimes that if Providence took human shape and was in the room at the time I should wink—I am not sure I don't wink inside me, anyhow."

      She waited, and then, as Mrs. Ingestre said nothing, she went on disconsolately:

      "I know I am awful, darling. I wonder if other people have shocking ideas too, or whether I am the wicked exception?"

      "I don't think so," Mrs. Ingestre said. "One can't help one's thoughts, you know."

      "No, one can't; can one? The more one sits on them,