The History of Sir Richard Calmady. Lucas Malet

touched, if she waited a lifetime—though of exactly in what either her heart, or the touching of it, consisted she was deliciously innocent as yet.

      And then, in the summer of 1841, Sir Richard Calmady came to Ormiston. He and her brother Roger had been at Eton together. Katherine remembered him, years ago, as a well-bred and courteously contemptuous schoolboy, upon whose superior mind, small female creatures—busy about dolls, and victims of the athletic restrictions imposed by petticoats—made but slight impression. Latterly Sir Richard's name had come to be one to conjure with in racing circles, thanks to the performances of certain horses bred and trained at the Brockhurst stables; though some critics, it is true, deplored his tendency to neglect the older and more legitimate sport of flat-racing in favour of steeple-chasing. It was said he aspired to rival the long list of victories achieved by Mr. Elmore's Gaylad and Lottery, and the successes of Peter Simple the famous gray. This much Katherine had heard of him from her brother. And having her haughty turns—as what charming woman has not?—set him down as probably a rough sort of person, notwithstanding his wealth and good connections, a kind of gentleman jockey, upon whom it would be easy to take a measure of pretty revenge for his boyish indifference to her existence. But the meeting, and the young man, alike, turned out quite other than she had anticipated. For she found a person as well furnished in all polite and social arts as herself, with no flavour of the stable about him. She had reckoned on one whose scholarship would carry him no further than a few stock quotations from Horace, and whose knowledge of art would begin and end with a portrait of himself presented by the members of a local hunt. And it was a little surprising—possibly a little mortifying to her—to hear him talking over obscure passages in Spencer's Færie Queene with Mrs. St. Quentin, before the end of the dinner, and nicely apprising the relative merits of the water-colour sketches by Turner, that hung on either side the drawing-room fireplace.

      Nor did Katherine's surprises end here. An unaccountable something was taking place within her, that opened up a whole new range of emotion. She, the least moody of young women, had strange fluctuations of temper, finding herself buoyantly happy one hour, the next pensive, filled with timidity and self-distrust—not to mention the little fits of gusty anger, and purposeless jealousy which took her, hurting her pride shrewdly. She grew anxiously solicitous as to her personal appearance. This dress would not please her nor that. The image of her charming oval face and well-set head ceased to satisfy her. Surely a woman's hair should be either positively blond or black, not this indeterminate brown, with warm lights in it? She feared her mouth was not small enough, the lips too full and curved for prettiness. She wished her eyes less given to change, under their dark lashes, from clear gray-blue to a nameless colour like the gloom of the pools of a woodland stream, as her feelings changed from gladness to distress. She feared her complexion was too bright, and then not bright enough. And, all the while, a certain shame possessed her that she should care at all about such trivial matters; for life had grown suddenly larger and more august. Books she had read, faces she had watched a hundred times, the vast horizon looking eastward over the unquiet sea, all these gained a new value and meaning which at once enthralled and agitated her thought.

      Sir Richard Calmady stayed a fortnight at Ormiston. And the two ladies crossed to Paris earlier, that autumn, than was their custom. Katherine was not in her usual good health, and Mrs. St. Quentin desired change of air and scene on her account. She took Mademoiselle de Mirancourt into her confidence, hinting at causes for her restlessness and wayward little humours unacknowledged by the girl herself. Then the two elder women wrapped Katherine about with an atmosphere of—if possible—deeper tenderness than before; mingling sentiment with their gaiety, and gaiety with their sentiment, and the delicate respect which refrains from question with both.

      One keenly bright October afternoon Richard Calmady called in the rue de Rennes. It appeared he had come to Paris with the intention of remaining there for an indefinite period. He called again and yet again, making himself charming—a touch of deference tempering his natural suavity—alike to his hostesses and to such of their guests as he happened to meet. It was the fashion of fifty years ago to conduct affairs, even those of the heart, with a dignified absence of precipitation. The weeks passed, while Sir Richard became increasingly welcome in some of the very best houses in Paris.—And Katherine? It must be owned Katherine was not without some heartaches, which she proudly tried to deny to herself and conceal from others. But eventually—it was on the morning after the ball at the British Embassy—the man spoke and the maid answered, and the old order changed, giving place to new in the daily life of the pretty apartment of the rue de Rennes.

      About five months later the marriage took place in London; and Sir Richard and Lady Calmady started forth on a wedding journey of the old-fashioned type. They traveled up the Rhine, and posted, all in the delicious, early summer weather, through Northern Italy, as far as Florence. They returned by Paris. And there, Mrs. St. Quentin watching—in almost painful anxiety—to see how it fared with her recovered darling, was wholly satisfied, and gave thanks. For she perceived that, in this case, at least, marriage was no legal, conventional connection leaving the heart emptier than it found it—the bartering of precious freedom for a joyless bondage, an obligation, weary in the present, and hopeless of alleviation in the future, save by the reaching of that far-distant, heavenly country, concerning which it is comfortably assured us "that there they neither marry nor are given in marriage." For the Katherine who came back to her was at once the same, and yet another, Katherine—one who carried her head more proudly and stepped as though she was mistress of the whole fair earth, but whose merry wit had lost its little edge of sarcasm, whose sympathy was quicker and more instinctive, whose voice had taken fuller and more caressing tones, and in whose sweet eyes sat a steady content good to see. And then, suddenly, Mrs. St. Quentin began to feel her age as she had never, consciously, felt it before; and to be very willing to fold her hands and recite her Nunc Dimittis. For, in looking on the faces of the bride and bridegroom, she had looked once again on the face of Love itself, and had stood within the court of the temple of that Uranian Venus whose unsullied glory is secure here and hereafter, since to her it is given to discover to her worshippers the innermost secret of existence, thereby fencing them forever against the plagues of change, delusion, and decay. Love began gently to loosen the cords of life, and to draw Lucia St. Quentin home—home to that dear dwelling-place which, as we fondly trust—since God Himself is Love—is reserved for all true lovers beyond the grave and Gates of Death. Thus one flower falls as another opens; and to-day, however sweet, is only won across the corpse of yesterday.

      And it was some perception of just this—the ceaseless push of event following on event, the ceaseless push of the yet unborn struggling to force the doors of life—which moved Katherine to seriousness, as she stood alone on the smooth expanse of the troco-ground, in the soft, all-covering twilight, at the close of the day's hospitality.

      On her right the house, and its delicate twisted chimneys, showed dark against the fading rose of the western sky. The air, rich with the fragrance of the red-walled gardens behind her—with the scent of jasmine, heliotrope and clove carnations, ladies-lilies and mignonette—was stirred, now and again, by wandering winds, cool from the spaces of the open moors. While, as the last roll of departing wheels died out along the avenues, the voices of the woodland began to reassert themselves. Wild-fowl called from the alder-fringed Long Water. Night-hawks churred as they beat on noiseless wings above the beds of bramble and bracken. A cock pheasant made a most admired stir and keckling in seeing his wife and brood to roost on the branches of one of King James's age-old Scotch firs.

      And this sense of nature coming back to claim her own, to make known her eternal supremacy, now that the fret of man's little pleasuring had past, was very grateful to Katherine Calmady. Her soul cried out to be free, for a time, to contemplate, to fully apprehend and measure its own happiness. It needed to stand aside, so that the love given, and all given with that love—even these matters of house and gardens, of men-servants and maid-servants, of broad acres, all the poetry, in short, of great possessions—might be seen in perspective. For Katherine had that necessity—in part intellectual, in part practical, and common to all who possess a gift for rule—to resist the confusing importunity of detail, and to grasp intelligently the whole, which alone gives to detail coherence and purpose. Her mind was not one—perhaps unhappily—which is contented to merely play with bricks, but demands the plan of the building into which those