The Essential Julian Hawthorne Collection. Julian Hawthorne

insolent. It was a curious spectacle to see the lad, scarcely out of the nursery, either ignoring his tall relative, as if the latter were a caitiff unworthy the notice of a gentleman, or else staring him haughtily in the face, and staring him down, too! for it was remarked that the Honorable Richard exhibited an admirable forbearance, not to say meekness, toward his rude little kinsman. And yet, before this time, he had occasionally given the boy harsh words and looks.... It must have been that his bereavement had softened his heart.

      However, time went on, and by degrees the poignancy of the widower's grief was blunted, and Aunt Jane's name was seldom mentioned by any one; after all she had not done herself, or anybody connected with her, much credit. And other changes occurred: the stout old Colonel found it incumbent upon him to join Sir Arthur Wellesley in the Peninsula; and Kate began to take the lead in household affairs (her mother was a good deal of an invalid), and stayed more at home than she used to do, and consequently did not see so much of Archibald; she gave him to understand that it was more genteel for him to come and call on her, as Mr. Pennroyal and other gentlemen did. The young lady was already coming into her heritage of beauty, and possessed more than her share of maidenly dignity, considering that she was barely thirteen. And when, at that mention of Pennroyal, Archibald said:

      "Indeed, Kate, you must not class me with him, or with any man. Remember that we were married two Christmases ago--" she answered:

      "You foolish boy! that was not a real marriage: a real marriage is done in a church, by a parson, and I wear a white veil."

      "But ours was an elopement," objected Archibald, disturbed.

      "An elopement without a carriage-and-four and a blacksmith? What an idea!"

      "Do you mean to say you are not my wife, Kate?" demanded the boy, turning pale.

      "Neither yours nor anybody's, Mr. Archibald."

      "Kate!" he broke out passionately, the blood leaping to his face, "take care you never let yourself be any body else's wife than mine! And I don't see what difference a blacksmith or a veil makes. And if you do, they shall die! I know how to use a sword, and a pistol too!"

      "O Archie, how wicked you are! and how cruel to me, when you know that I can never love any man but you, though cruel fate may separate us for a season!" The young lady was quoting from "Evelina," as Archibald well knew, but they had got so much in the habit of applying the phraseology of that work to the requirements of their own private romance, that it came without their thinking of it.

      "But say that you will be my own at last!" cries Archibald, carrying on the scene in all seriousness.

      "Nay, my lord, 'tis ungenerous thus to press me--Oh, no, you must not do so, Archie; the book says that Lord Orville only kisses her hand--"

      "I am not Lord Orville, and I will kiss you where I like; and I don't care for the book when I feel as I do now! I only care for you."

      "Bravo, young gentleman! that's the way to talk to 'em!" cried Dr. Rollinson, who had overheard the whole of this conversation, and who now appeared with his broad figure, his gouty legs, and his gruff chuckle. "Books are very well for make-believe, but when it comes to downright earnest, use a tongue of your own--eh?" and he clapped the boy kindly on the shoulder. "Yes, yes, she'll marry you fast enough when she sees you making eyes at some other pretty girl! Don't tell me! there's plenty of 'em, go where you will, and when you start on the grand tour, as you'll be doing one of these days, you'll see for yourself!" Such were the cynical blasphemies which this man was not ashamed to instil into the ear of his young friend; and then he led him away somewhere, still chuckling, and left Miss Battledown to digest her slight the best way she could. The Doctor fancied he knew a thing or two about the sex. If so, he was very knowing!

      IV.

      Malmaison House was partly destroyed by fire a number of years ago, [3] and two years later the portion still standing was taken down to make way for the proposed branch of the London and South-Coast Railway. The branch is still unbuilt, but only some heaps of grass-grown rubbish remain to mark the site of the venerable edifice. But at the period of which I am now writing it was an imposing pile of gray-stone, standing on a slight elevation, with a sloping lawn in front, and many large trees surrounding it. The centre and the right wing were of Elizabethan date; the left wing was constructed by Sir Christopher Wren, or by some architect of his school, and, though outwardly corresponding with the rest of the building, was interiorly both more commodious and less massive. The walls of the old part were in some places over four feet in thickness, and even the partitions between the rooms were two feet of solid masonry. Many of the rooms were hung with tapestry; and in taking down the house several traces were discovered of secret passages hollowed out within the walls themselves, and communicating by means of sliding panels from room to room. The plan of the building comprised two floors and an attic; but the attic was not coextensive with the lower areas; and there was often a difference of level between the apartments on the latter floors of from one to four steps. An irregular corridor on the first floor, badly lighted, and in some places perfectly dark, extended from the centre into the right wing, affording entrance to the rooms front and back.

      At the end of the right wing was situated the east chamber, of which mention has already been made. Originally, the only access to it was by way of a larger chamber adjoining, which, again, could only be entered through the dark corridor. This was the condition of things at the time of the famous magic disappearance of Sir Charles Malmaison, in 1745. But, at the beginning of the present century, a door was cut through the outside wall, whence a covered flight of stone steps led down into an enclosed courtyard. The room was thus rendered independent, so to speak, of the rest of the house. The occupant might lock the door communicating with the adjoining chamber, and go and come by the other as he pleased. As for the courtyard, part of it had formerly been used as a stable, with stalls for three horses; these were now transferred to the other end of the mansion, though the stable, of course, remained; and it was necessary to go through the stable in order to get to the covered flight of steps.

      It may be remembered that Archibald, in what we may term his soporific period, had manifested a strong, although entirely irrational, repugnance to this east chamber. Perhaps he had been conscious of presences there which were imperceptible to normal and healthy senses! Be that as it may, he got bravely over his folly afterward, and in his twelfth year (his third, Sir Clarence would have called it) he permanently took up his quarters there, and would admit no "women" except as a special favor. In those days, when people were still, more or less, prone to superstition, it was not every boy who would have enjoyed the sensation of spending his nights in so isolated a situation; for the right wing was almost entirely unoccupied on this floor. But Archibald appears to have been singularly free from fear, whether of the natural or of the supernatural. He collected together all his boyish _penates_--his gun, his sword, his fishing-rods, and his riding-whips, and arranged them about the walls. He swept down the cobwebs from windows and ceiling; turned out of doors a lot of miscellaneous lumber that had insensibly collected there during the last half century; lugged in a few comfortable broad-bottomed chairs and stanch old tables; set up a bookshelf containing Walton's "Complete Angler," "Dialogues of Devils," "Arabian Nights," Miss Burney's "Evelina," and other equally fashionable and ingenious works; kindled a great fire on the broad hearth; and, upon the whole, rendered the aspect of things more comfortable than would have been anticipated. The room itself was long, narrow, and comparatively low; the latticed windows were sunk several feet into the massive walls; lengths of brownish-green and yellow tapestry, none the fresher for its two centuries and more of existence, still protested against the modern heresy of wallpaper; and in a panel-frame over the fireplace was seen the portrait, by Sir Godfrey Kneller, of the Jacobite baronet. It was a half-length, in officer's uniform; one hand holding the hilt of a sword against the breast, while the forefinger of the other hand pointed diagonally downward, as much as to say, "I vanished in that direction!" The fireplace, it should be noted, was built on the side of the room opposite to the windows; that is to say, in one of the partition walls. And what was on the other side of this partition? Not the large chamber opening into the corridor--that lay at right angles to the east chamber, along the southern front of the wing. Not the corridor either, though