Название | History of the Union Jack and Flags of the Empire |
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Автор произведения | Barlow Cumberland |
Жанр | Языкознание |
Серия | |
Издательство | Языкознание |
Год выпуска | 0 |
isbn | 4064066126797 |
On the royal arms of Austria the black two-headed eagle bears on its breast a shield with a red ground having on it a white St. George's cross.
The insignia of eight nations bear the Greek cross of the St. George shape, but in four different colours on grounds of three different colours:
Greece | a | white | cross | on a | blue | ground. |
Russia | a | " | " | " | red | " |
Austria | a | " | " | " | " | " |
Denmark | a | " | " | " | " | " |
Switzerland | a | " | " | " | " | " |
Norway | a | blue | " | " | " | " |
Sweden | a | yellow | " | " | blue | " |
England | a | red | " | " | white | " |
England is, however, the only nation which has adopted the Red cross of St. George as its special national ensign.
The cry of "St. George for Merrie England" has re-echoed through so many centuries that his place as the patron saint of the kingdom is firmly established. Wherever ships have sailed, there the red cross of St. George has been carried by the sailor-nation who chose him as their hero.
The incident from which came his adoption as patron saint is thus narrated in the early chronicles. In 1190, Richard I., Cœur de Lion, of England, had joined the French, Germans and Franks in the third great crusade to the Holy Land; but while the other nations proceeded overland to the seat of war, Richard built and engaged a great fleet, in which he conveyed his English troops to Palestine by sea. His armament consisted of "254 talle shippes and about three score galliots." Sailing down the eastern shore with these and arriving off the coast, he won a gallant sea-fight over the Saracens near Beyrut, and the grotto of St. George, and by this victory intercepted the reinforcements which their ships were carrying to the relief of Acre, at that time being besieged by the combined armies of the Crusaders.
St. George, the redresser of wrongs, the protector of women, the model of Christian chivalry, and the tutelary saint of England, was not a seafaring hero, nor himself connected with the sea, but it was after and in memory of their sailors' victory near the scene of his exploits that the seafaring nation adopted him as their patron saint.
The red cross emblem of St. George is stated by the chroniclers to have been at once thereafter adopted by Richard I., who immediately placed himself and his army under the especial protection of the Saint, raised his banner at their head, and is reported to have introduced the emblem into England itself after his return in 1194. Further evidence of its introduction and its continued use is given by the record that in 1222 St. George's Day was ordered to be kept as a holiday in England.[21]
Some aver that the emblem was not generally accepted until under Edward I., in 1274. This prince, before his accession to the throne, had served in the last Crusades, and during that time had visited the scene of the victory and the grotto of the Saint. It is pointed out that this visit of Prince Edward to Palestine coincided with the change made in their badge by the English Order of the Knights of St. John of Jerusalem from an eight-pointed Maltese cross to a straight white Greek cross, and that at the time of this change came the appearance upon the English banners of the St. George's cross, but of the English national colour red,[22] therefore they deduce that the further employment of the emblem as the national flag was then additionally authorized by Edward I.
9. The Borough Seal of Lyme Regis, 1284.
From this last date (1274) onward the St. George's cross and the legend of "St. George and the Dragon" in England are, at all events, in plain evidence. An early instance is that found in the borough of Lyme Regis, in Dorset, to which Edward I., in 1284, granted its first charter of incorporation and its official seal. A photo reproduction of a wax impression of this borough seal (9), taken from an old "Toll lease" is here given. The flag of St. George is seen at the mast-head, and below it the Royal Standard of Richard I., with its three lions for England, carried by Edward in Palestine during the lifetime of his father. At the bow of the ship is the figure of the Saint represented in the act of slaying the dragon, and having on his shield the St. George's cross.
"And on his breast a bloodie crosse he bore, The deare remembrance of his dying Lord, For whose sweete sake that glorious badge he wore, And dead, as living, ever Him adored: Upon his shield the like was also scor'd, For soveraine hope which in his helpe he had. Right faithful true he was in deede and word."[23]
The religious and Christian attributes of St. George are commemorated on the seal by the representation of the Crucifixion and by the Saint, the head of whose spear is a St. George's cross, being shown as in angel form. The sea tradition of his adoption is also sustained by the characteristic introduction of the "galley" into the design.
Around the edge of the seal is the rude lettering of the inscription in Latin: "Sigillum: Comune: De: Lim" ("The common seal of Lyme"). Near the top may be seen the "star and crescent" badge of Richard I., adopted by him as a record of his naval victory, and which is still used as an "admiralty badge" upon the epaulettes of admirals of the British navy.
This seal of Lyme Regis is said to be the earliest representation of St. George and the dragon known in England.
The same form of cross was placed by Edward I., in 1294, upon the monumental crosses which he raised at Cheapside, Charing Cross and other places, in memory of his loved Queen Eleanor, to mark the spots at which her body rested during the funeral procession when her remains were carried from Lincoln through Northampton to London.
Another instance of a later date is found on a "sepulchral brass" (10), placed to the memory of Sir Hugh Hastings in Elsing Church, Norfolk, and dated 1347.
These plates of engraved brass, inserted in the stone coverings of so many graves in the interior of the churches in England, are most interesting examples of early memorial art. The figure of the deceased is usually drawn in full length upon them in lines cut deeply into the metal, and is accompanied by an inscription setting forth his deeds and his name.
In the upper part of the architectural tracery surrounding the figure on the brass in question is a circle 8–¼ inches in diameter, in which the figure of St. George is as shown. The Saint here appears as a knight, clad in full armour and mounted upon horseback, representing him in his character as the leader of chivalry and knightly manhood. A further development of the attribute of manly vigour will be noted in that, instead of being shown as piercing, as previously, the fiery dragon of the ancient legend, he is now represented as slaying the equally typical two-legged demon of vice. This representation still further exemplifies the teaching and allegory of the emblem of "St. George and the Dragon."
10. Brass in Elsing Church, 1347.
St. George represents the Principle of Good, the Dragon the Principle of Evil. It is the contest between virtue and vice, in which