The Ship of Stars. Arthur Quiller-Couch

boots dangling. For the next six weeks the town would be full of bugle calls, and brazen music, and companies marching and parading in suits of invisible green, and clanking officers in black, with little round forage caps, and silver badges on their side-belts; and, towards evening, with men lounging and smoking, or washing themselves in public before the doors of their billets.

      Usually too, Whitsun Fair fell at the height of the militia training; and then for two days booths and caravans, sweet-standings and shooting-galleries lined the main street, and Taffy went out with a shilling in his pocket to enjoy himself. But the bigger shows—the menagerie, the marionettes, and the travelling Theatre Royal—were pitched on Mount Folly, just under his window. Sometimes the theatre would stay a week or two after the fair was over, until even the boy grew tired of the naphtha-lamps and the voices of the tragedians, and the cornet wheezing under canvas, and began to long for the time when they would leave the square open for the boys to come and play at prisoners' bars in the dusk.

      One evening, a fortnight before Whitsun Fair, he had taken his book to the open window, and sat there with it. Every night he had to learn a text which he repeated next morning to his mother. Already, across the square, the Mayoralty house was brightly lit, and the bandsmen had begun to arrange their stands and music before it; for the Colonel was receiving company. Every now and then a carriage arrived, and set down its guests.

      After a while Taffy looked up and saw two persons crossing the square—an old man and a little girl. He recognised them, having seen them together in church the day before, when his father had preached the sermon. The old man wore a rusty silk hat, cocked a little to one side, a high stock collar, black cutaway coat, breeches and gaiters of grey cord. He stooped as he walked, with his hands behind him and his walking-stick dangling like a tail—a very positive old fellow, to look at. The girl's face Taffy could not see; it was hidden by the brim of her Leghorn hat.

      The pair passed close under the window. Taffy heard a knock at the door below, and ran to the head of the stairs. Down in the passage his mother was talking to the old man, who turned to the girl and told her to wait outside.

      "But let her come in and sit down," urged Humility.

      "No, ma'am; I know my mind. I want one hour with your husband."

      Taffy heard the door shut, and went back to his window-seat.

      The little girl had climbed the cannon opposite, and sat there dangling her feet and eyeing the house.

      "Boy," said she, "what a funny window-seat you've got! I can see your legs under it."

      "That's because the window reaches down to the floor, and the bench is fixed across by the transom here."

      "What's your name?"

      "Theophilus; but they call me Taffy."

      "Why?"

      "Father says it's an imperfect example of Grimm's Law."

      "Oh! Then, I suppose you're quite the gentleman? My name's

       Honoria."

      "Is that your father downstairs?"

      "Bless the boy! What age do you take me for? He's my grandfather. He's asking your father about his soul. He wants to be saved, and says if he's not saved before next Lady-day, he'll know the reason why. What are you doing up there?"

      "Reading."

      "Reading what?"

      "The Bible."

      "But, I say, can you really?"

      "You listen." Taffy rested the big Bible on the window-frame; it just had room to lie open between the two mullions—"Now when they had gone throughout Phrygia and Galatia, and were forbidden of the Holy Ghost to preach the word in Asia, after they were come to Mysia they assayed to go into Bithynia; but the Spirit suffered them not. And they, passing by Mysia, came down to Troas. And a vision appeared to Paul in the night. … "

      "I don't wonder at it. Did you ever have the whooping-cough?"

      "Not yet."

      "I've had it all the winter. That's why I'm not allowed in to play with you. Listen!"

      She coughed twice, and wound up with a terrific whoop.

      "Now, if you'd only put on your nightshirt and preach, I'd be the congregation and interrupt you with coughing."

      "Very well," said Taffy, "let's do it."

      "No; you didn't suggest it. I hate boys who have to be told."

      Taffy was huffed, and pretended to return to his book. By-and-by she called up to him:

      "Tell me, what's written on this gun of yours?"

      "Sevastopol—that's a Russian town. The English took it by storm."

      "What! the soldiers over there?"

      "No, they're only bandsmen; and they're too young. But I expect the

       Colonel was there. He's upstairs in the Mayoralty, dining.

       He's quite an old man, but I've heard father say he was as brave as a

       lion when the fighting happened."

      The girl climbed off the gun.

      "I'm going to have a look at him," she said; and turning her back on Taffy, she sauntered off across the square, just as the band struck up the first note of the overture from Semiramide. A waltz of Strauss followed, and then came a cornet solo by the bandmaster, and a medley of old English tunes. To all of these Taffy listened. It had fallen too dark to read, and the boy was always sensitive to music. Often when he played alone broken phrases and scraps of remembered tunes came into his head and repeated themselves over and over. Then he would drop his game and wander about restlessly, trying to fix and complete the melody; and somehow in the process the melody always became a story, or so like a story that he never knew the difference. Sometimes his uneasiness lasted for days together. But when the story came complete at last—and this always sprang on him quite suddenly—he wanted to caper and fling his arms about and sing aloud; and did so, if nobody happened to be looking.

      The bandmaster, too, had music, and a reputation for imparting it. Famous regimental bands contained pupils of his; and his old pupils, when they met, usually told each other stories of his atrocious temper. But he kept his temper to-night, for his youngsters were playing well, and the small crowd standing quiet.

      The English melodies had scarcely closed with "Come, lasses and lads," when across in Mayoralty a blind was drawn, and a window thrown open, and Taffy saw the warm room within, and the officers and ladies standing with glasses in their hands. The Colonel was giving the one toast of the evening:

      "Ladies and gentlemen—The Queen!"

      The adjutant leaned out and lifted his hand for signal, and the band crashed out with the National Anthem. Then there was silence for a minute. The window remained open. Taffy still caught glimpses of jewels and uniforms, and white necks bending, and men leaning back in their chairs, with their mess-jackets open, and the candle-light flashing on their shirt-fronts. Below, in the dark street, the bandmaster trimmed the lamp by his music-stand. In the rays of it he drew out a handkerchief and polished the keys of his cornet; then passed the cornet over to his left hand, took up his baton, and nodded.

      What music was that, stealing, rippling, across the square? The bandmaster knew nothing of the tale of Tannhauser, but was wishing that he had violins at his beck, instead of stupid flutes and reeds. And Taffy had never heard so much as the name of Tannhauser. Of the meaning of the music he knew nothing—nothing beyond its wonder and terror. But afterward he made a tale of it to himself.

      In the tale it seemed that a vine shot up and climbed on the shadows of the warm night; and the shadows climbed with it and made a trellis for it right across the sky. The vine thrust through the trellis faster and faster, dividing, throwing out little curls and tendrils; then leaves and millions of leaves, each leaf unfolding about a drop of dew, which trickled and fell and tinkled like a bird's