Through the Wall. Caroline Corcoran

could need is in walking distance.

      Right now, Islington’s anonymity soothes me. I walk out of my flat with nowhere marked out as my final destination and I wander up the high street past hipster thirty-somethings with children dressed in fifty-pound jumpers on scooters. At weekends, I clamber onto the bookshop on the barge on the canal, picking out piles of worn, second-hand classics. I smell the brunch that’s being eaten in seven-degree cold on the pavement like we are in Madrid in July and I know that that wouldn’t happen anywhere else in this country, but does here, because we are in a bubble. Nothing is real. Nothing gets inside.

      Round here, CEOs play tennis at Highbury Fields with their friends like they are fifteen. In summer, I watch thirty-somethings charging around a rounders circle with friends. At the pub, there will be no locals but there will always be someone who is twenty-two and excited, who has just discovered that they can get drunk on a Monday and eat an assortment of crisps for dinner without anyone telling them otherwise.

      On sunny evenings, we drink gin and tonics in overpopulated beer gardens that spill onto pavements. For Christmas, I have bought everything I need within the radius of a ten-minute walk from my flat. We are spoilt children and I adore it. It’s not a feeling I’ve ever known before.

      But by repeating my mortgage conversation on loop, it’s become true to me. I’ve started to care about ownership and getting my hands on an enormous loan that will never be paid off. Whatever I had, it turns out, I would look over my shoulder to see what someone else had and want it, too. This is me. Perhaps it is everyone.

      And there are downsides to life in this part of London.

      We’re transient because we know this isn’t where we will settle.

      It does happen: I look up at the family houses that surround Highbury Fields and like everyone, I wonder who could possibly have that life, that real life, living here beyond their thirties and becoming a family here, becoming old. But there are bins outside, spilling out with pizza boxes and wine bottles and toilet roll holders and nappies. It’s real.

      Most of us, though, will never be the 0.000001 per cent with their pizza boxes. If you’re thirty-nine, Islington looks at you sadly like you’ve stayed at the party a little too long. Perhaps you could have a quick Sunday afternoon picnic on the green on your way out but then yes, it will be time for you to head off to the suburbs.

      Anais is doing just that and building a life. Where she goes to sleep, there are old food markets and boozers and there are people who have lived there forever, who sell vegetables loudly and look at you blankly when you talk about brunch. There are new people, sure, but it’s not like here. Here, heritage ebbs away every time a greengrocer’s becomes a gin bar and a rental notice goes up in the window of the old pub. We are all to blame: I spend Sundays strolling in between market stalls selling lockets and trinkets and soaking up the feeling of it all, and then I spend my money in Waitrose. I am part of the problem. I am at its heart.

      ‘Mortgages are overrated and I have no idea why everyone is so obsessed with them,’ Anais says as she rummages in her bag for the box of brownies she’s brought with her. ‘Very much like babies.’

      I bristle. She puts the brownies on the side.

      ‘Salted caramel,’ I say, reading the label and trying to distract myself from the irritation that’s surging through me over her flippancy. ‘Thanks.’

      Since we were at university together, Anais has been vehemently opposed to procreating and didn’t change her mind even when she met Rafael. He’s Spanish; she’s Barbadian. If you were the kind of person who wheeled out terrible clichés, you’d tell them they’d make beautiful babies.

      I’m not and I don’t. If struggling to conceive has any upsides, it’s taught me emotional intelligence. I make promises to myself that whatever happens, I will never be one of those people who don’t consider for one second that by proffering their opinions on your position on having children, they might have just ruined your whole week. You don’t know. You never know.

      Anais and I did our journalism postgraduate course together and while the rest of us only manage yearly get-togethers, Anais and I are still proper friends. Her: a political editor for a broadsheet. Me: a copywriter for various dull brands who pay me to produce words about their products. I’m currently writing instructions for a washing machine. This isn’t how I saw it going when I turned up ten years ago for my first day at university, clutching a copy of Empire magazine and declaring my intentions of becoming a film critic.

      But I left my last job at a magazine because I returned home four nights out of five stressed and panicked about something that had happened to do with internal politics. The sort that at the time seem like the centre of the universe and really are part of some distant solar system that no one should care about, ever.

      And, mostly, because Tom and I had been trying for a baby for two years and, since the miscarriage, nothing else had happened. I wanted to alter something. I wanted to relax, get some work-life balance and go to Pilates at 2 p.m. if I fancied it. The problem was that I rarely fancied it. The problem was that being at home alone all day without the distraction of those internal politics and a 10 a.m. meeting to prep for left me depressed and so anxious that a two-minute walk to the post office felt far beyond me. I zoned in obsessively on the absence of a baby. As time went on I grieved more, not less, for that baby who didn’t make it. I’m not saying that leaving my job was the wrong decision. But it certainly hasn’t been a quick fix.

      ‘It’s been such a ridiculous run-up to Christmas at our place,’ Anais says, taking her tea from me as she frames herself, beautiful, in the entrance to the kitchen. ‘I’m still so jealous of you working for yourself.’

      And I look down at my one Official Seeing People outfit, pulled on two minutes before she arrived and to be discarded one minute after she leaves, and glance at her phone on the side, lighting up with messages and urgency, and I think sure, Anais, sure.

      ‘Working from home, all that flexibility.’

      Then she comes up with a very specific example of this.

      ‘You can bake a potato while you work.’

      That’s it. That’s what I was after when I held that copy of Empire. Baked potatoes. While I work.

      ‘You can go for a run at 3 p.m.’

      Because I do. Often.

      She pads in her tights through to the living room.

      ‘Jesus, what the hell is that noise?’ she says as she sips her tea. Something with fennel.

      I head back to the kitchen.

      ‘Oh, just Harriet!’ I yell as I press my own teabag against the side of the mug and fish it out. I decant the brownies onto a plate then I follow her in and laugh, because she is stood, ear pressed to the wall, to listen to Harriet’s latest composition involving chickens and a farm.

      ‘Get away from there,’ I stage-whisper, even though we both know she probably can’t hear us over that level of farmyard-based noise. There is a chicken impression, in rhythmic form. We are folded, creased, with laughter.

      When we calm down, Anais sits, doing a noiseless impression of someone earnestly singing an opera as she curls her feet under her on the sofa.

      She leans and takes a brownie from the plate that is sat on our tiny coffee table.

      ‘Does she do that all the time?’ she asks.

      I think about it.

      Suddenly it seems weird that I have started to think this is so normal, this woman singing loudly about love, dreams, emotions and chickens. I hear her pound the piano in frustration. I hear her ARRRGGGHH out loud when something doesn’t go well. And I live alongside it, like her cellmate.

      ‘Yeah, pretty much. There you go, another downside of our Islington life. Successful music writers move in next door and sing weird songs about farmyard animals.’

      We laugh, a lot, but then