Lord Byron’s Jackal: A Life of Trelawny. David Crane

and sailing! Single handed oars, say four or six; and we think, if you differ not, three luggs and a jib – backing ones!¹²

      It is given to few men to kill two major poets, but the friend to whom Byron turned for his doctors and Shelley for his boat has claims to be considered one of the seminal influences on nineteenth-century literature. It was not until the middle of May that the Don Juan as she was named was finally delivered to Shelley at Lerici, but even then there were further sacrifices of stability to elegance to be made, additions of a false stern and prow to accentuate her lines, and a new set of riggings which gave her, to Williams’s eye, all the glamour and prestige of a 50-ton vessel.

      Fast, graceful and spirited as she was, the Don Juan was certainly no craft to survive the approaching storm into which, with Shelley, Edward Williams and the boat-boy Charles Vivian on board, she disappeared off Leghorn on 8 July 1822. Trelawny had initially intended to accompany them on their journey back to Lerici in Byron’s Bolivar, but at the last was delayed by the port authorities. Sullenly and reluctantly, he refurled the Bolivar’s sails, and watched the Don Juan’s progress through his spy-glass. The sea had the smoothness and colour of lead, but to the south-west black storm-clouds were massing dangerously. The devil, he was told by his Genoese mate, was brewing mischief. On shore, an anxious Daniel Roberts took a telescope to the top of the lighthouse, straining to get one last view of the boat before it vanished into the thickening mist.

      Sometime after six the storm broke with a sudden and spectacular violence. The captain of an Italian vessel which had made it back to the safety of the harbour reported sighting the Don Juan in mountainous seas. He had offered to take its crew aboard, but a voice had cried back ‘No’. A sailor called across for them to reef their sails at least, but when Williams was seen trying to lower them Shelley had seized an arm, angrily determined to stop him.^13*

      It was the last time the Don Juan was seen. Over the next ten days, while Mary and Jane waited in agony and Trelawny tirelessly patrolled the coast, pieces of wreckage followed by the bodies of Vivian, Williams and Shelley were washed ashore. Shelley’s corpse was found on the beach at Viareggio. After so long in the water the face was gone but Trelawny was able to identify him by the clothes and a copy of Keats’s poems still folded back in his jacket pocket. The body was buried where it lay in a shallow grave of quicklime, and Trelawny hurried to the Casa Magni on the Gulf of Spezia, the summer house where the Shelleys and Williamses had been living since the end of April. Over fifty years later he returned to the memory in a passage honed by time and repetition.

      I had ridden fast, to prevent any ruder messenger from bursting in on them. As I stood on the threshold of the house, the bearer, or rather confirmer, of news which would rack every fibre of their quivering frames to the utmost, I paused, and looking at the sea, my memory reverted to our joyous parting only a few days before.

      The two families, then, had all been on the veranda, overhanging a sea so clear and calm that every star was reflected on the water, as if it had been a mirror; the young mothers singing some merry tune, with the accompaniment of a guitar. Shelley’s shrill laugh – I heard it still – rang in my ears, with Williams’ friendly hale, the general buona notte of all the joyous party, and the earnest entreaty to me to return as soon as possible, and not forget the commissions they had given me.

      My reverie was broken by a shriek from the nurse Caterina, as, crossing the hall she saw me in the doorway. After asking her a few questions, I went up the stairs, and, unannounced, entered the room. I neither spoke, nor did they question me. Mrs Shelley’s large grey eyes were fixed on my face. I turned away. Unable to bear this horrid silence, with a convulsive effort she exclaimed –

      ‘Is there no hope?’

      I did not answer, but left the room, and sent the servant with the children to them. The next day I prevailed on them to return to Pisa. The misery of that night and the journey the next day, and of many days and nights that followed, I can neither describe nor forget.¹⁴

      There were quarantine laws to meet before the bodies of Shelley or Williams could be touched, but the man who claimed to have cremated his eastern bride was more than up to the challenge of a proper funeral. Mary Shelley had at first wanted her husband buried alongside their son in the Protestant cemetery in Rome, but in the end more exotic council prevailed. On 14 August, the body of Williams was finally exhumed and cremated in a macabre dress rehearsal for what was to follow. The next morning, with Byron and the newly arrived Leigh Hunt present, it was Shelley’s turn in a scene which in all its gruesome detail has etched itself onto the Romantic imagination.

      The lonely and grand scenery that surrounded us so exactly harmonized with Shelley’s genius, that I could imagine his spirit soaring over us. The sea, with the islands of Gorgona, Capraja, and Elba, was before us; old battlemented watch-towers stretched along the coast, backed by the marble-crested Appenines glistening in the sun, picturesque from their diversified outlines, and not a human dwelling was in sight. As I thought of the delight Shelley felt in such scenes of loneliness and grandeur whilst living, I thought we were no better than a herd of wolves or a pack of wild dogs, in tearing out his battered and naked body from the pure yellow sand that lay so lightly over it, to drag him back to the light of day; but the dead have no voice, nor had I power to check the sacrilege – the work went on silently in the deep and unresisting sand, not a word was spoken, for the Italians have a touch of sentiment, and their feelings are easily excited into sympathy. Byron was silent and thoughtful. We were startled and drawn together by a dull hollow sound that followed the blow of a mattock; the iron had struck a skull, and the body was soon uncovered. Lime had been strewn on it; this or decomposition had the effect of staining it of a dark and ghastly indigo colour. Byron asked me to preserve the skull for him; but remembering that he had formerly used one as a drinking-cup, I was determined Shelley should not be so profaned. The limbs did not separate from the trunk, as in the case of Williams’s body, so that the corpse was removed entire into the furnace … After the fire was well kindled we repeated the ceremony of the previous day; and more wine was poured over Shelley’s dead body than he had consumed during his life. This with the oil and salt made the yellow flames glisten and quiver. The heat from the sun and fire was so intense that the atmosphere was tremulous and wavy. The corpse fell open and the heart was laid bare. The frontal bone of the skull, where it had been struck with the mattock, fell off; and, as the back of the head rested on the red-hot bottom bars of the furnace, the brains literally seethed, bubbled, and boiled as in a cauldron, for a very long time.

      Byron could not face this scene, he withdrew to the beach and swam off to the ‘Bolivar’. Leigh Hunt remained in the carriage. The fire was so fierce as to produce a white heat on the iron, and to reduce its contents to grey ashes. The only portions that were not consumed were some fragments of bones, the jaw, and the skull; but what surprised us all was that the heart remained entire. In snatching this relic from the fiery furnace, my hand was severely burnt; and had anyone seen me do the act I should have been put into quarantine.¹⁵

      In the long years ahead, Shelley’s funeral would come to seem the making of Trelawny, the beginning of his public ministry as high priest and interpreter of English Romanticism. During the short time that he had known Shelley and Byron he had certainly become an integral part of their Pisan world, but the truth is that it was his role at their deaths and not the friendship of a few brief months which gave him his apostolic authority over a generation infatuated with their memory.

      In account after account over the next sixty years he would return to this summer of 1822 with ever new details, peddling scraps of history or bone with equal relish. Yet if his long-term strategy became one of ruthless self-promotion, in the short term Shelley’s death brought out a streak of selfless and generous kindness his earlier life had stifled. In the bleak and wearing months after the Don Juan went down, Trelawny almost single-handedly sustained the grieving widows, giving them not just unstinted emotional support but practical and financial help that earned their deep and genuine gratitude. ‘His whole conduct during