Theory & History of Historiography. Benedetto Croce

consequent naturalist (I mean by this he who 'continues to think,' or, as is generally said, to draw the consequences) cannot avoid this inquiry, nor does he ever avoid it, in whatever manner he conceive his new inquiry. This he cannot even do, when he tries, by declaring that the end or 'ultimate cause' is unknowable, because (as elsewhere remarked) an unknowable affirmed is an unknowable in some way known. Naturalism is always crowned with a philosophy of history, whatever its mode of formulation: whether it explain the universe as composed of atoms that strike one another and produce history by means of their various shocks and gyrations, to which they can also put an end by returning to their primitive state of dispersion, whether the hidden God be termed Matter or the Unconscious or something else, or whether, finally, He be conceived as an Intelligence which avails itself of the chain of causes in order to actualize His counsels. And every philosopher of history is on the other hand a naturalist, because he is a dualist and conceives a God and a world, an idea and a fact in addition to or beneath the Idea, a kingdom of ends and a kingdom or sub-kingdom of causes, a celestial city and one that is more or less diabolical or terrene. Take any deterministic historical work and you will find or discover in it, explicit or understood, transcendency (in Taine, for example, it goes by the name of 'race' or of 'siècle,' which are true and proper deities); take any work of 'philosophy of history' and dualism and naturalism will be found there (in Hegel, for example, when he admits rebellious and impotent facts which resist or are unworthy the dominion of the idea). And we shall see more and more clearly how from the entrails of naturalism comes inevitably forth the 'philosophy of history.'

      II

      But the 'philosophy of history' is just as contradictory as the deterministic conception from which it arises and to which it is opposed. Having both accepted and superseded the method of linking brute facts together, it no longer finds facts to link (for these have already been linked together, as well as might be, by means of the category of cause), but brute facts, on which it must confer rather a 'meaning' than a linking, representing them as aspects of a transcendental process, a theophany. Now those facts, in so far as they are brute facts, are mute, and the transcendency of the process requires an organ, not that of thought that thinks or produces facts, but an extra-logical organ, in order to be conceived and represented (such, for example, as thought which proceeds abstractly a priori, in the manner of Fichte), and this is not to be found in the spirit, save as a negative moment, as the void of effective logical thought. The void of logical thought is immediately filled with praxis, or what is called sentiment, which then appears as poetry, by theoretical refraction. There is an evident poetical character running through all 'philosophies of history.' Those of antiquity represented historical events as strife between the gods of certain peoples or of certain races or protectors of certain individuals, or between the god of light and truth and the powers of darkness and lies. They thus expressed the aspirations of peoples, groups, or individuals toward hegemony, or of man toward goodness and truth. The most modern of modern forms is that inspired by various national and ethical feelings (the Italian, the Germanic, the Slav, etc.), or which represents the course of history as leading to the kingdom of liberty, or as the passage from the Eden of primitive communism, through the Middle Ages of slavery, servitude, and wages, toward the restoration of communism, which shall no longer be unconscious but conscious, no longer Edenic but human. In poetry, facts are no longer facts but words, not reality but images, and so there would be no occasion to censure them, if it remained pure poetry. But it does not so remain, because those images and words are placed there as ideas and facts—that is to say, as myths: progress, liberty, economy, technique, science are myths, in so far as they are looked upon as agents external to the facts. They are myths no less than God and the Devil, Mars and Venus, Jove and Baal, or any other cruder forms of divinity. And this is the reason why the deterministic conception, after it has produced the 'philosophy of history,' which opposes it, is obliged to oppose its own daughter in its turn, and to appeal from the realm of ends to that of causal connexions, from imagination to observation, from myths to facts.

      The reciprocal confutation of historical determinism and the philosophy of history, which makes of each a void or a nothing—that is to say, a single void or nothing—seems to the eclectics as usual to be the reciprocal fulfilment of two entities, which effect or should effect an alliance for mutual support. And since eclecticism flourishes in contemporary philosophy, mutato nomine, it is not surprising that besides the duty of investigating the causes to history also is assigned that of ascertaining the 'meaning' or the 'general plan' of the course of history (see the works on the philosophy of history of Labriola, Simmel, and Rickert). Since, too, writers on method are wont to be empirical and therefore eclectic, we find that with them also history is divided into the history which unites and criticizes documents and reconstructs events, and 'philosophy of history' (see Bernheim's manual, typical of all of them). Finally, since ordinary thought is eclectic, nothing is more easy than to find agreement as to the thesis that simple history, which presents the series of facts, does not suffice, but that it is necessary that thought should return to the already constituted chain of events, in order to discover there the hidden design and to answer the questions as to whence we come and whither we go. This amounts to saying that a 'philosophy of history' must be posited side by side with history. This eclecticism, which gives substance to two opposite voids and makes them join hands, sometimes attempts to surpass itself and to mingle those two fallacious sciences or parts of science. Then we hear 'philosophy of history' defended, but with the caution that it must be conducted with 'scientific' and 'positive' method, by means of the search for the cause, thus revealing the action of divine reason or providence.[1] Ordinary thought quickly consents to this programme, but afterward fails to carry it out.[2]

      There is nothing new here either for those who know: 'philosophy of history' to be constructed by means of 'positive methods,' transcendency to be demonstrated by means of the methods of false immanence, is the exact equivalent in the field of historical studies to that "metaphysic to be constructed by means of the experimental method" which was recommended by the neocritics (Zeller and others), for it claimed, not indeed to supersede two voids that reciprocally confute one another, but to make them agree together, and, after having given substance to them, to combine them in a single substance. I should not like to describe the impossibilities contained in the above as the prodigies of an alchemist (the metaphor seems to be too lofty), but rather as the medleys of bad cooks.