David Copperfield - The Original Classic Edition. Dickens Charles

that confused my weary head beyond description, and over a bridge which, no doubt, was London Bridge (in-deed I think he told me so, but I was half asleep), until we came to the poor person's house, which was a part of some alms-houses, as I knew by their look, and by an inscription on a stone over the gate which said they were established for twenty-five poor women.

       The Master at Salem House lifted the latch of one of a number of little black doors that were all alike, and had each a little diamond-paned window on one side, and another little diamond--paned window above; and we went into the little house of one of these

       poor old women, who was blowing a fire to make a little saucepan boil. On seeing the master enter, the old woman stopped with the bellows on her knee, and said something that I thought sounded like 'My Charley!' but on seeing me come in too, she got up, and rubbing her hands made a confused sort of half curtsey.

       'Can you cook this young gentleman's breakfast for him, if you please?' said the Master at Salem House.

       'Can I?' said the old woman. 'Yes can I, sure!'

       'How's Mrs. Fibbitson today?' said the Master, looking at another old woman in a large chair by the fire, who was such a bundle of clothes that I feel grateful to this hour for not having sat upon her by mistake.

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       'Ah, she's poorly,' said the first old woman. 'It's one of her bad days. If the fire was to go out, through any accident, I verily believe she'd go out too, and never come to life again.'

       As they looked at her, I looked at her also. Although it was a warm day, she seemed to think of nothing but the fire. I fancied she was jealous even of the saucepan on it; and I have reason to know that she took its impressment into the service of boiling my egg and broiling my bacon, in dudgeon; for I saw her, with my own discomfited eyes, shake her fist at me once, when those culinary operations were going on, and no one else was looking. The sun streamed in at the little window, but she sat with her own back and the back of the large chair towards it, screening the fire as if she were sedulously keeping IT warm, instead of it keeping her warm, and watching it in a most distrustful manner. The completion of the preparations for my breakfast, by relieving the fire, gave her such extreme joy that she laughed aloud--and a very unmelodious laugh she had, I must say.

       I sat down to my brown loaf, my egg, and my rasher of bacon, with a basin of milk besides, and made a most delicious meal. While I

       was yet in the full enjoyment of it, the old woman of the house said to the Master:

       'Have you got your flute with you?'

       'Yes,' he returned.

       'Have a blow at it,' said the old woman, coaxingly. 'Do!'

       The Master, upon this, put his hand underneath the skirts of his coat, and brought out his flute in three pieces, which he screwed together, and began immediately to play. My impression is, after many years of consideration, that there never can have been anybody in the world who played worse. He made the most dismal sounds I have ever heard produced by any means, natural or artificial. I don't know what the tunes were--if there were such things in the performance at all, which I doubt--but the influence of the strain upon me was, first, to make me think of all my sorrows until I could hardly keep my tears back; then to take away my appetite; and lastly, to make me so sleepy that I couldn't keep my eyes open. They begin to close again, and I begin to nod, as the recollection rises fresh upon me. Once more the little room, with its open corner cupboard, and its square-backed chairs, and its angular little staircase

       leading to the room above, and its three peacock's feathers displayed over the mantelpiece--I remember wondering when I first went in, what that peacock would have thought if he had known what his finery was doomed to come to--fades from before me, and I nod, and sleep. The flute becomes inaudible, the wheels of the coach are heard instead, and I am on my journey. The coach jolts, I wake with a start, and the flute has come back again, and the Master at Salem House is sitting with his legs crossed, playing it dolefully, while the old woman of the house looks on delighted. She fades in her turn, and he fades, and all fades, and there is no flute, no Master, no Salem House, no David Copperfield, no anything but heavy sleep.

       I dreamed, I thought, that once while he was blowing into this dismal flute, the old woman of the house, who had gone nearer and nearer to him in her ecstatic admiration, leaned over the back of his chair and gave him an affectionate squeeze round the neck, which stopped his playing for a moment. I was in the middle state between sleeping and waking, either then or immediately afterwards; for, as he resumed--it was a real fact that he had stopped playing--I saw and heard the same old woman ask Mrs. Fibbitson if it wasn't delicious (meaning the flute), to which Mrs. Fibbitson replied, 'Ay, ay! yes!' and nodded at the fire: to which, I am persuaded, she gave the credit of the whole performance.

       When I seemed to have been dozing a long while, the Master at Salem House unscrewed his flute into the three pieces, put them up as before, and took me away. We found the coach very near at hand, and got upon the roof; but I was so dead sleepy, that when we stopped on the road to take up somebody else, they put me inside where there were no passengers, and where I slept profoundly, until I found the coach going at a footpace up a steep hill among green leaves. Presently, it stopped, and had come to its destination.

       A short walk brought us--I mean the Master and me--to Salem House, which was enclosed with a high brick wall, and looked very dull. Over a door in this wall was a board with SALEM HOUSE upon it; and through a grating in this door we were surveyed when we rang the bell by a surly face, which I found, on the door being opened, belonged to a stout man with a bull-neck, a wooden leg, overhanging temples, and his hair cut close all round his head.

       'The new boy,' said the Master.

       The man with the wooden leg eyed me all over--it didn't take long, for there was not much of me--and locked the gate behind us, and took out the key. We were going up to the house, among some dark heavy trees, when he called after my conductor. 'Hallo!'

       We looked back, and he was standing at the door of a little lodge, where he lived, with a pair of boots in his hand.

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       'Here! The cobbler's been,' he said, 'since you've been out, Mr. Mell, and he says he can't mend 'em any more. He says there ain't a bit of the original boot left, and he wonders you expect it.'

       With these words he threw the boots towards Mr. Mell, who went back a few paces to pick them up, and looked at them (very disconsolately, I was afraid), as we went on together. I observed then, for the first time, that the boots he had on were a good deal the worse for wear, and that his stocking was just breaking out in one place, like a bud.

       Salem House was a square brick building with wings; of a bare and unfurnished appearance. All about it was so very quiet, that I

       said to Mr. Mell I supposed the boys were out; but he seemed surprised at my not knowing that it was holiday-time. That all the boys were at their several homes. That Mr. Creakle, the proprietor, was down by the sea-side with Mrs. and Miss Creakle; and that I was sent in holiday-time as a punishment for my misdoing, all of which he explained to me as we went along.

       I gazed upon the schoolroom into which he took me, as the most forlorn and desolate place I had ever seen. I see it now. A long room with three long rows of desks, and six of forms, and bristling all round with pegs for hats and slates. Scraps of old copy-books and exercises litter the dirty floor. Some silkworms' houses, made of the same materials, are scattered over the desks. Two miser-

       able little white mice, left behind by their owner, are running up and down in a fusty castle made of pasteboard and wire, looking in all the corners with their red eyes for anything to eat. A bird, in a cage very little bigger than himself, makes a mournful rattle now and then in hopping on his perch, two inches high, or dropping from it; but neither sings nor chirps. There is a strange unwholesome smell upon the room, like mildewed corduroys, sweet apples wanting air, and rotten books. There could not well be more ink splashed about it, if it had been roofless from its first construction, and the skies had rained, snowed, hailed, and blown ink through the varying seasons of the year.

       Mr. Mell having left me while he took his irreparable boots upstairs, I went softly to the upper end of the room, observing all this

       as I