Название | A Manual of American Literature |
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Автор произведения | Various |
Жанр | Документальная литература |
Серия | |
Издательство | Документальная литература |
Год выпуска | 0 |
isbn | 4057664606129 |
Thomas Paine.—As the bitter events of 1775 rapidly unfolded themselves, not a few Americans became convinced that there was no true solution of the trouble except in that very independence which they had but a short time before dreaded and denounced. Of such Americans, Thomas Paine was one; and towards the end of the year, through incessant communication with the foremost minds in America, he had filled his own mind with the great decisive elements of the case, and was prepared to utter his thought thereon. Early in January, 1776, he did utter it, in the form of a pamphlet, published at Philadelphia, and entitled Common Sense—the first open and unqualified argument in championship of the doctrine of American independence. During the first ten or twelve years of the Revolution, in just one sentiment all persons, Tories and Whigs, seemed perfectly to agree; namely, in abhorrence of the project of separation from the empire. Suddenly, however, and within a period of less than six months, the majority of the Whigs turned completely around, and openly declared for independence, which, before that time, they had so vehemently repudiated. Among the facts necessary to enable us to account for this almost unrivalled political somersault, is that of the appearance of Common Sense. This pamphlet was happily named: it undertook to apply common sense to a technical, complex, but most urgent and feverish, problem of constitutional law. In fact, on any other ground than that of common sense, the author of that pamphlet was incompetent to deal with the problem at all; since of law, of political science, and even of English and American history, he was ludicrously ignorant. But for the effective treatment of any question whatsoever that was capable of being dealt with under the light of the broad and rugged intellectual instincts of mankind—man’s natural sense of truth, of congruity, of fair-play—perhaps no other man in America, excepting Franklin, was a match for this ill-taught, heady, and slashing English stranger. From the tribunal of technical law, therefore, he carried the case to the tribunal of common sense; and in his plea before that tribunal, he never for a moment missed his point, or forgot his method. The one thing just then to be done was to convince the average American colonist of the period that it would be ridiculous for him any longer to remain an American colonist; that the time had come for him to be an American citizen; that nothing stood in the way of his being so, but the trash of a few pedants respecting the authority of certain bedizened animals called kings; and that, whether he would or no, the alternative was at last thrust into his face upon the point of a bayonet—either to declare for national independence, and a wide-spaced and resplendent national destiny, or to accept, along with subserviency to England, the bitterness and the infamy of national annihilation. With all its crudities of thought, its superficiality, and its rashness of assertion, Common Sense is a masterly pamphlet; for in the elements of its strength it was precisely fitted to the hour, to the spot, and to the passions of men. Even its smattering of historical lore, and its cheap display of statistics, and its clumsy attempts at some sort of political philosophy, did not diminish the homage with which it was read by the mass of the community, who were even less learned and less philosophical than Paine, and who, at any rate, cared much more just then for their imperilled rights, than they did either for philosophy or for learning. The immediate practical effects of this pamphlet in America, and the celebrity which it soon acquired in Europe as well as in America, are a significant part of its history as a potential literary document of the period. In every impassioned popular discussion there is likely to spring up a leader, who with pen or voice strikes in, at just the right moment, with just the right word, so skilfully, so powerfully, that thenceforward the intellectual battle seems to be raging and surging around him and around the fiery word which he has sent shrilling through the air. So far as the popular discussion of American independence is concerned, precisely this was the case, between January and July, 1776, with Thomas Paine and his pamphlet Common Sense. Within three months from the date of its first issue, at least 120,000 copies of it were sold in America alone. By that time, the pamphlet seemed to be in every one’s hand and the theme of every one’s talk.
Noble-minded and important as were the various services rendered by Paine to the American cause, on sea and land, in office and field, they could in no way be compared, as contributions to the success of the Revolution, with the work which he did during those same imperilled years merely as a writer, and especially as the writer of The Crisis. Between December, 1776, when the first pamphlet of that series was published, down to December, 1783, when the last one left the printer’s hands, this indomitable man produced no less than sixteen pamphlets under the same general title, adapting his message in each case to the supreme need of the hour, and accomplishing all this literary labour in a condition of actual poverty.
Thomas Jefferson.—On June 21, 1775, Thomas Jefferson took his seat for the first time as a member of the Continental Congress. He had then but recently passed his thirty-second birthday, and was known to be the author of two or three public papers of considerable note. Early in June, 1776, Thomas Jefferson, receiving the largest number of votes, was placed at the head of the committee of illustrious men to whom was assigned the task of preparing a suitable Declaration of Independence, and thereby he became the draftsman of the one American state paper that has reached to supreme distinction in the world, and that seems likely to last as long as American civilisation lasts. Whatever authority the Declaration of Independence has acquired in the world has been due to no lack of criticism, either at the time of its first appearance or since then—a fact which seems to tell in favour of its essential worth and strength. From the date of its original publication down to the present moment, it has been attacked again and again, either in anger or in contempt, by friends as well as by enemies of the American Revolution, by liberals in politics as well as by conservatives. It has been censured for its substance, it has been censured for its form; for its misstatements of fact, for its fallacies in reasoning, for its audacious novelties and paradoxes, for its total lack of all novelty, for its repetition of old and threadbare statements, even for its downright plagiarisms; finally, for its grandiose and vapouring style. Yet, probably no public paper ever more perfectly satisfied the immediate purposes for which it was sent forth. From one end of the country to the other, and as far as it could be spread among the people, it was greeted in public and in private with every demonstration of approval and delight. To a marvellous degree, it quickened the friends of the Revolution for their great task. Moreover, during the century and more since the close of the Revolution, the influence of this state paper on the political character and the political conduct of the American people has been great beyond all calculation.
No man can adequately explain the persistent fascination which it has had, and which it still has, for the American people, or for its undiminished power over them, without taking into account its extraordinary literary merits—its possession of the witchery of true substance wedded to perfect form:—its massiveness and incisiveness of thought, its art in the marshalling of the topics with which it deals, its symmetry, its energy, the definiteness and limpidity of its statements, its exquisite diction, at once terse, musical, and electric; and, as an essential part of this literary outfit, many of those