The Last of the Mohicans. Джеймс Фенимор Купер

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Название The Last of the Mohicans
Автор произведения Джеймс Фенимор Купер
Жанр Классическая проза
Серия
Издательство Классическая проза
Год выпуска 0
isbn 9780007424597



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which the poet had selected for the close of his verse had been duly delivered like a word of two syllables.

      Such an innovation on the silence and retirement of the forest could not fail to enlist the ears of those who journeyed at so short a distance in advance. The Indian muttered a few words in broken English to Heyward, who, in his turn, spoke to the stranger, at once interrupting and, for the time, closing his musical efforts.

      ‘Though we are not in danger, common prudence would teach us to journey through this wilderness in as quiet a manner as possible. You will, then, pardon me, Alice, should I diminish your enjoyments, by requesting this gentleman to postpone his chant until a safer opportunity.’

      ‘You will diminish them, indeed,’ returned the arch girl, ‘for never did I hear a more unworthy conjunction of execution and language, than that to which I have been listening; and I was far gone in a learned inquiry into the causes of such an unfitness between sound and sense, when you broke the charm of my musings by that bass of yours, Duncan!’

      ‘I know not what you call my bass,’ said Heyward, piqued at her remark; ‘but I know that your safety, and that of Cora, is far dearer to me than could be any orchestra of Handel’s music.’ He paused, and turned his head quickly towards a thicket, and then bent his eyes suspiciously on their guide, who continued his steady pace in undisturbed gravity. The young man smiled to himself, for he believed he had mistaken some shining berry of the woods for the glistening eyeballs of a prowling savage, and he rode forward, continuing the conversation which had been interrupted by the passing thought.

      Major Heyward was mistaken only in suffering his youthful and generous pride to suppress his active watchfulness. The cavalcade had not long passed before the branches of the bushes that formed the thicket were cautiously moved asunder, and a human visage, as fiercely wild as savage art and unbridled passions could make it, peered out on the retiring footsteps of the travellers. A gleam of exultation shot across the darkly painted lineaments of the inhabitant of the forest, as he traced the route of the intended victims, who rode unconsciously onward; the light and graceful forms of the females waving among the trees, in the curvatures of their path, followed at each bend by the manly figure of Heyward, until, finally, the shapeless person of the singing-master was concealed behind the numberless trunks of trees, that rose in dark lines in the intermediate space.

       CHAPTER 3

      Before these fields were shorn and tilled,

      Full to the brim our rivers flowed:

      The melody of waters filled

      The fresh and boundless wood;

      And torrents dashed, and rivulets played,

      And fountains spouted in the shade.

      —Bryant.

      Leaving the unsuspecting Heyward and his confiding companions to penetrate still deeper into a forest that contained such treacherous inmates, we must use an author’s privilege, and shift the scene a few miles to the westward of the place where we have last seen them.

      On that day, two men were lingering on the banks of a small but rapid stream, within an hour’s journey of the encampment of Webb, like those who awaited the appearance of an absent person, or the approach of some expected event. The vast canopy of woods spread itself to the margin of the river, overhanging the water, and shadowing its dark current with a deeper hue. The rays of the sun were beginning to grow less fierce, and the intense heat of the day was lessened, as the cooler vapours of the springs and fountains rose above their leafy beds, and rested in the atmosphere. Still that breathing silence, which marks the drowsy sultriness of an American landscape in July, pervaded the secluded spot, interrupted only by the low voices of the men, the occasional and lazy tap of a woodpecker, the discordant cry of some gaudy jay, or a swelling on the ear, from the dull roar of a distant waterfall.