Edith Wharton: Complete Works. Edith Wharton

open the swinging door, and stood on the threshold of the work-room. Here the gas-lights hung a green-shaded circle of brightness over the great draughting-table in the middle of the floor. Table and floor were strewn with a confusion of papers—torn blue-prints and tracings, crumpled sheets of tracing-paper wrenched from the draughting-boards in a sudden fury of destruction; and in the centre of the havoc, his arms stretched across the table and his face hidden in them, sat Dick Peyton.

      He did not seem to hear his mother’s approach, and she stood looking at him, her breast tightening with a new fear.

      “Dick!” she said, “Dick—!” and he sprang up, staring with dazed eyes. But gradually, as his gaze cleared, a light spread in it, a mounting brightness of recognition.

      “You’ve come—you’ve come—” he said, stretching his hands to her; and all at once she had him in her breast as in a shelter.

      “You wanted me?” she whispered as she held him.

      He looked up at her, tired, breathless, with the white radiance of the runner near the goal.

      “I had you, dear!” he said, smiling strangely on her; and her heart gave a great leap of understanding.

      Her arms had slipped from his neck, and she stood leaning on him, deep-suffused in the shyness of her discovery. For it might still be that he did not wish her to know what she had done for him.

      But he put his arm about her, boyishly, and drew her toward one of the hard seats between the tables; and there, on the bare floor, he knelt before her, and hid his face in her lap. She sat motionless, feeling the dear warmth of his head against her knees, letting her hands stray in faint caresses through his hair.

      Neither spoke for awhile; then he raised his head and looked at her. “I suppose you know what has been happening to me,” he said.

      She shrank from seeming to press into his life a hair’s-breadth farther than he was prepared to have her go. Her eyes turned from him toward the scattered drawings on the table.

      “You have given up the competition?” she said.

      “Yes—and a lot more.” He stood up, the wave of emotion ebbing, yet leaving him nearer, in his recovered calmness, than in the shock of their first moment.

      “I didn’t know, at first, how much you guessed,” he went on quietly. “I was sorry I’d shown you Darrow’s letter; but it didn’t worry me much because I didn’t suppose you’d think it possible that I should—take advantage of it. It’s only lately that I’ve understood that you knew everything.” He looked at her with a smile. “I don’t know yet how I found it out, for you’re wonderful about keeping things to yourself, and you never made a sign. I simply felt it in a kind of nearness—as if I couldn’t get away from you.—Oh, there were times when I should have preferred not having you about—when I tried to turn my back on you, to see things from other people’s standpoint. But you were always there—you wouldn’t be discouraged. And I got tired of trying to explain things to you, of trying to bring you round to my way of thinking. You wouldn’t go away and you wouldn’t come any nearer—you just stood there and watched everything that I was doing.”

      He broke off, taking one of his restless turns down the long room. Then he drew up a chair beside her, and dropped into it with a great sigh.

      “At first, you know, I hated it most awfully. I wanted to be let alone and to work out my own theory of things. If you’d said a word—if you’d tried to influence me—the spell would have been broken. But just because the actual you kept apart and didn’t meddle or pry, the other, the you in my heart, seemed to get a tighter hold on me. I don’t know how to tell you,—it’s all mixed up in my head—but old things you’d said and done kept coming back to me, crowding between me and what I was trying for, looking at me without speaking, like old friends I’d gone back on, till I simply couldn’t stand it any longer. I fought it off till to-night, but when I came back to finish the work there you were again—and suddenly, I don’t know how, you weren’t an obstacle any longer, but a refuge—and I crawled into your arms as I used to when things went against me at school.”

      His hands stole back into hers, and he leaned his head against her shoulder like a boy.

      “I’m an abysmally weak fool, you know,” he ended; “I’m not worth the fight you’ve put up for me. But I want you to know that it’s your doing—that if you had let go an instant I should have gone under—and that if I’d gone under I should never have come up again alive.”

      The End

      —————

The House of Mirth.

      Charles Scribner’s Sons, 1905

      Illustrations by A.B. Wenzell

~Book I.~

      I.

      Selden paused in surprise. In the afternoon rush of the Grand Central Station his eyes had been refreshed by the sight of Miss Lily Bart.

      It was a Monday in early September, and he was returning to his work from a hurried dip into the country; but what was Miss Bart doing in town at that season? If she had appeared to be catching a train, he might have inferred that he had come on her in the act of transition between one and another of the country-houses which disputed her presence after the close of the Newport season; but her desultory air perplexed him. She stood apart from the crowd, letting it drift by her to the platform or the street, and wearing an air of irresolution which might, as he surmised, be the mask of a very definite purpose. It struck him at once that she was waiting for some one, but he hardly knew why the idea arrested him. There was nothing new about Lily Bart, yet he could never see her without a faint movement of interest: it was characteristic of her that she always roused speculation, that her simplest acts seemed the result of far-reaching intentions.

      An impulse of curiosity made him turn out of his direct line to the door, and stroll past her. He knew that if she did not wish to be seen she would contrive to elude him; and it amused him to think of putting her skill to the test.

      “Mr. Selden—what good luck!”

      She came forward smiling, eager almost, in her resolve to intercept him. One or two persons, in brushing past them, lingered to look; for Miss Bart was a figure to arrest even the suburban traveller rushing to his last train.

      Selden had never seen her more radiant. Her vivid head, relieved against the dull tints of the crowd, made her more conspicuous than in a ball-room, and under her dark hat and veil she regained the girlish smoothness, the purity of tint, that she was beginning to lose after eleven years of late hours and indefatigable dancing. Was it really eleven years, Selden found himself wondering, and had she indeed reached the nine-and-twentieth birthday with which her rivals credited her?

      “What luck!” she repeated. “How nice of you to come to my rescue!”

      He responded joyfully that to do so was his mission in life, and asked what form the rescue was to take.

      “Oh, almost any—even to sitting on a bench and talking to me. One sits out a cotillion—why not sit out a train? It isn’t a bit hotter here than in Mrs. Van Osburgh’s conservatory—and some of the women are not a bit uglier.”

      She broke off, laughing, to explain that she had come up to town from Tuxedo, on her way to the Gus Trenors’ at Bellomont, and had missed the three-fifteen train to Rhinebeck.

      “And there isn’t another till half-past five.” She consulted the little jewelled watch among her laces. “Just two hours to wait. And I don’t know what to do with myself. My maid came up this morning to do some shopping for me, and was to go on to Bellomont at one o’clock, and my aunt’s house is closed, and I don’t know a soul in town.” She glanced plaintively about the station. “It is hotter than Mrs. Van Osburgh’s, after all. If you can spare the time, do take me somewhere