Название | Lucy Maud Montgomery Short Stories, 1909 to 1922 |
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Автор произведения | L. M. Montgomery |
Жанр | Языкознание |
Серия | |
Издательство | Языкознание |
Год выпуска | 0 |
isbn | 4057664156839 |
His attire was a blue cotton shirt and a pair of scanty corduroy knickerbockers, but he wore it with such an unconscious air of purple and fine linen that Miss Trevor was tricked into believing him much better dressed than he really was.
Presently he smiled dreamily, and the smile completed her subjugation. It was not merely an affair of lip and eye, as are most smiles; it seemed an illumination of his whole body, as if some lamp had suddenly burst into flame inside of him, irradiating him from his chestnut crown to the tips of his unspoiled toes. Best of all, it was involuntary, born of no external effort or motive, but simply the outflashing of some wild, delicious thought that was as untrammelled and freakish as the wind of the sea.
Miss Trevor made up her mind that she must find out all about him, and she stepped out from the shadows of the rocks into the vivid, eerie light that was glowing all along the shore. The boy turned his head and looked at her, first with surprise, then with inquiry, then with admiration. Miss Trevor, in a white dress with a lace scarf on her dark, stately head, was well worth admiring. She smiled at him and Paul smiled back. It was not quite up to his first smile, having more of the effect of being put on from the outside, but at least it conveyed the subtly flattering impression that it had been put on solely for her, and they were as good friends from that moment as if they had known each other for a hundred years. Miss Trevor had enough discrimination to realize this and know that she need not waste time in becoming acquainted.
"I want to know your name and where you live and what you were looking at beyond the sunset," she said.
"My name is Paul Hubert. I live over there. And I can't tell just what I saw in the sunset, but when I go home I'm going to write it all in my foolscap book."
In her surprise over the second clause of his answer, Miss Trevor forgot, at first, to appreciate the last. "Over there," according to his gesture, was up at the head of Noel's Cove, where there was a little grey house perched on the rocks and looking like a large seashell cast up by the tide. The house had a stovepipe coming out of its roof in lieu of a chimney, and two of its window panes were replaced by shingles. Could this boy, who looked as young princes should—and seldom do—live there? Then he was a shore boy after all.
"Who lives there with you?" she asked. "You see"—plaintively—"I must ask questions about you. I know we like each other, and that is all that really matters. But there are some tiresome items which it would be convenient to know. For example, have you a father—a mother? Are there any more of you? How long have you been yourself?"
Paul did not reply immediately. He clasped his hands behind him and looked at her affectionately.
"I like the way you talk," he said. "I never knew anybody did talk like that except folks in books and my rock people."
"Your rock people?"
"I'm eleven years old. I haven't any father or mother, they're dead. I live over there with Stephen Kane. Stephen is splendid. He plays the violin and takes me fishing in his boat. When I get bigger he's going shares with me. I love him, and I love my rock people too."
"What do you mean by your rock people?" asked Miss Trevor, enjoying herself hugely. This was the only child she had ever met who talked as she wanted children to talk and who understood her remarks without having to have them translated.
"Nora is one of them," said Paul, "the best one of them. I love her better than all the others because she came first. She lives around that point and she has black eyes and black hair and she knows all about the mermaids and water kelpies. You ought to hear the stories she can tell. Then there are the Twin Sailors. They don't live anywhere—they sail all the time, but they often come ashore to talk to me. They are a pair of jolly tars and they have seen everything in the world—and more than what's in the world, if you only knew it. Do you know what happened to the Youngest Twin Sailor once? He was sailing and he sailed right into a moonglade. A moonglade is the track the full moon makes on the water when it is rising from the sea, you know. Well, the Youngest Twin Sailor sailed along the moonglade till he came right up to the moon, and there was a little golden door in the moon and he opened it and sailed right through. He had some wonderful adventures inside the moon—I've got them all written down in my foolscap book. Then there is the Golden Lady of the Cave. One day I found a big cave down the shore and I went in and in and in—and after a while I found the Golden Lady. She has golden hair right down to her feet, and her dress is all glittering and glistening like gold that is alive. And she has a golden harp and she plays all day long on it—you might hear the music if you'd listen carefully, but prob'bly you'd think it was only the wind among the rocks. I've never told Nora about the Golden Lady, because I think it would hurt her feelings. It even hurts her feelings when I talk too long with the Twin Sailors. And I hate to hurt Nora's feelings, because I do love her best of all my rock people."
"Paul! How much of this is true?" gasped Miss Trevor.
"Why, none of it!" said Paul, opening his eyes widely and reproachfully. "I thought you would know that. If I'd s'posed you wouldn't I'd have warned you there wasn't any of it true. I thought you were one of the kind that would know."
"I am. Oh, I am!" said Miss Trevor eagerly. "I really would have known if I had stopped to think. Well, it's getting late now. I must go back, although I don't want to. But I'm coming to see you again. Will you be here tomorrow afternoon?"
Paul nodded.
"Yes. I promised to meet the Youngest Twin Sailor down at the striped rocks tomorrow afternoon, but the day after will do just as well. That is the beauty of the rock people, you know. You can always depend on them to be there just when you want them. The Youngest Twin Sailor won't mind—he's very good-tempered. If it was the Oldest Twin I dare say he'd be cross. I have my suspicions about that Oldest Twin sometimes. I b'lieve he'd be a pirate if he dared. You don't know how fierce he can look at times. There's really something very mysterious about him."
On her way back to the hotel Miss Trevor remembered the foolscap book.
"I must get him to show it to me," she mused, smiling. "Why, the boy is a born genius—and to think he should be a shore boy! I can't understand it. And here I am loving him already. Well, a woman has to love something—and you don't have to know people for years before you can love them."
Paul was waiting on the Noel's Cove rocks for Miss Trevor the next afternoon. He was not alone; a tall man, with a lined, strong-featured face and a grey beard, was with him. The man was clad in a rough suit and looked what he was, a 'longshore fisherman. But he had deep-set, kindly eyes, and Miss Trevor liked his face. He moved off to one side when she came and stood there for a little, apparently gazing out to sea, while Paul and Miss Trevor talked. Then he walked away up the cove and disappeared in his little grey house.
"Stephen came down to see if you were a suitable person for me to talk to," said Paul gravely.
"I hope he thinks I am," said Miss Trevor, amused.
"Oh, he does! He wouldn't have gone away and left us alone if he didn't. Stephen is very particular who he lets me 'sociate with. Why, even the rock people now—I had to promise I'd never let the Twin Sailors swear before he'd allow me to be friends with them. Sometimes I know by the look of the Oldest Twin that he's just dying to swear, but I never let him, because I promised Stephen. I'd do anything for Stephen. He's awful good to me. Stephen's bringing me up, you know, and he's bound to do it well. We're just perfectly happy here, only I wish I'd more books to read. We go fishing, and when we come home at night I help Stephen clean the fish and then we sit outside the door and he plays the violin for me. We sit there for hours sometimes. We never talk much—Stephen isn't much of a hand for talking—but we just sit and think. There's not many men like Stephen, I can tell you."
Miss Trevor did not get a glimpse of the foolscap book that day, nor for many days after. Paul blushed all over his beautiful face whenever she mentioned it.