Pug. Juliette Cunliffe

he made a great noise, scratching and crying, and leapt upon the face of the Prince to awaken him. From then on, the Prince always kept such a dog, and, subsequently, Pugs were the favorite breed at the Dutch Court.

       A very successful Pug from the 1930s’ dog show world of Britain was Miss F. M. Daniel’s Eng. Ch. Bouji, bred from Eng. Ch. Poufpouf.

THE PUG GOES TO ENGLAND

      The grandson of William the Silent was William of Orange who went to England with his wife, Mary, in 1688 to take the throne. With the couple came many Pugs, each wearing an orange ribbon around its neck to denote its connection to the Royal House of Orange. The breed quickly found favor in England, where it soon became known as the Dutch Pug, although later Pug or Pug-dog was the name used.

      In 18th-century Britain, the Pug became highly fashionable, not only at court but also among people of “quality.” Indeed when ladies ventured outdoors, it was quite “the done thing” for them to be accompanied by a turbaned servant and a Pug. Charlotte, wife of George III (1760–1820), was also inordinately fond of the breed and had many, one of which is depicted in a painting hanging in Hampton Court. However, by the end of the reign of George IV in 1830, the Pug was no longer fashionable and by the middle of the 19th century had fallen into decline.

       The long-haired wonder we know as the Pekingese is regarded as similar to the short-haired Happa dog, known in China. In appearance, the Happa differs from the Pekingese in coat, ears and muzzle.

       In the 1920s the famed dog caricaturist, Scott Langley, depicted these dogs in a sketch he called “Pug Dogs.”

      The decline of the Pug was by no means averted by the author Taplin, who wrote of the Pug, “…applicable to no sport, appropriated to no useful purpose, susceptible of no predominant passion…” Such comments could surely not have served to enhance the popularity of the breed that all too quickly became known, rather contemptuously, as an “old lady’s pet.”

       Eng. Ch. Princess Pretty, owned by Lord Wrottesley, was bred in 1920 by Miss Spurling.

       Eng. Ch. Penella of Inver was bred in 1927 by Miss M. D. Hatrick.

      But the Pug did not remain out of favor for long, thanks in part to Queen Victoria, who was such an ardent dog lover and who owned Pugs among several other breeds. It is likely that her earliest Pugs were given to her by royal relations on the Continent. Her dogs appear to have been kept as nursery dogs, most appropriate for this breed that gets along so well with children.

      The Prince of Wales gave a Pug named Bully to his wife, Queen Alexandra, before leaving for an Indian tour. Of course, Queen Alexandra, too, was famous for her devotion to dogs and took an active interest in dog shows, an increasingly popular activity, particularly among Pug owners.

       TOP HAT

      China’s Emperor Ling Ti (168–190 AD) was so fond of his little dog that it was honored with the official hat and belt of the Chin Hsien grade. This poor little dog must have looked most extraordinary wearing this enormous hat. It measured over 8 inches high at front, nearly 4 inches high behind and 10 inches wide!

       NURSING PUGS

      According to Hester Lynch Piozzi, friend of Dr. Johnson, Pug puppies were often weaned on the breasts of their owners’ servants. The writer seems not to have liked this idea at all!

      There were two main strains in Britain in the early decades of the 19th century. A publican by the name of Mr. Morrison bred pale fawn Pugs in Waltham Green, and Lord and Lady Willoughby d’Eresby used imported blood to improve type. There is some conjecture as to whether the d’Eresbys actually obtained two Pugs from a Russian tightrope walker, or whether they got a dog from a Hungarian countess who lived in Vienna. Nevertheless, the Willoughby Pugs, and indeed the Morrison Pugs, played a very important part in the breed’s early development in Britain. It has been suggested that dogs of the Willoughby kennel came directly from the Royal kennels of Queen Charlotte. In time the two strains came together and so, to a certain extent, lost their individuality, though even today the distinctive bloodlines show through occasionally.

      From Vero Shaw’s Book of the Dog, published in 1881, we find this excellent painting by C. Burton Parker, depicting a Yorkshire Terrier, an Italian Greyhound and a Pug.

      Although their story does not necessarily have foundation, the apricot-fawn-colored Pugs, Lamb and Moss, also feature prominently in breed history. Their parents apparently were captured during the siege of the Summer Palace in China in the 1860s and supposedly were brought to England by the Marquis of Wellesley, where they were given to a lady named Mrs. St. John. This may not be exactly true, as various facts do not quite agree with history, but these two dogs were certainly the parents of Click, one of the most important Pugs in the breed’s history. He was an invaluable stud, producing some very good bitches, and he also had a great bearing on the breed in the USA.

       This charming photograph from the 1930s shows a Pug lover with an armful of brindle and black Pug puppies.

       A modern British Pug poses with a toy wooden Pug from the Victorian era, a time when the Pug was immensely popular.

BLACK PUGS

      In 1877 black was considered a “new” color in the breed. Again there has always been debate as to the actual origin of Lady Brassey’s black Pugs, but she certainly exhibited some black ones at Britain’s Maidstone Show in 1886. One of these was Jack Spratt, who possibly may have been acquired by Lady Brassey on her short trip to China.

      However, although black was then claimed as a new color, we know from the paintings of William Hogarth that blacks existed before then. Hogarth’s House of Cards, painted in 1730, depicts a black Pug. A hundred years later, Queen Victoria owned a black Pug that was marked with white. The latter, though, may have been brought into England, perhaps as a gift to the Queen from China.

       A contemporary Pug painting on an old theme by the talented artist Diedre Ashdown. (Courtesy of the artist.)

       Black Pugs today are considered acceptable and desirable. In times gone by, the black coat color was frowned upon.

      It has been said that black Pugs had been bred for many years earlier in England, but because they had been bred from apricot-fawns they were considered mutations and thus destroyed