The Infidel. M. E. Braddon

tried to give life and meaning to the leading character in her play, the rôle intended for Garrick. She had begun by making him young and foolish. She remodelled the character, and made him older and wiser, and tried to give him the grand air; evolving from her inner consciousness the personality which her brief vision of Kilrush had suggested. Her ardent imagination made much out of little.

      Of the man himself she scarcely thought, and would hardly have recognized his person had they met in the street. But the ideal man she endowed with every fascinating quality, every attracting grace.

      Her father noted the improvement in her work.

      "Why, this fourth act is the best we have done yet," he said, "and I think 'twas a wise stroke of mine to make our hero older——"

      "Oh, father, 'twas my notion, you'll remember."

      "You shall claim all the invention for your share, if you like, slut, so long as we concoct a piece that will satisfy Garrick, who grows more and more finical as he gets richer and more fooled by the town. The part will suit him all the better now we've struck a deeper note. He can't wish to play schoolboys all his life."

      It was three weeks after the masquerade when there came a rap at the parlour door one morning, and the maid-servant announced Lord Kilrush.

      Thornton was lying on a sofa in shirt-sleeves and slippers, smoking a long clay pipe, the picture of a self-indulgent sloven—that might have come straight from Hogarth. Tonia was writing at a table by an open window, the June sunshine gleaming in her ebon hair. Her father had been dictating and suggesting, objecting and approving, as she read her dialogue.

      The visit was startling, for though Thornton was on easy terms with his lordship, who had known him at the University, and had patronized and employed him in his decadence, Kilrush had never crossed his threshold till to-day. Had he come immediately after the meeting at Mrs. Mandalay's, Antonia's father might have suspected evil; but Thornton had flung that event into the rag-bag of old memories, and had no thought of connecting his patron's visit with his daughter's attractiveness. He was about as incapable of thought and memory as a thinking animal can be, having lived for the past fourteen years in the immediate present, conscious only of good days and bad days, the luck or the ill-luck of the hour, without hope in the days that were coming, or remorse for the days that were gone.

      Kilrush knew the man to the marrow of his bones, and although he had been profoundly impressed by Antonia's unlikeness to other women, he had waited a month before seeking to improve her acquaintance, and thus hoped to throw the paternal Argus off his guard.

      Tonia laid down her pen, rose straight and tall as a June lily, and made his lordship her queenly curtsey, blushing a lovely crimson at the thought of the liberties that rapid quill had taken with his character.

      "He is not half so handsome as my Dorifleur!" she thought; "but he has the grand air that no words can express. Poor little Garrick! What a genius he must be, and what heels he must wear, if he is to represent such a man!"

      Kilrush returned the curtsey with a bow as lofty, and then bent over the ink-stained fingers and kissed them, as if they had been saintly digits in a crystal reliquaire.

      "Does Miss Thornton concoct plays, as well as her gifted parent?" he inquired, with the smile that was so exquisitely gracious, yet not without the faintest hint of mockery.

      "The jade has twice her father's genius," said Thornton, who had risen from the sofa and laid his pipe upon the hob of the wide iron grate, where a jug of wall-flowers filled the place of a winter fire. "Or, perhaps I should say, twice her father's memory, for she has a repertory of Spanish and Italian plays to choose from when her Pegasus halts."

      "Nay, father, I am not a thief," protested Tonia.

      Kilrush glanced at the hack-scribbler, remembering that awkward adventure with the farmer's cash-box which had brought so worthy a gentleman to the treadmill, and which might have acquainted him with Jack Ketch. He glanced from father to daughter, and decided that Antonia was unacquainted with that scandalous episode in her parent's clerical career.

      After that one startled blush and conscious smile, the cause whereof he knew not, she was as unconcerned in his lordship's company to-day as she had been at Mrs. Mandalay's. She gave him no minauderies, no downcast eyelids or shy glances; but sat looking at him with a pleased interest while he talked of the day's news with her father, and answered him frankly and brightly when he discussed her own literary work.

      "You are very young to write plays," he said.

      "I wrote plays when I was five years younger," she answered, laughing, "and gave them to Betty to light the fires."

      "And your father warmed his legs before the dramatic pyre, and never knew 'twas the flame of genius?"

      "She was a fool to burn her trash," said Thornton. "I might have made a volume of it—'Tragedies and Comedies, by a young lady of fifteen.'"

      "I'll warrant Shakespeare burnt a stack of balderdash before he wrote The Two Gentlemen of Verona, poor stuff as it is," said Kilrush.

      "Is your lordship so very sure 'tis poor stuff?" asked Tonia.

      "If it wasn't, don't you think Garrick would have produced it? He loves Shakespeare—a vastly respectable poet whose plays he can act without paying for them. Be sure you let me know when your comedy is to be produced, madam, for I should die of vexation not to be present at the first performance."

      "Alas! there is a great gulf between a written play and an acted one," sighed Tonia. "Mr. Garrick may not like it. But 'tis more my father's play than mine, my lord. He finds the ideas, and I provide the words."

      "She has a spontaneous eloquence that takes my breath away. But for the machinery, the fabric of the piece, the arrangement of the scenes, the method, the taste, the scope of the characters, and their action upon one another, I confess myself the author," Thornton said, in his grandiloquent way, having assumed his company manner, a style of conversation which he kept for persons of quality.

      "I doubt Miss Thornton is fonder of study than of pleasure, or I should have seen her at Mrs. Mandalay's again——"

      "I hate the place," interjected Tonia; "and if women of fashion are all like the painted wretches I saw there——"

      "They all paint—white lead is the rule and a clean-washed face the exception," said Kilrush; "but 'twould not be fair to judge the beau monde by the herd you saw t'other night. Mrs. Mandalay's is an olla podrida of good and bad company. Your father must initiate you in the pleasures of Ranelagh."

      "I have had enough of such pleasures. I had a curiosity—like Fatima's—to see a world that was hid from me. But for pleasure I prefer the fireside, and a novel by Richardson. If he would but give us a new Clarissa!"

      "You admire Clarissa?"

      "I adore, I revere her!"

      "A pious simpleton who stood in the way of her own happiness. Why, in the name of all that's reasonable, did she refuse to marry Lovelace, when he was willing?"

      Tonia flashed an indignant look at him.

      "If she could have stooped to marry him she would have proved herself at heart a wanton!" she said, with an outspoken force that startled Kilrush.

      Hitherto he had met only two kinds of women—the strictly virtuous, who affected an Arcadian innocence and whose talk was insupportably dull, and the women whose easy morals allowed the widest scope for conversation; but here was a girl of undoubted modesty, who was not afraid to argue upon a hazardous theme.

      "You admire Clarissa for her piety, perhaps?" he said. "That is what our fine ladies pretend to appreciate, though they are most of them heathens."

      "I admire her for her self-respect," answered Tonia. "That is her highest quality. When was there ever a temper so meek, joined with such fortitude, such heroic resolve?"

      "She was a proud, self-willed minx," said Kilrush, entranced with the vivid expression