The Paliser case. Saltus Edgar

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      The ballrooms of the Splendor, peopled, as Mrs. Austen indulgently noted, with Goodness knows who from Heaven knows where, received her and her guests.

      Not all of them, however. At the entrance, Verelst, pretexting a pretext, sagely dropped out. Within, a young man with ginger hair and laughing eyes, sprang from nowhere, pounced at Kate, floated her away.

      Mrs. Austen, Margaret, Lennox and Paliser moved on.

      In one room there was dancing; in another, a stage. It was in the first room that Kate was abducted. On the stage in the room beyond, a fat woman, dressed in green and gauze, was singing faded idiocies. Beyond, at the other end of the room was a booth above which was a sign—The Veiled Lady of Yucatan. Beneath the sign was a notice: All ye that enter here leave five dollars at the door.

      The booth, hung with black velvet, was additionally supplied with hierograms in burnished steel. What they meant was not for the profane, or even for the initiate. Champollion could not have deciphered them. Fronting the door stood a young woman with a dark skin, a solemn look and a costume which, at a pinch, might have been Maya.

      In those accents which the Plaza shares with Mayfair, she hailed Margaret. "Hello, dear! Your turn next."

      For a moment, the dark skin, the solemn look, the costume puzzled Margaret. Then at once she exclaimed: "Why, Poppet!" She paused and added: "This is Mr. Paliser—Miss Bleecker. You know Mr. Lennox."

      But now, from the booth, a large woman with high colour, grey hair and a jewelled lorgnette rushed out and fastened herself on the sultry girl.

      "Gimme back my money. Your veiled lady is a horror! Said I'd marry again!"

      She raised her glasses. "Mary Austen, as I'm a sinner! Go in and have your misfortunes told. How do do Margaret? Marry again indeed! Oughtn't I to have my money back?"

      "Poppet ought to make you pay twice," Mrs. Austen heartlessly retorted at this woman, the relict of Nicholas Amsterdam, concerning whom a story had come out and who had died, his friends said, of exposure.

      Mrs. Amsterdam turned on Paliser whom she had never seen before. "What do you say?"

      "I am appalled," he answered.

      She turned again. "There, Poppet, you hear that? Gimme back my money."

      But Miss Bleecker occupied herself with Lennox, who was paying for Margaret.

      Margaret entered the booth where a little old woman, very plainly dressed, sat at a small deal table. From above hung a light. Beside her was a vacant chair.

      "Sit there, please," the medium, in a low voice, told the girl. "And now, if you please, your hand."

      Margaret, seating herself, removed a glove. The hand in which she then put hers was soft and warm and she feared that it might perspire. She looked at the woman who looked at her, sighed, closed her eyes and appeared to go to sleep. Then, presently, her lips parted and in a voice totally different from that in which she had just spoken, a voice that was thin and shrill, words came leapingly.

      "You are engaged to be married. Your engagement will be broken. You will be very unhappy. Later, you will be thankful. Later you will realise that sorrow is sent to make us nobler than we were."

      With an intake of the breath, the medium started, straightened, opened her eyes.

      At the shock of it Margaret had started also. "But——"

      The medium, in her former voice, low and gentle, interrupted.

      "I can tell you nothing else. I do not know what was said. But I am sorry if you have had bad news."

      Margaret stood up, replacing her glove. She knew, as we all know, that certain gifted organisms hear combinations of sound to which the rest of us are deaf. She knew, as many of us also know, that there are other organisms that can foresee events to which the rest of us are blind. But she knew too that in the same measure that the auditions of composers are not always notable, the visions of clairvoyants are not always exact. The knowledge steadied and partially comforted, but partially only.

      At the entrance, Lennox stood with Miss Bleecker. A little beyond were Paliser and her mother. Mrs. Amsterdam, minus her money, must have rushed away.

      Poppet Bleecker laughed and questioned: "No horrors?"

      Lennox questioned also, but with his eyes.

      Margaret hesitated. Then she got it. Taking the girl's hand she patted it and to Lennox said, and lightly enough: "Do go in. I want to see if what the medium says to you conforms with what she said to me."

      Yet, however lightly she spoke, behind her girdle was that sensation which only the tormented know.

      Beyond on the stage, the fat woman, now at the piano, was accompanying a girl who was singing a brindisi. The girl was young, good-looking, unembarrassed, very much at home. Her dress, a black chiffon, became her.

      Then, in a moment, as Lennox entered the booth, Margaret joined her mother and looked at the girl.

      "What is she singing?"

      Paliser covered her with his eyes. "Verdi's Segreto per esser felice—the secret of happiness. Such a simple secret too."

      "Yes?" Margaret absently returned. She was looking now at the booth. Quite as vaguely she added: "In what does it consist?"

      "In getting what we do not deserve."

      There was nothing in that to offend. But the man's eyes, of which already she had been conscious, did offend. They seemed to disrobe her. Annoyedly she turned.

      Paliser turned with her. "Verdi's bric-à-brac is very banal. Perhaps you prefer Strauss. His dissonances are more harmonic than they sound."

      Now though there was applause. With a roulade the brindisi had ceased and the singer as though pleased, not with herself but with the audience, bowed. The fat woman twisting on her bench, was also smiling. She looked cheerful and evil.

      "I do believe that's the Tamburini," Mrs. Austen remarked. "I heard her at the Academy, ages ago." The usual touch followed. "How she has gone off!"

      The fat woman stood up, and, preceded by the girl, descended into the audience.

      Margaret looked again at the booth. Lennox was coming out. He said a word to Miss Bleecker and glanced about the room.

      Margaret motioned. He did not notice. The girl who had been singing was bearing down on him, a hand outstretched and, in her face, an expression which Margaret could not interpret. But she saw Lennox smile, take her hand and say—what? Margaret could not tell, but it was something to which the girl was volubly replying.

      "Who's his little friend?" Mrs. Austen in her even voice inquired. "Mr. Paliser," she added. "Would you mind telling—er—my daughter's young man that we are waiting."

      Margaret winced. She had turned from Paliser and she turned then from her mother.

      Paliser, whom the phrase "my daughter's young man" amused, sauntered away. He strolled on to where Lennox stood with the girl. The fat woman joined them.

      Lennox must have introduced Paliser, for Margaret could see them all talking at once. Then Lennox again looked about, saw Margaret and her mother, and came over.

      "Who's your friend?" Mrs. Austen asked.

      Lennox' eyes caressed Margaret. Then he turned to her mother. "She is a Miss Cara. Cassy Cara her name is. I know her father. He is a violinist."

      And my daughter is second fiddle, thought Mrs. Austen, who said: "How interesting!"

      With his sombre air, Lennox summarised it. "She is studying for the opera. The woman with her, Madame Tamburini, is her coach. You may have heard of her."

      "A fallen star," Mrs. Austen very pleasantly remarked. Quite as pleasantly she added: "The proper companion for a