The Mary E. Wilkins Freeman Megapack. Mary E. Wilkins Freeman

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Название The Mary E. Wilkins Freeman Megapack
Автор произведения Mary E. Wilkins Freeman
Жанр Контркультура
Серия
Издательство Контркультура
Год выпуска 0
isbn 9781434442864



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Mitford, and she thought it very strange.

      “Everything is very strange,” said Rebecca with a shudder.

      “What do you mean?” inquired Caroline sharply.

      “Nothing,” replied Rebecca.

      Nobody entered the library that day, nor the next, nor the next. The third day Henry was expected home, but he did not arrive and the last train from the city had come.

      “I call it pretty queer work,” said Mrs. Brigham. “The idea of a doctor leaving his patients for three days anyhow, at such a time as this, and I know he has some very sick ones; he said so. And the idea of a consultation lasting three days! There is no sense in it, and now he has not come. I don’t understand it, for my part.”

      “I don’t either,” said Rebecca.

      They were all in the south parlour. There was no light in the study opposite, and the door was ajar.

      Presently Mrs. Brigham rose—she could not have told why; something seemed to impel her, some will outside her own. She went out of the room, again wrapping her rustling skirts around that she might pass noiselessly, and began pushing at the swollen door of the study.

      “She has not got any lamp,” said Rebecca in a shaking voice.

      Caroline, who was writing letters, rose again, took a lamp (there were two in the room) and followed her sister. Rebecca had risen, but she stood trembling, not venturing to follow.

      The doorbell rang, but the others did not hear it; it was on the south door on the other side of the house from the study. Rebecca, after hesitating until the bell rang the second time, went to the door; she remembered that the servant was out.

      Caroline and her sister Emma entered the study. Caroline set the lamp on the table. They looked at the wall. “Oh, my God,” gasped Mrs. Brigham, “there are—there are two—shadows.” The sisters stood clutching each other, staring at the awful things on the wall. Then Rebecca came in, staggering, with a telegram in her hand. “Here is—a telegram,” she gasped. “Henry is—dead.”

      LUELLA MILLER

      Close to the village street stood the one-story house in which Luella Miller, who had an evil name in the village, had dwelt. She had been dead for years, yet there were those in the village who, in spite of the clearer light which comes on a vantage-point from a long-past danger, half believed in the tale which they had heard from their childhood. In their hearts, although they scarcely would have owned it, was a survival of the wild horror and frenzied fear of their ancestors who had dwelt in the same age with Luella Miller. Young people even would stare with a shudder at the old house as they passed, and children never played around it as was their wont around an untenanted building. Not a window in the old Miller house was broken: the panes reflected the morning sunlight in patches of emerald and blue, and the latch of the sagging front door was never lifted, although no bolt secured it. Since Luella Miller had been carried out of it, the house had had no tenant except one friendless old soul who had no choice between that and the far-off shelter of the open sky. This old woman, who had survived her kindred and friends, lived in the house one week, then one morning no smoke came out of the chimney, and a body of neighbours, a score strong, entered and found her dead in her bed. There were dark whispers as to the cause of her death, and there were those who testified to an expression of fear so exalted that it showed forth the state of the departing soul upon the dead face. The old woman had been hale and hearty when she entered the house, and in seven days she was dead; it seemed that she had fallen a victim to some uncanny power. The minister talked in the pulpit with covert severity against the sin of superstition; still the belief prevailed. Not a soul in the village but would have chosen the almshouse rather than that dwelling. No vagrant, if he heard the tale, would seek shelter beneath that old roof, unhallowed by nearly half a century of superstitious fear.

      There was only one person in the village who had actually known Luella Miller. That person was a woman well over eighty, but a marvel of vitality and unextinct youth. Straight as an arrow, with the spring of one recently let loose from the bow of life, she moved about the streets, and she always went to church, rain or shine. She had never married, and had lived alone for years in a house across the road from Luella Miller’s.

      This woman had none of the garrulousness of age, but never in all her life had she ever held her tongue for any will save her own, and she never spared the truth when she essayed to present it. She it was who bore testimony to the life, evil, though possibly wittingly or designedly so, of Luella Miller, and to her personal appearance. When this old woman spoke—and she had the gift of description, although her thoughts were clothed in the rude vernacular of her native village—one could seem to see Luella Miller as she had really looked. According to this woman, Lydia Anderson by name, Luella Miller had been a beauty of a type rather unusual in New England. She had been a slight, pliant sort of creature, as ready with a strong yielding to fate and as unbreakable as a willow. She had glimmering lengths of straight, fair hair, which she wore softly looped round a long, lovely face. She had blue eyes full of soft pleading, little slender, clinging hands, and a wonderful grace of motion and attitude.

      “Luella Miller used to sit in a way nobody else could if they sat up and studied a week of Sundays,” said Lydia Anderson, “and it was a sight to see her walk. If one of them willows over there on the edge of the brook could start up and get its roots free of the ground, and move off, it would go just the way Luella Miller used to. She had a green shot silk she used to wear, too, and a hat with green ribbon streamers, and a lace veil blowing across her face and out sideways, and a green ribbon flyin’ from her waist. That was what she came out bride in when she married Erastus Miller. Her name before she was married was Hill. There was always a sight of “l’s” in her name, married or single. Erastus Miller was good lookin’, too, better lookin’ than Luella. Sometimes I used to think that Luella wa’n’t so handsome after all. Erastus just about worshiped her. I used to know him pretty well. He lived next door to me, and we went to school together. Folks used to say he was waitin’ on me, but he wa’n’t. I never thought he was except once or twice when he said things that some girls might have suspected meant somethin’. That was before Luella came here to teach the district school. It was funny how she came to get it, for folks said she hadn’t any education, and that one of the big girls, Lottie Henderson, used to do all the teachin’ for her, while she sat back and did embroidery work on a cambric pocket-handkerchief. Lottie Henderson was a real smart girl, a splendid scholar, and she just set her eyes by Luella, as all the girls did. Lottie would have made a real smart woman, but she died when Luella had been here about a year—just faded away and died: nobody knew what ailed her. She dragged herself to that schoolhouse and helped Luella teach till the very last minute. The committee all knew how Luella didn’t do much of the work herself, but they winked at it. It wa’n’t long after Lottie died that Erastus married her. I always thought he hurried it up because she wa’n’t fit to teach. One of the big boys used to help her after Lottie died, but he hadn’t much government, and the school didn’t do very well, and Luella might have had to give it up, for the committee couldn’t have shut their eyes to things much longer. The boy that helped her was a real honest, innocent sort of fellow, and he was a good scholar, too. Folks said he overstudied, and that was the reason he was took crazy the year after Luella married, but I don’t know. And I don’t know what made Erastus Miller go into consumption of the blood the year after he was married: consumption wa’n’t in his family. He just grew weaker and weaker, and went almost bent double when he tried to wait on Luella, and he spoke feeble, like an old man. He worked terrible hard till the last trying to save up a little to leave Luella. I’ve seen him out in the worst storms on a wood-sled—he used to cut and sell wood—and he was hunched up on top lookin’ more dead than alive. Once I couldn’t stand it: I went over and helped him pitch some wood on the cart—I was always strong in my arms. I wouldn’t stop for all he told me to, and I guess he was glad enough for the help. That was only a week before he died. He fell on the kitchen floor while he was gettin’ breakfast. He always got the breakfast and let Luella lay abed. He did all the sweepin’ and the washin’ and the ironin’ and most of the cookin’. He couldn’t bear to have Luella lift her finger, and she let him do for her. She lived like a queen for all the work