Название | The History of Sir Richard Calmady |
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Автор произведения | Lucas Malet |
Жанр | Языкознание |
Серия | |
Издательство | Языкознание |
Год выпуска | 0 |
isbn | 4057664598264 |
At last it was over. At last he dared to look at her. The colour and youthful roundness had gone out of her face. It was gray as her dress, fixed and rigid as a marble mask. Ormiston was overcome with a consuming pity for her and with a violence of self-hatred. Hangman, and to his own sister—in truth, it seemed to him to have come to that! He knelt down in front of her, laying hold of both her knees.
"Kitty, can you ever forgive me for telling you this?" he asked hoarsely.
Even in this extremity Katherine's inherent sweetness asserted itself. She would have smiled, but her frozen lips refused. Her eyelids quivered a little and closed.
"I have nothing to forgive you, dear," she said. "Indeed, it is good of you to tell me, since—since so it is."
She put her hands upon his shoulders, gripping them fast, and bowed her head. The little flames crackled, dancing among the pine logs and the silk of her dress rustled as her bosom rose and fell.
"It won't make you ill again?" Roger asked anxiously.
Katherine shook her head.
"Oh, no!" she said, "I have no more time for illness. This is a thing to cure, as a cautery cures—to burn away all idleness and self-indulgent, sick room fancies. See, I am strong, I am well."
She stood up, her hands slipping down from Ormiston's shoulders and steadying themselves on his hands as he too rose. Her face was still ashen, but purpose and decision had come into her eyes.
"Do this for me," she said, almost imperiously. "Go to Denny, tell her to bring me the baby. She is to leave him with me. And tell her, as she loves both him and me—as she values her place here at Brockhurst—she is not to speak."
As he looked at her Ormiston turned cold. She was terrible just then.
"Katherine," he said quickly, "what on earth are you going to do?"
"No harm to my baby in any case—you need not be alarmed. I am quite to be trusted. Only I cannot be reasoned with or opposed, still less condoled with or comforted, yet. I want my baby, and I must have him, here, alone, the doors shut—locked if I please." Her lips gave, the corners of her mouth dropped. And watching her Ormiston swore a little under his breath. "We have something to say to each other, the baby and I," she went on, "which no one else may hear. So do what I ask you, Roger. And come back—I may want you—in about an hour, if I do not send for you before."
Alone with her child, Lady Calmady moved slowly across and bolted both the nursery and the chapel-room doors. Then she drew a low stool up in front of the fire and sat down, laying the infant upon her lap. It was a delicious, dimpled creature, with a quantity of silky golden-brown hair, that curled in a tiny crest along the top of its head. It was but half awake yet, the rounded cheeks pink with the comfort of food and slumber. And as the beautiful, young mother, bending that set, ashen face of hers above it, laid the child upon her knees, it stretched, clenching soft baby fists and rubbing them into its blue eyes.
Katherine unwrapped the shawls, and took off one small garment after another—delicate gossamer-like things of fine flannel, lawn and lace, such as women's fingers linger over in the making with tender joy. Once her resolution failed her. She wrapped the half-dressed child in its white shawls again, rose from her place and walked over to the sunny window, carrying it in the hollow of her arm—it staring up, meanwhile, with the strange wonder of baby eyes, and cooing, as though holding communication with gracious presences haunting the moulded ceiling above. Katherine gazed at it for a few seconds. But the little creature's serene content, its absolute unconsciousness of its own evil fortune, pained her too greatly. She went back, sat down on the stool again, and completed the task she had set herself.
Then, the baby lying stark naked on her lap, she studied the fair, little face, the penciled eyebrows and fringed eyelids—dark like her own—the firm, rounded arms, the rosy-palmed hands, their dainty fingers and finger-nails, the well-proportioned and well-nourished body, without smallest mark or blemish upon it, sound, wholesome, and complete. All these she studied long and carefully, while the dancing glow of the firelight played over the child's delicate flesh, and it extended its little arms in the pleasant warmth, holding them up, as in act of adoration, towards those gracious unseen presences, still, apparently, hovering above the flood of instreaming sunshine against the ceiling overhead. Lastly she turned her eyes, with almost dreadful courage, upon the mutilated, malformed limbs, upon the feet—set right up where the knee should have been, thus dwarfing the child by a fourth of his height. She observed them, handled, felt them. And as she did so, her mother-love, which, until now, had been but a part and consequence—since the child was his gift, the crown and outcome of their passion, his and hers—of the great love she bore her husband, became distinct from that, an emotion by itself, heretofore unimagined, pervasive of all her being. It had none of the sweet self-abandon, the dear enchantments, the harmonising sense of safety and repose which that earlier passion had. This was altogether different in character, and made quite other demands on mind and heart. For it was fierce, watchful, anxious, violent with primitive instinct; the roots of it planted far back in that unthinkable remoteness of time, when the fertile womb of the great earth mother began to bring forth the first blind, simple forms of those countless generations of living creatures which, slowly differentiating themselves, slowly developing, have peopled this planet from that immeasurable past to the present hour. Love between man and woman must be forever young, even as Eros, Cupid, Krishna, are forever youthful gods. But mother-love is of necessity mature, majestic, ancient from the stamp of primal experience which is upon it.
And so, at this juncture, realising that which her motherhood meant, her immaturity, her girlhood fell away from Katherine Calmady. Her life and the purpose of it moved forward on another plane.
She bent down and solemnly kissed the unlovely, shortened limbs, not once or twice, but many times, yielding herself up with an almost voluptuous intensity to her own emotion. She clasped her hands about her knees, so that the child might be enclosed, overshadowed, embraced on all sides by the living defenses of its mother's love. Alone there, with no witnesses, she brooded over it, crooned to it, caressed it with an insatiable hunger of tenderness.
"And yet, my poor pretty, if we had both died, you and I, ten days ago," she murmured, "how far better. For what will you say to me when you grow older—to me who have brought you, without any asking or will of yours, into a world in which you must always be at so cruel a disadvantage? How will you bear it all when you come to face it for yourself, and I can no longer shield you and hide you away as I can do now? Will you have fortitude to endure, or will you become sour, vindictive, misanthropic, envious? Will you curse the hour of your birth?"
Katherine bowed her proud head still lower.
"Ah! don't do that, my darling," she prayed in piteous entreaty, "don't do that. For I will share all your trouble, do share it even now, beforehand, foreseeing it, while you still lie smiling unknowing of your own distress. I shall live through it many times, by day and night, while you live through it only once. And so you must be forbearing towards me, my dear one, when you come——"
She broke off abruptly, her hands fell at her sides, and she sat rigidly upright, her lips parted, staring blankly at the dancing flames.
In repeating Dr. Knott's statement Ormiston had purposely abstained from all mention of Richard Calmady's accident and its tragic sequel. He could not bring himself to speak to Katherine of that. Until now, dominated by the rush of her emotion, she had only recognised the bare terrible fact of the baby's crippled condition, without attempting to account for it. But, now, suddenly the truth presented itself to her. She understood that she was herself, in a sense, accountable—that the greatness of her love for the father had maimed the child.
As she realised the profound irony of the position, a blackness of misery fell upon Katherine. And then, since she was of a strong, undaunted spirit, an immense anger possessed her, a revolt against nature which could work such wanton injury, and against God, who, being all-powerful, could sit by and permit it so to work. All the foundations of faith and reverence were, for the time being, shaken to the very base.
She gathered