Edith Wharton: Complete Works. Edith Wharton

them it was in the miserable hope that one of the number might ask him to dine. Miss Trent had told him that she was to go to the opera that evening with her rich aunt; and if he should have the luck to pick up a dinner invitation he might join her there without extra outlay.

      He moved about the room, lingering here and there in a tentative affectation of interest; but though the men greeted him pleasantly, no one asked him to dine. Doubtless they were all engaged, these men who could afford to pay for their dinners, who did not have to hunt for invitations as a beggar rummages for a crust in an ash-barrel! But no—as Hollingsworth left the lessening circle about the table, an admiring youth called out, “Holly, stop and dine!”

      Hollingsworth turned on him the crude countenance that looked like the wrong side of a more finished face. “Sorry I can’t. I’m in for a beastly banquet.”

      Glennard threw himself into an arm-chair. Why go home in the rain to dress? It was folly to take a cab to the opera, it was worse folly to go there at all. His perpetual meetings with Alexa Trent were as unfair to the girl as they were unnerving to himself. Since he couldn’t marry her, it was time to stand aside and give a better man the chance—and his thought admitted the ironical implication that in the terms of expediency the phrase might stand for Hollingsworth.

      —————

II.

      He dined alone and walked home to his rooms in the rain. As he turned into Fifth Avenue he caught the wet gleam of carriages on their way to the opera, and he took the first side street, in a moment of irritation against the petty restrictions that thwarted every impulse. It was ridiculous to give up the opera, not because one might possibly be bored there, but because one must pay for the experiment.

      In his sitting-room, the tacit connivance of the inanimate had centred the lamplight on a photograph of Alexa Trent, placed, in the obligatory silver frame, just where, as memory officiously reminded him, Margaret Aubyn’s picture had long throned in its stead. Miss Trent’s features cruelly justified the usurpation. She had the kind of beauty that comes of a happy accord of face and spirit. It is not given to many to have the lips and eyes of their rarest mood, and some women go through life behind a mask expressing only their anxiety about the butcher’s bill or their inability to see a joke. With Miss Trent, face and mind had the same high serious contour. She looked like a throned Justice by some grave Florentine painter; and it seemed to Glennard that her most salient attribute, or that at least to which her conduct gave most consistent expression, was a kind of passionate justness—the intuitive feminine justness that is so much rarer than a reasoned impartiality. Circumstances had tragically combined to develop this instinct into a conscious habit. She had seen more than most girls of the shabby side of life, of the perpetual tendency of want to cramp the noblest attitude. Poverty and misfortune had overhung her childhood, and she had none of the pretty delusions about life that are supposed to be the crowning grace of girlhood. This very competence, which gave her a touching reasonableness, made Glennard’s situation more difficult than if he had aspired to a princess. Between them they asked so little—they knew so well how to make that little do; but they understood also, and she especially did not for a moment let him forget, that without that little the future they dreamed of was impossible.

      The sight of her photograph quickened Glennard’s exasperation. He was sick and ashamed of the part he was playing. He had loved her now for two years, with the tranquil tenderness that gathers depth and volume as it nears fulfilment; he knew that she would wait for him—but the certitude was an added pang. There are times when the constancy of the woman one cannot marry is almost as trying as that of the woman one does not want to.

      Glennard turned up his reading-lamp and stirred the fire. He had a long evening before him, and he wanted to crowd out thought with action. He had brought some papers from his office and he spread them out on his table and squared himself to the task….

      It must have been an hour later that he found himself automatically fitting a key into a locked drawer. He had no more notion than a somnambulist of the mental process that had led up to this action. He was just dimly aware of having pushed aside the papers and the heavy calf volumes that a moment before had bounded his horizon, and of laying in their place, without a trace of conscious volition, the parcel he had taken from the drawer.

      The letters were tied in packets of thirty or forty. There were a great many packets. On some of the envelopes the ink was fading; on others, which bore the English postmark, it was still fresh. She had been dead hardly three years, and she had written, at lengthening intervals, to the last….

      He undid one of the early packets—little notes written during their first acquaintance at Hillbridge. Glennard, on leaving college, had begun life in his uncle’s law office in the old university town. It was there that, at the house of her father, Professor Forth, he had first met the young lady then chiefly distinguished for having, after two years of a conspicuously unhappy marriage, returned to the protection of the paternal roof.

      Mrs. Aubyn was at that time an eager and somewhat tragic young woman, of complex mind and undeveloped manners, whom her crude experience of matrimony had fitted out with a stock of generalizations that exploded like bombs in the academic air of Hillbridge. In her choice of a husband she had been fortunate enough, if the paradox be permitted, to light on one so signally gifted with the faculty of putting himself in the wrong that her leaving him had the dignity of a manifesto—made her, as it were, the spokeswoman of outraged wifehood. In this light she was cherished by that dominant portion of Hillbridge society which was least indulgent to conjugal differences, and which found a proportionate pleasure in being for once able to feast openly on a dish liberally seasoned with the outrageous. So much did this endear Mrs. Aubyn to the university ladies, that they were disposed from the first to allow her more latitude of speech and action than the ill-used wife was generally accorded in Hillbridge, where misfortune was still regarded as a visitation designed to put people in their proper place and make them feel the superiority of their neighbors. The young woman so privileged combined with a kind of personal shyness an intellectual audacity that was like a deflected impulse of coquetry: one felt that if she had been prettier she would have had emotions instead of ideas. She was in fact even then what she had always remained: a genius capable of the acutest generalizations, but curiously undiscerning where her personal susceptibilities were concerned. Her psychology failed her just where it serves most women, and one felt that her brains would never be a guide to her heart. Of all this, however, Glennard thought little in the first year of their acquaintance. He was at an age when all the gifts and graces are but so much undiscriminated food to the ravening egoism of youth. In seeking Mrs. Aubyn’s company he was prompted by an intuitive taste for the best as a pledge of his own superiority. The sympathy of the cleverest woman in Hillbridge was balm to his craving for distinction; it was public confirmation of his secret sense that he was cut out for a bigger place. It must not be understood that Glennard was vain. Vanity contents itself with the coarsest diet; there is no palate so fastidious as that of self-distrust. To a youth of Glennard’s aspirations the encouragement of a clever woman stood for the symbol of all success. Later, when he had begun to feel his way, to gain a foothold, he would not need such support; but it served to carry him lightly and easily over what is often a period of insecurity and discouragement.

      It would be unjust, however, to represent his interest in Mrs. Aubyn as a matter of calculation. It was as instinctive as love, and it missed being love by just such a hair-breadth deflection from the line of beauty as had determined the curve of Mrs. Aubyn’s lips. When they met she had just published her first novel, and Glennard, who afterward had an ambitious man’s impatience of distinguished women, was young enough to be dazzled by the semi-publicity it gave her. It was the kind of book that makes elderly ladies lower their voices and call each other “my dear” when they furtively discuss it; and Glennard exulted in the superior knowledge of the world that enabled him to take as a matter of course sentiments over which the university shook its head. Still more delightful was it to hear Mrs. Aubyn waken the echoes of academic drawing-rooms with audacities surpassing those of her printed page. Her intellectual independence gave a touch of comradeship to their intimacy, prolonging the illusion of college friendships based on a joyous interchange of heresies. Mrs. Aubyn