The Courage of Marge O'Doone. James Oliver Curwood

things impressed David.

      When they sat down to the table—Thoreau sitting for company, and Marie standing behind them—he was at a loss at first to know how to begin. His plate was of tin and a foot in diameter, and on it was a three-pound mallard duck, dripping with juice and as brown as a ripe hazel-nut. He made a business of arranging his sleeves and drinking a glass of water while he watched the famished Little Missioner. With a chuckle of delight Father Roland plunged the tines of his fork hilt deep into the breast of the duck, seized a leg in his fingers, and dismembered the luscious anatomy of his plate with a deft twist and a sudden pull. With his teeth buried in the leg he looked across at David. David had eaten duck before; that is, he had eaten of the family anas boschas disguised in thick gravies and highbrow sauces, but this duck that he ate at Thoreau's table was like no other duck that he had ever tasted in all his life. He began with misgivings at the three-pound carcass, and he ended with an entirely new feeling of stuffed satisfaction. He explored at will into its structure, and he found succulent morsels which he had never dreamed of as existing in this particular bird, for his experience had never before gone beyond a leg of duck and thinly carved slices of breast of duck, at from eighty cents to a dollar and a quarter an order. He would have been ashamed of himself when he had finished had it not been that Father Roland seemed only at the beginning, and was turning the vigour of his attack from duck to rabbit and onion. From then on David kept him company by drinking a third cup of coffee.

      When he had finished Father Roland settled back with a sigh of content, and drew a worn buckskin pouch from one of the voluminous pockets of his trousers. Out of this he produced a black pipe and tobacco. At the same time Thoreau was filling and lighting his own. In his studies and late-hour work at home David himself had been a pipe smoker, but of late his pipe had been distasteful to him, and it had been many weeks since he had indulged in anything but cigars and an occasional cigarette. He looked at the placid satisfaction in the Little Missioner's face, and saw Thoreau's head wreathed in smoke, and he felt for the first time in those weeks the return of his old desire. While they were eating, Mukoki and another Indian had brought in his trunk and bags, and he went now to one of the bags, opened it, and got his own pipe and tobacco. As he stuffed the bowl of his English briar, and lighted the tobacco, Father Roland's glowing face beamed at him through the fragrant fumes of his Hudson's Bay Mixture.

      Against the wall, a little in shadow, so that she would not be a part of their company or whatever conversation they might have, Marie had seated herself, her round chin in the cup of her brown hand, her dark eyes shining at this comfort and satisfaction of men. Such scenes as this amply repaid her for all her toil in life. She was happy. There was content in this cabin. David felt it. It impinged itself upon him, and through him, in a strange and mysterious way. Within these log walls he felt the presence of that spirit—the joy of companionship and of life—which had so terribly eluded and escaped him in his own home of wealth and luxury. He heard Marie speak only once that night—once, in a low, soft voice to Thoreau. She was silent with the silence of the Cree wife in the presence of a stranger, but he knew that her heart was throbbing with the soft pulse of happiness, and for some reason he was glad when Thoreau nodded proudly toward a closed door and let him know that she was a mother. Marie heard him, and in that moment David caught in her face a look that made his heart ache—a look that should have been a part of his own life, and which he had missed.

      A little later Thoreau led the way into the room which David was to occupy for the night. It was a small room, with a sapling partition between it and the one in which the Missioner was to sleep. The fox breeder placed a lamp on the table near the bed, and bade David good-night.

      It was past two o'clock, and yet David felt at the present moment no desire for sleep. After he had taken off his shoes and partially undressed, he sat on the edge of his bed and allowed his mind to sweep back over the events of the last few hours. Again he thought of the woman in the coach—the woman with those wonderful, dark eyes and haunting face—and he drew forth from his coat pocket the package which she had forgotten. He handled it curiously. He looked at the red string, noted how tightly the knot was tied, and turned it over and over in his hands before he snapped the string. He was a little ashamed at his eagerness to know what was within its worn newspaper wrapping. He felt the disgrace of his curiosity, even though he assured himself there was no reason why he should not investigate the package now when all ownership was lost. He knew that he would never see the woman again, and that she would always remain a mystery to him unless what he held in his hands revealed the secret of her identity.

      A half minute more and he was leaning over in the full light of the lamp, his two hands clutching the thing which the paper had disclosed when it dropped to the floor, his eyes staring, his lips parted, and his heart seeming to stand still in the utter amazement of the moment!

CHAPTER V

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      David held in his hands a photograph—the picture of a girl. He had half guessed what he would find when he began to unfold the newspaper wrapping and saw the edge of gray cardboard. In the same breath had come his astonishment—a surprise that was almost a shock. The night had been filled with changes for him; forces which he had not yet begun to comprehend had drawn him into the beginning of a strange adventure; they had purged his thoughts of himself; they had forced upon him other things, other people, and a glimpse or two of another sort of life; he had seen tragedy, and happiness—a bit of something to laugh at; and he had felt the thrill of it all. A few hours had made him the bewildered and yet passive object of the unexpected. And now, as he sat alone on the edge of his bed, had come the climax of the unexpected.

      The girl in the picture was not dead—not merely a lifeless shadow put there by the art of a camera. She was alive! That was his first thought—his first impression. It was as if he had come upon her suddenly, and by his presence had startled her—had made her face him squarely, tensely, a little frightened, and yet defiant, and ready for flight. In that first moment he would not have disbelieved his eyes if she had moved, if she had drawn away from him and disappeared out of the picture with the swiftness of a bird. For he—some one—had startled her; some one had frightened her; some one had made her afraid, and yet defiant; some one had roused in her that bird-like impulse of flight even as the camera had clicked.

      He bent closer into the lampglow, and stared. The girl was standing on a flat slab of rock close to the edge of a pool. Behind her was a carpet of white sand, and beyond that a rock-cluttered gorge and the side of a mountain. She was barefooted. Her feet were white against the dark rock. Her arms were bare to the elbows, and shone with that same whiteness. He took these things in one by one, as if it were impossible for the picture to impress itself upon him all at once. She stood leaning a little forward on the rock slab, her dress only a little below her knees, and as she leaned thus, her eyes flashing and her lips parted, the wind had flung a wonderful disarray of curls over her shoulder and breast. He saw the sunlight in them; in the lampglow they seemed to move; the throb of her breast seemed to give them life; one hand seemed about to fling them back from her face; her lips quivered as if about to speak to him. Against the savage background of mountain and gorge she stood out clear-cut as a cameo, slender as a reed, wild, palpitating, beautiful. She was more than a picture. She was life. She was there—with David in his room—as surely as the woman had been with him in the coach.

      He drew a deep breath and sat back on the edge of his bed. He heard Father Roland getting into his creaky bed in the adjoining room. Then came the Missioner's voice.

      "Good-night, David."

      "Good-night, Father."

      For a space after that he sat staring blankly at the log of his room. Then he leaned over again and held the photograph a second time in the lampglow. The first strange spell of the picture was broken, and he looked at it more coolly, more critically, a little disgusted with himself for having allowed his imagination to play a trick on him. He turned it over in his hands, and on the back of the cardboard mount he saw there had been writing. He examined it closely, and made out faintly the words, "Firepan Creek, Stikine River, August. … " and the date was gone. That was all. There was no name,