The Complete Ingo Chronicles: Ingo, The Tide Knot, The Deep, The Crossing of Ingo, Stormswept. Helen Dunmore

hear you when you call to him?

      “Dad,” I say, “Dad. Please. Please come home. Can you hear me, Dad? It’s me, Sapphy. I won’t let Mum be angry with you if you just come home.”

      Nobody. Nothing. All I can hear is the rushing sound of my own blood, because the duvet is wrapped around my ears.

      “Dad, please…”

      I sit up, cold all over, and strain my ears for the two things I want to hear more than anything else in the world. One is the beating of Dad’s heart, as I heard it when he was carrying me down from the Midsummer Fire. The other is his voice rising up in the summer air, singing O Peggy Gordon.

      O Peggy Gordon, you are my darling,

      Come sit you down upon my knee…

      My name’s not Peggy, I used to say when I was little. Come and sit on my knee anyway, Dad always answered, and he’d cup his hands under my elbows and swoop me up to sit on his lap and I would bounce and laugh and he would laugh back and bounce me higher and higher until Mum told him to stop before I was sick. But she wasn’t ever angry then. She was laughing too.

      If only time would go back, like the tide. Back and back, past yesterday, past the night before. Back when the bonfire wasn’t lit, back to when none of this had happened. And then we could all start again…

      The coastguard search up and down the coast, but they find nothing. All that day they search, all the next day and the one after. A helicopter comes down from the air-sea rescue. It flies low and hammers the air, searching coves and cliffs.

      After two days Conor explains to me that they are now scaling down the search. He tells me what that means. It means that if Dad is in the sea, or on the cliffs, they don’t believe that they’ll find him safe any more. Too much time has passed. The helicopter stops flying, and there are only neighbours in our kitchen now, instead of police and coastguards and volunteer searchers. And then the neighbours go back to their own lives, except for Mary.

      A few days later Mum says she thinks it’s better if we both go back to school. It isn’t doing us any good, staying in the cottage and waiting, always waiting.

      Five weeks later a climber on the cliffs miles down the coast sees something. It’s the hull of the Peggy Gordon, wedged upside down between the rocks. He reads the name on it. The coastguards go down, and a team of divers searches the area. There is no sign of Dad. Finally, they pull the boat off the rocks and tow it into shore, so they can examine it thoroughly and find out what caused the accident. But the boat doesn’t give a single clue.

      Mum says to us, “We have to accept it now. Your Dad had an accident.”

      “No!” says Conor, slamming his fists on the table. “No, no, no. Dad wouldn’t lose the Peggy Gordon like that, on a calm night. That’s not what happened.” He bangs out of the house and gets his bike and disappears. I think he goes up to Jack’s. Anyway he comes home late, and when he creeps into my room to climb up his loft ladder, I’m already half asleep.

      “Conor?”

      “Ssh.”

      “It’s all right. Mum’s asleep. She’s been—”

      “Crying?”

      “No. Just sitting, not looking at anything. I hate it when she does that.”

      “I know.”

      “Conor, where’s Dad?”

      I’m still half asleep, or I’d never ask that question. How can Conor know, when nobody knows? The question just slips out. But Conor doesn’t get angry. He tiptoes over and kneels by my bed.

      “I don’t know what happened, Saph. But he’s not drowned. I’m sure of it. We’d know if he was drowned. We’d feel it. We’d feel a difference, if he was dead.”

      “Yes,” I say. Relief floods me. “You’re right. I don’t feel as if he’s dead either.”

      Conor nods. “We’re going to find Dad, Saph. However long it takes. But you mustn’t tell Mum. Swear and promise.”

      “Swear and promise,” I answer, and I spit on my right palm and Conor spits on his, and we slap our palms together. After that I sleep.

      They hold a memorial service for Dad in the church. Mum explains that we can’t have a proper funeral, because Dad’s body hasn’t been found. It hasn’t been found because there isn’t a body to find. Dad isn’t dead, I think to myself, and I know Conor is thinking the same thing.

      Everyone comes to the memorial service in dark clothes, with sad faces.

      “Oh Jennie, Jennie dear,” they say, and they put their arms round Mum. Some women kiss me, even though I don’t want them to. Conor stands there frowning, with his arms folded so no one will dare to kiss him. Conor’s angry because everybody’s flocking to the memorial service like sheep, believing that Dad’s dead, even though no one has found his body. Most people think that Conor is being brave, for Mum’s sake.

      “You’re the man of the house now, Conor,” says Alice Trewhidden in her creaky old voice. “Your mother’s lucky that she’s got a son to take care of her.” Alice only likes boys, not girls. In fact girls practically don’t exist in Alice’s eyes.

      “Conor has his own life to live, Alice,” says Granny Carne sharply. I didn’t see Granny Carne arrive, but suddenly she’s there, tall and strong and wild-looking. People fall back a little, to give her room, out of respect. Everyone shows respect to Granny Carne, as if she’s a queen. “Conor has his own choices to make,” Granny Carne goes on. “None of us can make them for him.”

      Grumpy, sharp-tongued Alice Trewhidden says nothing back. She just mumbles under her breath and shuffles off sideways like a crab to find the best seat. She’s not exactly scared of Granny Carne, but she doesn’t want to cross her. Nobody does.

      I’m surprised that Granny Carne has come to the memorial service. I’ve never seen her inside the church before. Everybody else looks surprised too. Heads bob round to look at her as she comes in, and murmurs fly around the cool, echoing space.

      Look who’s here!

      Who?

      Granny Carne. Can’t remember the last time we saw her inside the church.

      “I never seen her inside this church in my life, and that’s going back many years,” mutters Alice Trewhidden.

      Granny Carne doesn’t go far inside the church today. She stands by the open door at the back, watching and listening. Maybe she hears all the mutters and murmurs, but she takes no notice. She wears her usual shabby old earth-coloured clothes, but her poppy-red scarf is the brightest thing in the church.

      Granny Carne is tall and forbidding. People are still pushing their way into the crowded church, and they glance sideways at her as they come in, and a lot of them nod respectfully, just the same way as they nod to the vicar. The thought of Granny Carne being like the vicar makes my lips twitch.

      Granny Carne catches me looking at her. The faintest smile crosses her face. Suddenly I feel a flicker of hope and courage in the dark sadness of the church.

      Who is Granny Carne? Why is she different from everyone else?

      I remember asking Dad that, when I was about seven. We were sitting on the beach on a day of flat calm, and Dad was skimming stones on the water with a flick of his wrist. Just Dad and me, on our own. The stones hopped on the silky smooth water. One jump, two, four, six jumps—

      “Dad, who is Granny Carne? Why do they call her that when she’s not anyone’s real granny?”

      “Some say she’s a witch,” answered Dad.

      “I know,” I said. I’d heard that in the playground. “But there aren’t real witches now, are there?”