Название | ANCIENT MYTHOLOGY Boxed Set (Illustrated Edition) |
---|---|
Автор произведения | Lewis Spence |
Жанр | Документальная литература |
Серия | |
Издательство | Документальная литература |
Год выпуска | 0 |
isbn | 4064066399955 |
Ea in Later Times
Ea developed with the centuries, and about the epoch of Khammurabi appears to have achieved a high standard of godhead, probably because of the very considerable amount of theological moulding which he had received. In the later Babylonian period we find him described as the protagonist of mankind, the father of Merodach, and, along with Anu and Bel, a member of a great triad. The priests of Babylon were the sole mythographers of these days. This is in sharp contradistinction to the mythographers of Greece, who were nearly always philosophers and never priests. But they were mythographers in a secondary sense only, for they merely rearranged, re-edited, or otherwise altered already existing tales relating to the gods, usually with a view to the exaltation of a certain deity or to enable his story to fit in with those of other gods. It is only after a religion or mythological system has enjoyed a vogue more or less extended that the relationship of the gods towards one another becomes fixed.
The appointment of Merodach to the supreme position in the Babylonian pantheon naturally necessitated a rearrangement so far as the relationship of the other deities to him was concerned. This meant a re-shaping of myth and tradition generally for the purpose of ensuring consistency. The men fitted to accomplish such a task were to hand, for the age of Khammurabi was fertile in writers, scholastic and legal, who would be well equipped to carry out a change of the description indicated. Ea had not in the past enjoyed any very exalted sphere. But as the chief god of the important country in the neighbourhood of the Persian Gulf, the most ancient home of Babylonian culture, Ea would probably have exercised a great influence upon the antiquarian and historic sense of a man like Khammurabi. As the god of wisdom he would strongly appeal to a monarch whose whole career was marked by a love of justice and by sagacity and insight. From a local god of Eridu, Ea became a universal deity of wisdom and beneficence, the strong shield of man, and his benefactor by the gifts of harvest and water. Civilized and softer emotions must have begun to cluster around the cult of this kindly god who, when the angered deities resolved to destroy mankind, interceded for poor humanity and succeeded in preserving it from the divine wrath. As a god of medicine, too, Ea is humane and protective in character, and all the arts fall under his patronage. He is the culture-god of Babylon par excellence. He might not transcend Merodach, so he became his father. Thus did pagan theology succeed in merging the cults of deities which might otherwise have been serious rivals and mutually destructive.
Zu
Zu was a storm-god symbolized in the form of a bird. He may typify the advancing storm-cloud, which would have seemed to those of old as if hovering like a great bird above the land which it was about to strike. The North-American Indians possess such a mythological conception in the Thunder-bird, and it is probable that the great bird called roc, so well known to readers of the Arabian Nights, was a similar monster—perhaps the descendant of the Zu-bird. We remember how this enormous creature descended upon the ship in which Sindbad sailed and carried him off. Certain it is that we can trace the roc or rukh to the Persian simurgh, which is again referable to a more ancient Persian form, the amru or sinamru, the bird of immortality, and we may feel sure that what is found in ancient Persian lore has some foundation in Babylonian belief. The Zu-bird was evidently under the control of the sun, and his attempt to break away from the solar authority is related in the following legend.
The Legend of Zu
It is told of the god Zu that on one occasion ambition awaking in his breast caused him to cast envious eyes on the power and sovereignty of Bel, so that he determined to purloin the Tablets of Destiny, which were the tangible symbols of Bel's greatness.
At this time, it may be recalled, the Tablets of Destiny had already an interesting history behind them. We are told in the creation legend how Apsu, the primeval, and Tiawath, chaos, the first parents of the gods, afterward conceived a hatred for their offspring, and how Tiawath, with her monster-brood of snakes and vipers, dragons and scorpion-men and raging hounds, made war on the hosts of heaven. Her son Kingu she made captain of her hideous army—
To march before the forces, to lead the host,
To give the battle-signal, to advance to the attack,
To direct the battle, to control the fight.
To him she gave the Tablets of Destiny, laying them on his breast with the words: "Thy command shall not be without avail, and the word of thy mouth shall be established." Through his possession of the divine tablets Kingu received the power of Anu, and was able to decree the fate of the gods. After several deities had refused the honour of becoming champion of heaven, Merodach was chosen. He succeeded at length in slaying Tiawath and destroying her evil host; and having vanquished Kingu, her captain, he took from him the Tablets of Destiny, which he sealed and laid on his own breast. It was this Merodach, or Marduk, who afterward became identified with Bel.
Now Zu, in his greed for power and dominion, was eager to obtain the potent symbols. He beheld the honour and majesty of Bel, and from contemplation of these he turned to look upon the Tablets of Destiny, saying within himself:
"Lo, I will possess the tablets of the gods, and all things shall be subject unto me. The spirits of heaven shall bow before me, the oracles of the gods shall be in my hands. I shall wear the crown, symbol of sovereignty, and the