The Confession of a Fool. August Strindberg

is when she betrays her husband. The prostitute sells herself, the young wife sells herself; the faithless wife only gives to her lover that which she has stolen from her husband.

      But I had not desired this woman in any other way than as a friend. Protected from me by her child, I had always seen her invested with the insignia of motherhood. Always seeing her at the side of her husband, I had never felt the slightest temptation to indulge in pleasures which are gross in themselves, and ennobled only by entire and exclusive possession.

      I returned to my room annihilated, completely crushed, more lonely than ever, for I had dropped my Bohemian friends from the very outset of my relations with the Baroness.

      IV

      I occupied in those days a fairly large attic with two windows which looked on the new harbour, the bay and the rocky heights of the southern suburbs. Before the windows, on the roof, I had managed to create a garden of tiny dimensions. Bengal roses, azaleas and geraniums provided me in their turn with flowers for the secret cult of my Madonna with the child. It had become a daily habit with me to pull down the blinds towards the evening, arrange my flower-pots in a semicircle, and place the picture of the Baroness, with the lamplight full on it, amongst them. She was represented on this portrait as a young mother, with somewhat severe, but deliciously pure features, her delicate head crowned with a wealth of golden hair. She wore a light dress which reached up to her chin and was finished off with a pleated frill; her little daughter, dressed in white, was standing on a table by the side of her, gazing at the beholder with pensive eyes. How many letters "to my friends" had I not written before this portrait and sent off on the following morning addressed to the Baron! These letters were at that time the only channel into which I could pour my literary aspirations, and my inmost soul was laid bare in them.

      To open a career for the erratic, artistic soul of the Baroness, I had tried to encourage her to seek an outlet for her poetic imagination in literary work. I had provided her with the masterpieces of all literatures, had taught her the first principles of literary composition by furnishing endless summaries, commentaries and analyses, to which I added advice and practical illustrations. She had been only moderately interested, for she doubted her literary talent from the outset. I told her that every educated person possessed the ability to write at least a letter, and was therefore a poet or author in posse. But it was all in vain; the passion for the stage had taken firm hold of her obstinate brain. She insisted that she was a born elocutionist, and, because her rank prevented her from following her inclination and going on the stage (an ardently desired contingency), she posed as a martyr, heedless of the disastrous consequences which threatened to overtake her home life. Her husband sympathised with my benevolent efforts, undertaken in the hope of saving the domestic peace of the family from shipwreck. He was grateful, although he had not the courage to take an active and personal interest in the matter. The Baroness's opposition notwithstanding, I had continued my efforts and urged her in every letter to break the fateful spell which held her, and make an effort to write a poem, a drama, or a novel.

      "Your life has been an eventful one," I said to her in one of my letters; "why not make use of your own experience?" And, quoting from Börne, I added, "Take paper and pen and be candid, and you are bound to become an authoress."

      "It's too painful to live an unhappy life all over again," she had replied. "I want to find forgetfulness in art; I want to merge my identity into characters different from my own."

      I had never asked myself what it was that she wanted to forget. I knew nothing of her past life. Did she shrink from allowing me to solve the riddle? Was she afraid of handing me the key to her character? Was she anxious to hide her true self behind the personalities of stage heroines, or did she hope to increase her own magnitude by assuming the identities of her superiors?

      When I had come to the end of my arguments, I suggested that she should make a start by translating the works of foreign authors; I told her this would help to form her style and make her known to publishers.

      "Is a translator well paid?" she asked.

      "Fairly well," I replied, "if she knows her business."

      "Perhaps you will think me mercenary," she continued, "but work for its own sake doesn't attract me."

      Like so many women of our time, she was seized with the mania of earning her own living. The Baron made a grimace plainly indicative of the fact that he would far rather see her taking an active interest in the management of her house and servants, than contributing a few shillings towards the expenses of a neglected home.

      Since that day she had given me no peace, begging me to find her a good book and a publisher.

      I had done my utmost, and had succeeded in procuring for her two quite short articles, destined for "Miscellaneous Items" in one of the illustrated magazines, which did not, however, remunerate its contributors. For a whole week I heard nothing of the work, which could easily have been accomplished in a couple of hours. She lost her temper when the Baron teasingly called her a sluggard; in fact, she was so angry that I saw he had touched a very sore spot, and stopped all further allusions, afraid of making serious mischief between the couple.

      This was how matters stood at the time of my rupture with her.

      … I sat in my attic with her letters before me on the table. As I re-read them, one after the other, my heart ached for her. She was a soul in torment, a power wasted, a voice unable to make itself heard, just like myself. This was the secret of our mutual sympathy. I suffered through her as if she were a diseased organ grafted on my sick soul, which had itself become too blunted and dull to sense the pleasure of exquisite pain.

      And what had she done that I should deprive her of my sympathy? In a moment of jealousy she had complained to me of her unhappy marriage. And I had repulsed her, I had spoken harshly to her, when I ought to have reasoned with her; it would not have been an impossible task, for hadn't her husband told me that she allowed him every licence?

      I was seized with an immense compassion for her; no doubt, in her soul lay, shrouded in profound mystery, fateful secrets, physical and psychical aberrations. It seemed to me that I should be guilty of a terrible wrong if I let her come to ruin. When my depression had reached its climax I began a letter to her, asking her to forgive me. I begged her to forget what had happened, and tried to explain the painful incident by a misunderstanding on my part. But the words would not come, my pen refused to obey me. Worn out with fatigue, I threw myself on my bed.

      The following morning was warm and cloudy, a typical August morning. At eight o'clock I went to the library, melancholy and depressed. As I had a key, I was able to let myself in and spend three hours in perfect solitude before the general public began to arrive. I wandered through the passages, between rows of books on either side, in that exquisite solitude which is not loneliness, in close communion with the great thinkers of all times. Taking out a volume here and there, I tried to fix my mind on some definite subject in order to forget the painful scene of yesterday. But I could not banish the desecrated image of the fallen Madonna from my mind. When I raised my eyes from the pages, which I had read without understanding a word, I seemed to see her, as in a vision, coming down the spiral staircase, which wound in endless perspective at the back of the galleries. She lifted the straight folds of her blue dress, showing her perfect feet and slender ankles, looking at me furtively, with a sidelong glance, tempting me to the betrayal of her husband, soliciting me with that treacherous and voluptuous smile which I had yesterday seen for the first time. The apparition awakened all the sensuality which had lain dormant in my heart for the last three months, for the pure atmosphere which surrounded her had kept away from me all lascivious thoughts. Now all the passion which burnt in me concentrated itself on a single object. I desired her. My imagination painted for me the exquisite beauty of her white limbs. I selected a work on art which contained illustrations of all the famous sculptures in the Italian museums, hoping to discover this woman's formula by systematic scientific research. I wanted to find out species and genus to which she belonged. I had plenty to choose from.

      Was she Venus, full-bosomed and broad-hipped, the normal woman, who awaits her lover, sure of her triumphant beauty?

      No!