Название | Nightingale Point |
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Автор произведения | Luan Goldie |
Жанр | Контркультура |
Серия | |
Издательство | Контркультура |
Год выпуска | 0 |
isbn | 9780008314460 |
‘You just told me I need to eat.’
‘Not prawn. Too early for prawn.’ She turns her back to him as she rewraps the skewers. His eyes burn her; she must explain her snappy mood. ‘I need to leave my spare keys with you in case David gets in early. He’s on standby for a flight so could be here tonight, tomorrow or next week. Oh God.’ The reality of him arriving hits her again. It sends her elbow into overdrive.
‘David?’
‘Yes, David, my husband. Remember him?’ There’s a hysterical edge to her voice. She puts a hand on her forehead to save herself as Oprah has taught her. ‘I don’t even want to talk about it.’
‘I didn’t know David was coming back.’
‘No. But we didn’t know Jesus was coming back either.’
Mary takes her nurse fob watch from her pocket – a present from David on one of his rare jaunts back home. An obscure-looking Virgin Mary with oversized arms ticks around the clock, hung on a thick, gold link chain. Well, it was gold once, now it’s more silver, the shine, like everything else to do with David, rubbed away by the sweat and grime of real life. Quarter to twelve.
‘Mary?’ Malachi waves his arms to get her attention. ‘Hand me these keys then. I need to get back home.’
Mary nods as she looks in the junk drawer, rifling through papers, wires and replacement batteries for the smoke alarm until she finds the spare keys. Tristan had once attached a plastic marijuana leaf to them thinking it was funny. Mary had given him a lecture about the dangers of drugs but never bothered to remove the key ring.
She fusses with the catch on the watch as she pins it to her uniform, swearing to get it fixed. ‘You want some tea before you go?’ she asks Malachi.
He spins the keys around a long finger. ‘No, thanks. Too hot.’
‘You call this hot? It’s thirty-five degrees in Manila today.’ She lifts the kettle and gives it a shake before she flicks the switch.
‘Right,’ Malachi says. ‘I better get back to my books.’
He sulks off and she rolls her eyes at his constant grumpiness. But as she hears the front door close she stops cold. The twitch becomes a scratch. Something is wrong, for her feelings never are. Today, something horrible will happen.
There is not a stitch of breeze on the roof of Nightingale Point. Today, up here is just as suffocating as being in the flat with Dad. Pamela places her new running shoes on the ground and holds onto the metal railing; her long rope of blonde hair falls forward and dangles over the edge. The sunrays hit the nape of her neck and she feels her skin, so dangerously pale and thin, begin to burn. She shifts her body into the shade of the vast grey water tanks and imagines the water as it rolls between them and into the maze of pipes around the block’s fifty-six flats. Pamela loves the roof. Since she returned to London a few days ago it’s become the only space Dad does not watch over her. Sometimes she wishes she was back in Portishead with her mum, just for the freedom from his eyes. But in a way being there was worse, because it meant Malachi was over a hundred miles away rather than two floors. At least here there is a chance she will see him, run into him in the lift, or bump into him in the stairwell.
Blood runs into her face as she leans further over the railings. Her head feels heavy. She wonders, not for the first time, how it would feel to fall from this spot, to flail past all fourteen floors and land at the bottom among the cars and bins. It would probably feel like running the 200 metres. Air hitting your face and taking your hair, your lungs shocked into working harder than you ever knew they could. Pink and yellow splodges dance in front of her eyes as she lifts her head. It’s coming up to noon, only halfway through another monotonous, never-ending day.
She assumes it’s other teenagers that repeatedly bust the locks on the door that leads up to the roof. They leave their crushed cans of Special Brew and ketchup-smeared fish and chip papers across the floor as evidence that they are having a life. She often fantasizes about coming up here at night, catching them in the throes of their late-night parties, tasting beer and throwing fag butts among the pigeon shit with them. If only Dad would let her out of the flat past 6 p.m. No chance.
The sky appears endless. Unnaturally blue today, almost unworldly, not a blemish on it apart from the single white smear of a plane.
Does she need to run back? Has it already been twenty minutes? She doesn’t care. What does time matter if you’re all alone? What difference does any of it make if you’re about to throw yourself from the top of a tower block? She takes three deep breaths but knows that she doesn’t have the confidence to do it. But the thought alone makes her feel like she has some edge on Dad, something that she can do without his permission.
In front of the estate people are living their lives: a child runs, the drunks drink, some girls sunbathe in pink bras and denim shorts, and a lone large figure in billowing purple crosses the grass at speed. Pamela tries to picture who the bodies are, how they would feel if they witnessed a girl fall from the building, their faces upon discovering her body bashed at the bottom. They would be traumatised, she thinks, for a while at least, and then her death would become another estate anecdote. The tale of the broken-hearted teenager with the strict dad. It would become just another story to get passed around the swing park and across balconies, along with tales of who is screwing who and which flat plays host to the biggest number of squatters.
Pamela wishes she could go for a run. She needs to clear her head. Surely Dad will let her out.
‘Please, one hour out,’ she rehearses. It sounds so feeble out loud, so knowing of a negative answer.
Her running shoes swing by her sides as she pads across the greyness in her socks. She steps over the glossy ripped pages of a magazine; a girl in a peephole leather catsuit stares back at her. The door bounces against its splintered frame as Pamela enters the building. Her world starts to shrink. With each step down to the eleventh floor the brightness of the unending blue sky disappears and the stairwell begins to close in on her. The concrete walls suck the air away until there is only the suffocating stink of other people’s lives.
‘Do you think it will be okay if I went out today? Maybe. Perhaps.’ Her voice echoes eerily; she feels even more alone. ‘I’m thinking of going out today.’ This time with more confidence. But what’s the point? He will say no. He will never trust her again.
She opens the door onto the puke-coloured hallway and the shouts and music of her neighbours. Outside flat forty-one she stops and rests her head on the security gate, takes a few breaths and then pulls it open. She looks down at the letterbox and for a moment feels like she has a choice. She could still go back to the roof. But, as always, the choice is taken away from her as the lock clicks from within and the front door swings open.
Dad fills the doorway; a fag hangs from the corner of his mouth. ‘You’re pushing your luck, girl.’ Patches of psoriasis flame red on his expressionless face. He’s put back on the same sweat-stained yellow T-shirt and army combat trousers from yesterday.
‘I was getting some air.’ She pushes past him into the dim, smoky living room.
He follows her, sits on the sofa and pulls his black boots on. ‘Air?’ He methodically ties up each of the long mustard laces. The woven burgundy throw falls from the back of the sofa to reveal the holes and poverty beneath it. ‘We got a balcony for that. I don’t wanna start locking the gate, Pamela, but if you’re gonna be running off every opportunity—’
‘I didn’t run off. It’s a nice day. I was on the roof.’
‘Well,