Applying Phonetics. Murray J. Munro

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Название Applying Phonetics
Автор произведения Murray J. Munro
Жанр Языкознание
Серия
Издательство Языкознание
Год выпуска 0
isbn 9781119164562



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Verify this by producing a /t/ in isolation, taking care not to produce a vowel afterward. If you then try to do the same for /d/, you will probably find that you can't avoid producing a very short (voiced) vowel after you release the stop. In fact, English speakers do not generally produce voicing during the closure phase of a voiced plosive. Instead, the difference between English voiced and voiceless plosives is usually signaled by the time gap before the vowel that follows, which is very short in the case of /d/ and longer for /t/. Finally, notice that all approximants in English are voiced.

      TRY THIS

      ☛ Cut a rectangle of thin paper (20 × 5 cm) and hold it about 3–5 cm in front of your lips. Now say the word pair pay–bay slowly. You'll find that the /p/ of pay causes the paper to move much more than does the /b/ in bay. The difference is in the sequence of events that occurs for each consonant. For /p/, the plosive release and the vowel are separated by a puff of air called aspiration. As a result, the vowel doesn't actually start until some time after the release. For /b/, there is little or no puff of air; the vowel begins immediately after the release. This timing difference underlies the voiceless–voiced distinctions for /p/–/b/, /t/–/d/, and /k/–/g/ when they are produced at the beginning of a word.

      4.1.4 putting it all together for consonants

      Now that we've covered all the essential descriptive terminology for consonants, we can present a formulaic way of referring to them: voicing + place + manner. For instance, /b/ can be described as a voiced bilabial plosive, /θ/ as a voiceless dental fricative, and /tʃ/ as a voiceless palato‐alveolar affricate. For a chart of the full set of English consonants along with example words, see the Appendix.

      Unlike consonants, vowel sounds are created without an appreciable obstruction of the airflow. Instead of blocking the air, the speaker phonates while positioning the tongue and configuring the lips in a variety of non‐obstructive ways. These articulatory gestures change the RESONANCE properties of the vocal tract. Since all English vowels are voiced, vowel articulation modifies the acoustic shape of the laryngeal buzz. If you sustain voicing continuously while moving your tongue into different vowel configurations, you will get a sense of how resonance changes. It's worth noting here that English vowels fall into two broad categories: 1) monophthongs, in which one basic tongue position is the target, like the /i/ of see, and 2) diphthongs, which entail tongue movement from one distinct tongue position to another, like the /aʊ/ of cow.

Dimension Meaning Possible Values
Height Vertical location of the highest point of the tongue High, mid, or low
Advancement Horizontal location of the highest point of the tongue Front, central, or back
Tension Whether or not the vowel is said to entail muscular tension Tense or lax
Lip configuration Degree to which the lips are spread as opposed to shaped like an “o” Unrounded or rounded
Image described by caption and surrounding text.

      (Source: Adapted from https://commons.wikimedia.org/wiki/File:Cardinal_vowel_tongue_position‐front.png and https://commons.wikimedia.org/wiki/File:Cardinal_vowel_tongue_position‐back.png)

      4.2.1 height and advancement

      4.2.2 tension

      4.2.3 lip configuration

      The only vowel characteristic in Table 4.3 that can readily be seen in a mirror is lip configuration, which refers to whether the lips take on an “o”‐like, ROUNDED shape or a more spread, unrounded appearance. Only a handful of vowels in English, all of them back vowels, are rounded. These include the /u/ in boot and the /ʊ/ in book. Notice that these two vowels happen to be spelled the same way in these words.

      4.2.4 the monophthong inventory of english

      4.2.5 rhotic vowels