Shirley. Шарлотта Бронте

should be able to maintain a festal brightness and cherishing glow in his bosom, which makes all bright and genial for him; while strangers, perhaps, deem his existence a Polar winter never gladdened by a sun. The true poet is not one whit to be pitied, and he is apt to laugh in his sleeve when any misguided sympathizer whines over his wrongs. Even when utilitarians sit in judgment on him, and pronounce him and his art useless, he hears the sentence with such a hard derision, such a broad, deep, comprehensive, and merciless contempt of the unhappy Pharisees who pronounce it, that he is rather to be chidden than condoled with. These, however, are not Mr. Yorke’s reflections, and it is with Mr. Yorke we have at present to do.

      I have told you some of his faults, reader: as to his good points, he was one of the most honourable and capable men in Yorkshire; even those who disliked him were forced to respect him. He was much beloved by the poor, because he was thoroughly kind and very fatherly to them. To his workmen he was considerate and cordial. When he dismissed them from an occupation, he would try to set them on to something else, or, if that was impossible, help them to remove with their families to a district where work might possibly be had. It must also be remarked that if, as sometimes chanced, any individual amongst his “hands” showed signs of insubordination, Yorke—who, like many who abhor being controlled, knew how to control with vigour—had the secret of crushing rebellion in the germ, of eradicating it like a bad weed, so that it never spread or developed within the sphere of his authority. Such being the happy state of his own affairs, he felt himself at liberty to speak with the utmost severity of those who were differently situated, to ascribe whatever was unpleasant in their position entirely to their own fault, to sever himself from the masters, and advocate freely the cause of the operatives.

      Mr. Yorke’s family was the first and oldest in the district; and he, though not the wealthiest, was one of the most influential men. His education had been good. In his youth, before the French Revolution, he had travelled on the Continent. He was an adept in the French and Italian languages. During a two years’ sojourn in Italy he had collected many good paintings and tasteful rarities, with which his residence was now adorned. His manners, when he liked, were those of a finished gentleman of the old school; his conversation, when he was disposed to please, was singularly interesting and original; and if he usually expressed himself in the Yorkshire dialect, it was because he chose to do so, preferring his native Doric to a more refined vocabulary, “A Yorkshire burr,” he affirmed, “was as much better than a cockney’s lisp as a bull’s bellow than a raton’s squeak.”

      Mr. Yorke knew every one, and was known by every one, for miles round; yet his intimate acquaintances were very few. Himself thoroughly original, he had no taste for what was ordinary: a racy, rough character, high or low, ever found acceptance with him; a refined, insipid personage, however exalted in station, was his aversion. He would spend an hour any time in talking freely with a shrewd workman of his own, or with some queer, sagacious old woman amongst his cottagers, when he would have grudged a moment to a commonplace fine gentleman or to the most fashionable and elegant, if frivolous, lady. His preferences on these points he carried to an extreme, forgetting that there may be amiable and even admirable characters amongst those who cannot be original. Yet he made exceptions to his own rule. There was a certain order of mind, plain, ingenuous, neglecting refinement, almost devoid of intellectuality, and quite incapable of appreciating what was intellectual in him, but which, at the same time, never felt disgust at his rudeness, was not easily wounded by his sarcasm, did not closely analyze his sayings, doings, or opinions, with which he was peculiarly at ease, and, consequently, which he peculiarly preferred. He was lord amongst such characters. They, while submitting implicitly to his influence, never acknowledged, because they never reflected on, his superiority; they were quite tractable, therefore, without running the smallest danger of being servile; and their unthinking, easy, artless insensibility was as acceptable, because as convenient, to Mr. Yorke as that of the chair he sat on, or of the floor he trod.

      It will have been observed that he was not quite uncordial with Mr. Moore. He had two or three reasons for entertaining a faint partiality to that gentleman. It may sound odd, but the first of these was that Moore spoke English with a foreign, and French with a perfectly pure, accent; and that his dark, thin face, with its fine though rather wasted lines, had a most anti-British and anti-Yorkshire look. These points seem frivolous, unlikely to influence a character like Yorke’s; but the fact is they recalled old, perhaps pleasurable, associations—they brought back his travelling, his youthful days. He had seen, amidst Italian cities and scenes, faces like Moore’s; he had heard, in Parisian cafes and theatres, voices like his. He was young then, and when he looked at and listened to the alien, he seemed young again.

      Secondly, he had known Moore’s father, and had had dealings with him. That was a more substantial, though by no means a more agreeable tie; for as his firm had been connected with Moore’s in business, it had also, in some measure, been implicated in its losses.

      Thirdly, he had found Robert himself a sharp man of business. He saw reason to anticipate that he would, in the end, by one means or another, make money; and he respected both his resolution and acuteness—perhaps, also, his hardness. A fourth circumstance which drew them together was that of Mr. Yorke being one of the guardians of the minor on whose estate Hollow’s Mill was situated; consequently Moore, in the course of his alterations and improvements, had frequent occasion to consult him.

      As to the other guest now present in Mr. Yorke’s parlour, Mr. Helstone, between him and his host there existed a double antipathy—the antipathy of nature and that of circumstances. The free-thinker hated the formalist; the lover of liberty detested the disciplinarian. Besides, it was said that in former years they had been rival suitors of the same lady.

      Mr. Yorke, as a general rule, was, when young, noted for his preference of sprightly and dashing women: a showy shape and air, a lively wit, a ready tongue, chiefly seemed to attract him. He never, however, proposed to any of these brilliant belles whose society he sought; and all at once he seriously fell in love with and eagerly wooed a girl who presented a complete contrast to those he had hitherto noticed—a girl with the face of a Madonna; a girl of living marble—stillness personified. No matter that, when he spoke to her, she only answered him in monosyllables; no matter that his sighs seemed unheard, that his glances were unreturned, that she never responded to his opinions, rarely smiled at his jests, paid him no respect and no attention; no matter that she seemed the opposite of everything feminine he had ever in his whole life been known to admire. For him Mary Cave was perfect, because somehow, for some reason—no doubt he had a reason—he loved her.

      Mr. Helstone, at that time curate of Briarfield, loved Mary too—or, at any rate, he fancied her. Several others admired her, for she was beautiful as a monumental angel; but the clergyman was preferred for his office’s sake—that office probably investing him with some of the illusion necessary to allure to the commission of matrimony, and which Miss Cave did not find in any of the young wool-staplers, her other adorers. Mr. Helstone neither had, nor professed to have, Mr. Yorke’s absorbing passion for her. He had none of the humble reverence which seemed to subdue most of her suitors; he saw her more as she really was than the rest did. He was, consequently, more master of her and himself. She accepted him at the first offer, and they were married.

      Nature never intended Mr. Helstone to make a very good husband, especially to a quiet wife. He thought so long as a woman was silent nothing ailed her, and she wanted nothing. If she did not complain of solitude, solitude, however continued, could not be irksome to her. If she did not talk and put herself forward, express a partiality for this, an aversion to that, she had no partialities or aversions, and it was useless to consult her tastes. He made no pretence of comprehending women, or comparing them with men. They were a different, probably a very inferior, order of existence. A wife could not be her husband’s companion, much less his confidante, much less his stay. His wife, after a year or two, was of no great importance to him in any shape; and when she one day, as he thought, suddenly—for he had scarcely noticed her decline—but, as others thought, gradually, took her leave of him and of life, and there was only a still, beautiful-featured mould of clay left, cold and white, in the conjugal couch, he felt his bereavement—who shall say how little? Yet, perhaps, more than he seemed to feel it; for he was not a man from whom grief easily wrung tears.

      His dry-eyed