The George Barr McCutcheon MEGAPACK ®. George Barr McCutcheon

et Messieurs: J’ai, tu as, il a, nous avons,”—with a magnificent gesture, “vous avez.” The French members of the company were not equal to his pronunciation and were under the impression that he was still talking English. They were profoundly impressed with his deference and grace, and accorded his preamble a round of applause. The Americans did their utmost to persuade him to be seated, but their uproar was mistaken by the others for enthusiasm, and the applause grew louder than ever. “Subway” held up his hand for silence, and his manner suggested that he was about to utter some peculiarly important thought. He waited until a pin fall could have been heard before he went on.

      “Maitre corbeau sur un arbre perche—” he finished the speech as he was being carried bodily from the room by DeMille and Bragdon. The Frenchmen then imagined that Smith’s remarks had been insulting, and his friends had silenced him on that account. A riot seemed imminent when Monty succeeded in restoring silence, and with a few tactful remarks about Franklin and Lafayette quieted the excited guests.

      The evening ended with fireworks and a dance in the open air,—a dance that grew gay under the masks. The wheels had been well oiled and there was no visible failure of the carnival spirit. To Brewster it seemed a mad game, and he found it less easy to play a part behind the foolish mask than he expected. His own friends seemed to elude him, and the coquetries of the village damsels had merely a fleeting charm. He was standing apart to watch the glimmering crowd when he was startled by a smothered cry. Turning to investigate, he discovered a little red domino, unmistakably frightened, and trying to release herself from a too ardent Punchinello. Monty’s arrival prevented him from tearing off the girl’s mask and gave him an entirely new conception of the strenuous life. He arose fuming and sputtering, but he was taken in hand by the crowd and whirled from one to another in whimsical mockery. Meanwhile Monty, unconscious that his mask had dropped during the encounter, was astonished to feel the little hand of the red domino on his arm and to hear a voice not at all unfamiliar in his ear:

      “Monty, you are a dear. I love you for that. You looked like a Greek athlete. Do you know—it was foolish—but I really was frightened.”

      “Child, how could it have happened?” he whispered, leading her away. “Fancy my little Peggy with no one to look after her. What a beast I was to trust you to Pettingill. I might have known the chump would have been knocked out by all this color.” He stopped to look down at her and a light came into his eyes. “Little Peggy in the great world,” he smiled; “you are not fit. You need—well, you need—just me.”

      But Mrs. Valentine had seen him as he stood revealed, and came up in search of Peggy. It was almost morning, she told her, and quite time to go back to the hotel and sleep. So in Bragdon’s charge they wandered off, a bit reluctantly, a bit lingeringly.

      It was not until Monty was summoned to rescue “Reggie” Vanderpool from the stern arm of the law that he discovered the identity of Punchinello. Manifestly he had not been in a condition to recognize his assailant, and a subsequent disagreement had driven the first out of his head. The poor boy was sadly bruised about the face and his arrest had probably saved him from worse punishment.

      “I told you I couldn’t wear a mask,” he explained ruefully as Monty led him home. “But how could I know that he could hear me all the time?”

      The day after the carnival Brewster drove his guests over to Monte Carlo. He meant to stay only long enough to try his luck at the tables and lose enough to make up for the days at sea when his purse was necessarily idle. Swearengen Jones was forgotten, and soon after his arrival he began to plunge. At first he lost heavily, and it was with difficulty that he concealed his joy. Peggy Gray was watching him, and in whispers implored him to stop, but Mrs. Dan excitedly urged him to continue until the luck changed. To the girl’s chagrin it was the more reckless advice that he followed. In so desperate a situation he felt that he could not stop. But his luck turned too soon.

      “I can’t afford to give up,” he said, miserably, to himself, after a time. “I’m already a winner by five thousand dollars, and I must at least get rid of that.”

      Brewster became the center of interest to those who were not playing and people marveled at his luck. They quite misunderstood his eagerness and the flushed, anxious look with which he followed each spin of the wheel. He had chosen a seat beside an English duchess whose practice it was to appropriate the winnings of the more inexperienced players, and he was aware that many of his gold pieces were being deliberately stolen. Here he thought was at least a helping hand, and he was on the point of moving his stack toward her side when DeMille interfered. He had watched the duchess, and had called the croupier’s attention to her neat little method. But that austere individual silenced him by saying in surprise, “Mais c’est madame la duchesse, que voulez-vous?”

      Not to be downed so easily, DeMille watched the play from behind Monty’s chair and cautioned his friend at the first opportunity.

      “Better cash in and change your seat, Monty. They’re robbing you,” he whispered.

      “Cash in when I’m away ahead of the game? Never!” and Monty did his best to assume a joyful tone.

      At first he played with no effort at system, piling his money flat on the numbers which seemed to have least chance of winning. But he simply could not lose. Then he tried to reverse different systems he had heard of, but they turned out to be winners. Finally in desperation he began doubling on one color in the hope that he would surely lose in the end, but his particular fate was against him. With his entire stake on the red the ball continued to fall into the red holes until the croupier announced that the bank was broken.

      Dan DeMille gathered in the money and counted forty thousand dollars before he handed it to Monty. His friends were overjoyed when he left the table, and wondered why he looked so downhearted. Inwardly he berated himself for not taking Peggy’s advice.

      “I’m so glad for your sake that you did not stop when I asked you, Monty, but your luck does not change my belief that gambling is next to stealing,” Peggy was constrained to say as they went to supper.

      “I wish I had taken your advice,” he said gloomily.

      “And missed the fortune you have won? How foolish of you, Monty! You were a loser by several thousand dollars then,” she objected with whimsical inconsistency.

      “But, Peggy,” he said quietly, looking deep into her eyes, “it would have won me your respect.”

      CHAPTER XXI

      FAIRYLAND

      Monty’s situation was desperate. Only a little more than six thousand dollars had been spent on the carnival and no opportunity of annihilating the roulette winnings seemed to offer itself. His experience at Monte Carlo did not encourage him to try again, and Peggy’s attitude toward the place was distinctly antagonistic. The Riviera presenting no new opportunities for extravagance, it became necessary to seek other worlds.

      “I never before understood the real meaning of the phrase ‘tight money,’” thought Monty. “Lord, if it would only loosen a bit and stay loosened.” Something must be done, he realized, to earn his living. Perhaps the role of the princely profligate would be easier in Italy than anywhere else. He studied the outlook from every point of view, but there were moments when it seemed hopeless. Baedeker was provokingly barren of suggestions for extravagance and Monty grew impatient of the book’s small economies. Noticing some chapters on the Italian lakes, in an inspired moment he remembered that Pettingill had once lost his heart to a villa on the Lake of Como. Instantly a new act of comedy presented itself to him. He sought out Pettingill and demanded a description of his castle in the air.

      “Oh, it’s a wonder,” exclaimed the artist, and his eyes grew dreamy. “It shines out at you with its white terraces and turrets like those fascinating castles that Maxfield Parrish draws for children. It is fairyland. You expect to wake and find it gone.”

      “Oh, drop that, Petty,” said Brewster, “or it will make you poetical. What I want to know is who owns it and is it likely to be occupied at this season?”

      “It belongs to a certain marquise, who is a