The Tracer of Lost Persons. Robert W. Chambers

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Название The Tracer of Lost Persons
Автор произведения Robert W. Chambers
Жанр Языкознание
Серия
Издательство Языкознание
Год выпуска 0
isbn 4057664630063



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inoffensive—if I say that I know something about you, Mr. Gatewood?"

      "About me? How can you? Of course, there is the social register and the club lists and all that—"

      "And many, many sources of information which are necessary in such a business as this, Mr. Gatewood. It is a necessity for us to be almost as well informed as our clients' own lawyers. I could pay you no sincerer compliment than to undertake your case. I am half inclined to do so even without a retainer. Mind, I haven't yet said that I will take it."

      "I prefer to regulate any possible indebtedness in advance," said Gatewood.

      "As you wish," replied the older man, smiling. "In that case, suppose you draw your check" (he handed Gatewood a fountain pen as the young man fished a check-book from his pocket)—"your check for—well, say for $5,000, to the order of Keen & Co."

      Gatewood met his eye without wincing; he was in for it now; and he was always perfectly game. He had brought it upon himself; it was his own proposition. Not that he would have for a moment considered the sum as high—or any sum exorbitant—if there had been a chance of success; one cannot compare and weigh such matters. But how could there be any chance for success?

      As he slowly smoothed out the check and stub, pen poised, Keen was saying: "Of course, we should succeed sooner or later—if we took up your case. We might succeed to-morrow—to-day. That would mean a large profit for us. But we might not succeed to-day, or next month, or even next year. That would leave us little or no profit; and, as it is our custom to go on until we do succeed, no matter how long it may require, you see, Mr. Gatewood, I should be taking all sorts of chances. It might even cost us double your retainer before we found her—"

      "Her? How did—why do you say 'her'?"

      "Am I wrong?" asked Keen, smiling.

      "No—you are right."

      The Tracer of Lost Persons sank into abstraction again. Gatewood waited, hoping that his case might be declined, yet ready to face any music started at his own request.

      "She is young," mused Keen aloud, "very beautiful and accomplished. Is she wealthy?" He looked up mildly.

      Gatewood said: "I don't know—the truth is I don't care—" And stopped.

      "O-ho!" mused Keen slowly. "I—think—I understand. Am I wrong, Mr. Gatewood, in surmising that this young lady whom you seek is, in your eyes, very—I may say ideally gifted?"

      "She is my ideal," replied the young man, coloring.

      "Exactly. And—her general allure?"

      "Charming!"

      "Exactly; but to be a trifle more precise—if you could give me a sketch, an idea, a mere outline delicately tinted, now. Is she more blond than brunette?"

      "Yes—but her eyes are brown. I—I insist on that."

      "Why should you not? You know her; I don't," said Keen, laughing. "I merely wished to form a mental picture. … You say her hair is—is—"

      "It's full of sunny color; that's all I can say."

      "Exactly—I see. A rare and lovely combination with brown eyes and creamy skin, Mr. Gatewood. I fancy she might be, perhaps, an inch or two under your height?"

      "Just about that. Her hands should be—are beautiful—"

      "Exactly. The ensemble is most vividly portrayed, Mr. Gatewood; and—you have intimated that her lack of fortune—er—we might almost say her pecuniary distress—is more than compensated for by her accomplishments, character, and very unusual beauty. … Did I so understand you, Mr. Gatewood?"

      "That's what I meant, anyhow," he said, flushing up.

      "You did mean it?"

      "I did: I do."

      "Then we take your case, Mr. Gatewood. … No haste about the check, my dear sir—pray consider us at your service."

      But Gatewood doggedly filled in the check and handed it to the Tracer of Lost Persons.

      "I wish you happiness," said the older man in a low voice. "The lady you describe exists; it is for us to discover her."

      "Thank you," stammered Gatewood, astounded.

      Keen touched an electric button; a moment later a young girl entered the room.

      "Miss Southerland, Mr. Gatewood. Will you be kind enough to take Mr. Gatewood's dictation in Room 19?"

      For a second Gatewood stared—as though in the young girl before him the ghost of his ideal had risen to confront him—only for a second; then he bowed, matching her perfect acknowledgment of his presence by a bearing and courtesy which must have been inbred to be so faultless.

      And he followed her to Room 19.

      What had Keen meant by saying, "The lady you describe exists!" Did this remarkable elderly gentleman suspect that it was to be a hunt for an ideal? Had he deliberately entered into such a bargain? Impossible!

      His disturbed thoughts reverted to the terms of the bargain, the entire enterprise, the figures on his check. His own amazing imbecility appalled him. What idiocy! What sudden madness had seized him to entangle himself in such unheard-of negotiations! True, he had played bridge until dawn the night before, but, on awaking, he had discovered no perceptible hold-over. It must have been sheer weakness of intellect that permitted him to be dominated by the suggestions of Kerns. And now the game was on: the jack declared, cards dealt, and his ante was up. Had he openers?

      Room 19, duly labeled with its number on the opaque glass door, contained a desk, a table and typewriter, several comfortable chairs, and a window opening on Fifth Avenue, through which the eastern sun poured a stream of glory, washing curtain, walls, and ceiling with palest gold.

      And all this time, preoccupied with new impressions and his own growing chagrin, he watched the girl who conducted him with all the unconscious assurance and grace of a young chatelaine passing through her own domain under escort of a distinguished guest.

      When they had entered Room 19, she half turned, but he forestalled her and closed the door, and she passed before him with a perceptible inclination of her finely modeled head, seating herself at the desk by the open window. He took an armchair at her elbow and removed his gloves, looking at her expectantly.

       Table of Contents

      "This is a list of particular and general questions for you to answer, Mr. Gatewood," she said, handing him a long slip of printed matter. "The replies to such questions as you are able or willing to answer you may dictate to me." The beauty of her modulated voice was scarcely a surprise—no woman who moved and carried herself as did this tall young girl in black and white could reasonably be expected to speak with less distinction—yet the charm of her voice, from the moment her lips unclosed, so engrossed him that the purport of her speech escaped him.

      "Would you mind saying it once more?" he asked.

      She did so; he attempted to concentrate his attention, and succeeded sufficiently to look as though some vestige of intellect remained in him. He saw her pick up a pad and pencil; the contour and grace of two deliciously fashioned hands arrested his mental process once more.

      "I beg your pardon," he said hastily; "what were you saying, Miss Southerland?"

      "Nothing, Mr. Gatewood. I did not speak." And he realized, hazily, that she had not spoken—that it was the subtle eloquence of her youth and loveliness that had appealed like a sudden voice—a sound faintly exquisite echoing his own thought of her.

      Troubled, he looked at the slip of paper in his hand;