The Erckmann-Chatrian MEGAPACK ®. Emile Erckmann

Читать онлайн.
Название The Erckmann-Chatrian MEGAPACK ®
Автор произведения Emile Erckmann
Жанр Историческая литература
Серия
Издательство Историческая литература
Год выпуска 0
isbn 9781434443373



Скачать книгу

himself. He took from his pocket a short pipe, filled it, and having lighted it—

      “One evening,” said he, “I was sitting alone with the count in the armoury of the castle. It was about Christmas time. We had been hunting wild boars the whole day in the valleys of the Rhéthal, and had returned at night bringing home with us two of our boar-hounds ripped open from head to tail. It was just as cold as it is to-night, with snow and frost. The count was pacing up and down the room with his chin upon his breast and his hands crossed behind him, like a man in profound thought. From time to time he stopped to watch the gathering snow on the high windows, and I was warming myself in the chimney corner, bewailing my dead hounds, and bestowing maledictions on all the wild boars that infest the Schwartzwald. Everybody at Nideck had been asleep a couple of hours, and not a sound could be heard but the tread and the clank of the count’s heavy spurred boots upon the flags. I remember well that a crow, no doubt driven by a gust of wind, came flapping its wings against the window-panes, uttering a discordant shriek, and how the sheets of snow fell from the windows, and the windows suddenly changed from white to black—”

      “But what has all this to do with your master’s illness?” I interrupted.

      “Let me go on—you will soon see. At that cry the count suddenly gathered himself together with a shuddering movement, his eyes became fixed with a glassy stare, his cheeks were bloodless, and he bent his head forward just like a hunter catching the sound of his approaching game. I went on warming myself, and I thought, ‘Won’t he soon go to bed now?’ for, to tell you the truth, I was overcome with fatigue. All these details, Fritz, are still present in my memory. Scarcely had the bird of ill omen croaked its unearthly cry when the old clock struck eleven. At that moment the count turns on his heel—he listens, his lips tremble, I can see him staggering like a drunken man. He stretches out his hands, his jaws are tightly clenched, his eyes staring and white. I cried, ‘My lord, what is the matter?’ but he began to laugh discordantly like a madman, stumbled, and fell upon the stone floor, face downwards. I called for help; servants came round. Sébalt took the count by the shoulders; we removed him to a bed near the window; but just as I was loosening the count’s neckerchief—for I was afraid it was apoplexy—the countess came and flung herself upon the body of her father, uttering such heartrending cries that the very remembrance of them makes me shudder.”

      Here Gideon took his pipe from his lips, knocked the ashes out upon the pommel of his saddle, and pursued his tale in a saddened voice.

      “From that day, Fritz, none but evil days have come upon Nideck, and better times seem to be far off. Every year at the same day and hour the count has shuddering fits. The malady lasts from a week to a fortnight, during which he howls and yells so frightfully that it makes a man’s blood run cold to hear him. Then he slowly recovers his usual health. He is still pale and weak, and moves trembling from one chair to another, starting at the least noise or movement, and fearful of his own shadow. The young countess, the sweetest creature in the world, never leaves his side; but he cannot endure her while the fit is upon him. He roars at her, ‘Go, leave me this moment! I have enough to endure without seeing you hanging about me!’ It is a horrible sight. I am always close at his heels in the chase, I who sound the horn when he has killed the forest beasts; I am at the head of all his retainers, and I would give my life for his sake; yet when he is at his worst I can hardly keep off my hands from his throat, I am so horrified at the way in which he treats his beautiful daughter.”

      Sperver looked dangerously wroth for a moment, clapped both his spurs to his mount, and we rode on at a hard gallop.

      I had fallen into a reverie. The cure of a complaint of this description appeared to me more than doubtful, even impossible. It was evidently a mental disorder. To fight against it with any hope of success it would be needful to trace it back to its origin, and this would, no doubt, be too remote for successful investigation.

      All these reflections perplexed me greatly. The old huntsman’s story, far from strengthening my hopes, only depressed me—not a very favourable condition to insure success. At about three we came in sight of the ancient castle of Nideck on the verge of the horizon. In spite of the great distance we could distinguish the projecting turrets, apparently suspended from the angles of the edifice. It was but a dim outline barely distinguishable from the blue sky, but soon the red points of the Vosges became visible.

      At that moment Sperver drew in his bridle and said—

      “Fritz, we shall have to get there before night—onward!”

      But it was in vain that he spurred and lashed. The horse stood rooted to the ground, his ears thrown back, his nostrils dilated, his sides panting, his legs firmly planted in an attitude of resistance.

      “What is the matter with the beast?” cried Gideon in astonishment. “Do you see anything, Fritz? Surely—”

      He broke off abruptly, pointing with his whip at a dark form in the snow fifty yards off, on the slope of the hill.

      “The Black Plague!” he exclaimed with a voice of distress which almost robbed me of my self-possession.

      Following the indication of his outstretched whip I discerned with astonishment an aged woman crouching on the snowy ground, with her arms clasped about her knees, and so tattered that her red elbows came through her tattered sleeves. A few ragged locks of grey hung about her long, scraggy, red, and vulture-like neck.

      Strange to say, a bundle of some kind lay upon her knees, and her haggard eyes were directed upon distant objects in the white landscape.

      Spencer drew off to the left, giving the hideous object as wide a berth as he could, and I had some difficulty in following him.

      “Now,” I cried, “what is all this for? Are you joking?”

      “Joking?—assuredly not! I never joke about such serious matters. I am not given to superstition, but I confess that I am alarmed at this meeting!”

      Then turning his head, and noticing that the old woman had not moved, and that her eyes were fixed upon the same one spot, he appeared to gather a little courage.

      “Fritz,” he said solemnly, “you are a man of learning—you know many things of which I know nothing at all. Well, I can tell you this, that a man is in the wrong who laughs at a thing because he can’t understand it. I have good reasons for calling this woman the Black Plague. She is known by that name in the whole Black Forest, but here at Nideck she has earned that title by supreme right.”

      And the good man pursued his way without further observation.

      “Now, Sperver, just explain what you mean,” I asked, “for I don’t understand you.”

      “That woman is the ruin of us all. She is a witch. She is the cause of it all. It is she who is killing the count by inches.”

      “How is that possible?” I exclaimed. “How could she exercise such a baneful influence?”

      “I cannot tell how it is. All I know is, that on the very day that the attack comes on, at the very moment, if you will ascend the beacon tower, you will see the Black Plague squatting down like a dark speck on the snow just between the Tiefenbach and the castle of Nideck. She sits there alone, crouching close to the snow. Every day she comes a little nearer, and every day the attacks grow worse. You would think he hears her approach. Sometimes on the first day, when the fits of trembling have come over him, he has said to me, ‘Gideon, I feel her coming.’ I hold him by the arms and restrain the shuddering somewhat, but he still repeats, stammering and struggling with his agony, and his eyes staring and fixed, ‘She is coming—nearer—oh—oh—she comes!’ Then I go up Hugh Lupus’s tower; I survey the country. You know I have a keen eye for distant objects. At last, amidst the grey mists afar off, between sky and earth, I can just make out a dark speck. The next morning that black spot has grown larger. The Count of Nideck goes to bed with chattering teeth. The next day again we can make out the figure of the old hag; the fierce attacks begin; the count cries out. The day after, the witch is at the foot of the mountain, and the consequence is that the count’s jaws are set like a vice; his mouth foams; his eyes turn in his head. Vile creature! Twenty times I