Edith Wharton: Complete Works. Edith Wharton

gates were guarded, as he had been advised; but the captain of the watch let him pass without show of hesitation or curiosity. Though he had made no effort at disguise he went forth unrecognized, and the city closed her doors on him as carelessly as on any passing wanderer.

      Beyond the gates a lad from the ducal stables waited with a horse. Odo sprang into the saddle and rode on toward Pontesordo. The darkness was growing thinner, and the meagre details of the landscape, with its huddled farm-houses and mulberry-orchards, began to define themselves as he advanced. To his left the fields stretched, grey and sodden; ahead, on his right, hung the dark woods of the ducal chase. Presently a bend of the road brought him within sight of the keep of Pontesordo. His way led past it, toward Valsecca; but some obscure instinct laid a detaining hand on him, and at the cross-roads he bent to the right and rode across the marshland to the old manor-house.

      The farm-yard lay hushed and deserted. The peasants who lived there would soon be afoot; but for the moment Odo had the place to himself. He tethered his horse to a gate-post and walked across the rough cobble-stones to the chapel. Its floor was still heaped with farm-tools and dried vegetables, and in the dimness a heavier veil of dust seemed to obscure the painted walls. Odo advanced, picking his way among broken ploughshares and stacks of maize, till he stood near the old marble altar, with its sea-gods and acanthus volutes. The place laid its tranquillizing hush on him, and he knelt on the step beneath the altar. Something stirred in him as he knelt there—a prayer, yet not a prayer—a reaching out, obscure and inarticulate, toward all that had survived of his early hopes and faiths, a loosening of old founts of pity, a longing to be somehow, somewhere reunited to his old belief in life.

      How long he knelt he knew not; but when he looked up the chapel was full of a pale light, and in the first shaft of the sunrise the face of Saint Francis shone out on him… He went forth into the daybreak and rode away toward Piedmont.

      The End

      —————

Sanctuary.

      Charles Scribner’s Sons, 1903

      With illustrations by Walter Appleton Clark

~Part I.~

      I.

      It is not often that youth allows itself to feel undividedly happy: the sensation is too much the result of selection and elimination to be within reach of the awakening clutch on life. But Kate Orme, for once, had yielded herself to happiness, letting it permeate every faculty as a spring rain soaks into a germinating meadow. There was nothing to account for this sudden sense of beatitude; but was it not this precisely which made it so irresistible, so overwhelming? There had been, within the last two months—since her engagement to Denis Peyton—no distinct addition to the sum of her happiness, and no possibility, she would have affirmed, of adding perceptibly to a total already incalculable. Inwardly and outwardly the conditions of her life were unchanged; but whereas, before, the air had been full of flitting wings, now they seemed to pause over her and she could trust herself to their shelter.

      Many influences had combined to build up the centre of brooding peace in which she found herself. Her nature answered to the finest vibrations, and at first her joy in loving had been too great not to bring with it a certain confusion, a readjusting of the whole scenery of life. She found herself in a new country, wherein he who had led her there was least able to be her guide. There were moments when she felt that the first stranger in the street could have interpreted her happiness for her more easily than Denis. Then, as her eye adapted itself, as the lines flowed into each other, opening deep vistas upon new horizons, she began to enter into possession of her kingdom, to entertain the actual sense of its belonging to her. But she had never before felt that she also belonged to it; and this was the feeling which now came to complete her happiness, to give it the hallowing sense of permanence.

      She rose from the writing-table where, list in hand, she had been going over the wedding-invitations, and walked toward the drawing-room window. Everything about her seemed to contribute to that rare harmony of feeling which levied a tax on every sense. The large coolness of the room, its fine traditional air of spacious living, its outlook over field and woodland toward the lake lying under the silver bloom of September; the very scent of the late violets in a glass on the writing-table; the rosy-mauve masses of hydrangea in tubs along the terrace; the fall, now and then, of a leaf through the still air—all, somehow, were mingled in the suffusion of well-being that yet made them seem but so much dross upon its current.

      The girl’s smile prolonged itself at the sight of a figure approaching from the lower slopes above the lake. The path was a short cut from the Peyton place, and she had known that Denis would appear in it at about that hour. Her smile, however, was prolonged not so much by his approach as by her sense of the impossibility of communicating her mood to him. The feeling did not disturb her. She could not imagine sharing her deepest moods with any one, and the world in which she lived with Denis was too bright and spacious to admit of any sense of constraint. Her smile was in truth a tribute to that clear-eyed directness of his which was so often a refuge from her own complexities.

      Denis Peyton was used to being met with a smile. He might have been pardoned for thinking smiles the habitual wear of the human countenance; and his estimate of life and of himself was necessarily tinged by the cordial terms on which they had always met each other. He had in fact found life, from the start, an uncommonly agreeable business, culminating fitly enough in his engagement to the only girl he had ever wished to marry, and the inheritance, from his unhappy step-brother, of a fortune which agreeably widened his horizon. Such a combination of circumstances might well justify a young man in thinking himself of some account in the universe; and it seemed the final touch of fitness that the mourning which Denis still wore for poor Arthur should lend a new distinction to his somewhat florid good looks.

      Kate Orme was not without an amused perception of her future husband’s point of view; but she could enter into it with the tolerance which allows for the inconscient element in all our judgments. There was, for instance, no one more sentimentally humane than Denis’s mother, the second Mrs. Peyton, a scented silvery person whose lavender silks and neutral-tinted manner expressed a mind with its blinds drawn down toward all the unpleasantnesses of life; yet it was clear that Mrs. Peyton saw a “dispensation” in the fact that her step-son had never married, and that his death had enabled Denis, at the right moment, to step gracefully into affluence. Was it not, after all, a sign of healthy-mindedness to take the gifts of the gods in this religious spirit, discovering fresh evidence of “design” in what had once seemed the sad fact of Arthur’s inaccessibility to correction? Mrs. Peyton, beautifully conscious of having done her “best” for Arthur, would have thought it unchristian to repine at the providential failure of her efforts. Denis’s deductions were, of course, a little less direct than his mother’s. He had, besides, been fond of Arthur, and his efforts to keep the poor fellow straight had been less didactic and more spontaneous. Their result read itself, if not in any change in Arthur’s character, at least in the revised wording of his will; and Denis’s moral sense was pleasantly fortified by the discovery that it very substantially paid to be a good fellow.

      The sense of general providentialness on which Mrs. Peyton reposed had in fact been confirmed by events which reduced Denis’s mourning to a mere tribute of respect—since it would have been a mockery to deplore the disappearance of any one who had left behind him such an unsavory wake as poor Arthur. Kate did not quite know what had happened: her father was as firmly convinced as Mrs. Peyton that young girls should not be admitted to any open discussion of life. She could only gather, from the silences and evasions amid which she moved, that a woman had turned up—a woman who was of course “dreadful,” and whose dreadfulness appeared to include a sort of shadowy claim upon Arthur. But the claim, whatever it was, had been promptly discredited. The whole question had vanished and the woman with it. The blinds were drawn again on the ugly side of things, and life was resumed on the usual assumption that no such side existed. Kate knew only that a darkness had crossed her sky and left it as unclouded as before.

      Was