English Literature for Boys and Girls. H. E. Marshall

the old poetry of the people as he could. Macpherson was at first unwilling to go. For one thing, he quite frankly owned that he was not a good Gaelic scholar. But at length he consented and set out.

      For four months Macpherson wandered about the Highlands and Islands of Scotland, listening to the tales of the people and writing them down. Sometimes, too, he came across old manuscripts with ancient tales in them. When he had gathered all he could, he returned to Edinburgh and set to work to translate the stories into English.

      When this new book of Gaelic poetry came out, it again was a great success. It was greeted with delight by the greatest poets of France, Germany, and Italy, and was soon translated into many languages. Macpherson was no longer a poor Highland laddie, but a man of world-wide fame. Yet it was not because of his own poetry that he was famous, but because he had found (so he said) some poems of a man who lived fifteen hundred years before, and translated them into English. And although Macpherson's book is called The Poems of Ossian, it is written in prose. But it is a prose which is often far more beautiful and poetical than much that is called poetry.

      Although at first Macpherson's book was received with great delight, soon people began to doubt about it. The Irish first of all were jealous, for they said that Ossian was an Irish poet, that the heroes of the poems were Irish, and that Macpherson was stealing their national heroes from them.

      Then in England people began to say that there never had been an Ossian at all, and that Macpherson had invented both the poems and all the people that they were about. For the English knew little of the Highlanders and their customs. Even after the '15 and the '45 people in the south knew little about the north and those who lived there. They thought of it as a land of wild mountains and glens, a land of mists and cloud, a land where wild chieftains ruled over still wilder clans, who, in their lonely valleys and sea-girt islands, were for ever warring against each other. How could such a people, they asked, a people of savages, make beautiful poetry?

      Dr. Samuel Johnson, a great writer of whom we shall hear more later, was the man of his day whose opinion about books was most thought of. He hated Scotland and the Scottish folk, and did not believe that any good thing could come from them. He read the poems and said that they were rubbish, such as any child could write, and that Macpherson had made them all up.

      So a quarrel, which has become famous, began between the two men. And as Dr. Johnson was far better known than Macpherson, most people agreed with him and believed that Macpherson had told a "literary lie," and that he had made up all the stories.

      There is no harm in making up stories. Nearly every one who writes does that. But it is wrong to make up stories and then pretend that they were written by some one else more famous than yourself.

      Dr. Johnson and Macpherson were very angry with and rude to each other. Still that did not settle the question as to who had written the stories; indeed it has never been settled. And what most men believe now is that Macpherson did really gather from among the people of the Highlands many scraps of ancient poetry and tales, but that he added to them and put them together in such a way as to make them beautiful and touching. To do even that, however, a true poet was needed, so people have, for the most part, given up arguing about whether Macpherson wrote Ossian or not, and are glad that such a beautiful book has been written by some one.

      I do not think that you will want to read Ossian for yourself for a long time to come, for the stories are not always easy to follow. They are, too, often clumsy, wandering, and badly put together. But in spite of that there is much beauty in them, and some day I hope you will read them.

      In the next chapter you will find one of the stories of Ossian called Fingal. Fingal was a great warrior and the father of Ossian, and the story takes place in Ireland. It is told partly in Macpherson's words.

Chapter V THE STORY OF FINGAL

       Table of Contents

      "CATHULLIN sat by TURA's wall, by the tree of the rustling sound. His spear leaned against a rock. His shield lay on grass, by his side. And as he thus sat deep in thought a scout came running in all haste and cried, 'Arise! Cathullin, arise! I see the ships of the north. Many, chief of men, are the foe! Many the heroes of the sea-born Swaran!'

      "Then to the scout the blue-eyed chief replied, 'Thou ever tremblest. Thy fears have increased the foe. It is Fingal King of deserts who comes with aid to green Erin of streams.'

      "'Nay, I beheld their chief,' replied the scout, 'tall as a glittering rock. His spear is a blasted pine. His shield the rising moon. He bade me say to thee, "Let dark Cathullin yield."'

      "'No,' replied the blue-eyed chief, 'I never yield to mortal man.

       Dark Cathullin shall be great or dead.'"

      Then Cathullin bade the scout summon his warriors to council. And when they were gathered there was much talk, for some would give battle at once and some delay until Fingal, the King of Morven, should come to aid them. But Cathullin himself was eager to fight, so forward they marched to meet the foe. And the sound of their going was "as the rushing of a stream of foam when the thunder is traveling above, and dark-brown night sits on half the hill." To the camp of Swaran was the sound carried, so that he sent a messenger to view the foe.

      "He went. He trembling, swift returned. His eyes rolled wildly round. His heart beat high against his side. His words were faltering, broken, slow. 'Arise, son of ocean! arise, chief of the dark brown shields! I see the dark, the mountain stream of battle. Fly, King of ocean! Fly!'

      "'When did I fly?' replied the King. 'When fled Swaran from the battle of spears? When did I shrink from danger, chief of the little soul? Shall Swaran fly from a hero? Were Fingal himself before me my soul should not darken in fear. Arise, to battle my thousands! pour round me like the echoing main. Gather round the bright steel of your King; strong as the rocks of my land, that meet the storm with joy, and stretch their dark pines to the wind.'

      "Like autumn's dark storms, pouring from two echoing hills, towards each other approached the heroes. Like two deep streams from high rocks meeting, mixing, roaring on the plain; loud, rough and dark in battle meet Lochlin and Innis-fail. chief mixes his strokes with chief, and man with man; steel clanging sounds on steel. Helmets are cleft on high. Blood bursts and smokes around. Strings murmur on the polished yews. Darts rush along the sky, spears fall like the circles of light which gild the face of night. As the noise of the troubled ocean when roll the waves on high, as the last peal of thunder in heaven, such is the din of war. Though Cormac's hundred bards were there to give the fight to song, feeble was the voice of a hundred bards to send the deaths to future times. For many were the deaths of heroes; wide poured the blood of the brave."

      Then above the clang and clamor of dreadful battle we hear the mournful dirge of minstrels wailing o'er the dead.

      "Mourn, ye sons of song, mourn! Weep on the rocks of roaring winds, O mad of Inistore! Bend thy fair head over the waves, thou lovelier than the ghost of the hills, when it moves, in a sunbeam at noon, over the silence of Morven. He is fallen! thy youth is low! pale beneath the sword of Cathullin. No more shall valor raise thy love to match the blood of kings. His gray dogs are howling at home, they see his passing ghost. His bow is in the hall unstrung. No sound is on the hill of his hinds."

      Then once again, the louder for the mourning pause, we hear the din of battle.

      "As roll a thousand waves to the rocks, so Swaran's host came on. As meets a rock a thousand waves, so Erin met Swaran of spears. Death raises all his voices around, and mixes with the sounds of shields. Each hero is a pillar of darkness; the sword a beam of fire in his hand. The field echoes from wing to wing, as a hundred hammers that rise by turn, on the red son of the furnace."

      But now the day is waning. To the noise and horror of battle the mystery of darkness is added. Friend and foe are wrapped in the dimness of twilight.

      But the fight was not ended, for neither Cathullin nor Swaran had gained the victory, and ere gray morning broke the battle was renewed.

      And