30 Occult and Supernatural Masterpieces in One Book. Эдит Несбит

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Название 30 Occult and Supernatural Masterpieces in One Book
Автор произведения Эдит Несбит
Жанр Языкознание
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Издательство Языкознание
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isbn 9782380372335



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the assemblage of the planets, the congregation of the stars, and the yet unshackled ministration of the winds:—such is the list of our ignorance.

      Nor is the empire of the imagination less bounded in its own proper creations, than in those which were bestowed on it by the poor blind eyes of our ancestors. What has become of enchantresses with their palaces of crystal and dungeons of palpable darkness? What of fairies and their wands? What of witches and their familiars? and, last, what of ghosts, with beckoning hands and fleeting shapes, which quelled the soldier's brave heart, and made the murderer disclose to the astonished noon the veiled work of midnight? These which were realities to our fore-fathers, in our wiser age—

      —Characterless are grated

      To dusty nothing.

      Yet is it true that we do not believe in ghosts? There used to be several traditionary tales repeated, with their authorities, enough to stagger us when we consigned them to that place where that is which "is as though it had never been." But these are gone out of fashion. Brutus's dream has become a deception of his over-heated brain, Lord Lyttleton's vision is called a cheat; and one by one these inhabitants of deserted houses, moonlight glades, misty mountain tops, and midnight church-yards, have been ejected from their immemorial seats, and small thrill is felt when the dead majesty of Denmark blanches the cheek and unsettles the reason of his philosophic son.

      But do none of us believe in ghosts? If this question be read at noon-day, when—

      Every little corner, nook, and hole,

      Is penetrated with the insolent light—

      at such a time derision is seated on the features of my reader. But let it be twelve at night in a lone house; take up, I beseech you, the story of the Bleeding Nun; or of the Statue, to which the bridegroom gave the wedding ring, and she came in the dead of night to claim him, tall, and cold; or of the Grandsire, who with shadowy form and breathless lips stood over the couch and kissed the foreheads of his sleeping grandchildren, and thus doomed them to their fated death; and let all these details be assisted by solitude, flapping curtains, rushing wind, a long and dusky passage, an half open door—O, then truly, another answer may be given, and many will request leave to sleep upon it, before they decide whether there be such a thing as a ghost in the world, or out of the world, if that phraseology be more spiritual. What is the meaning of this feeling?

      For my own part, I never saw a ghost except once in a dream. I feared it in my sleep; I awoke trembling, and lights and the speech of others could hardly dissipate my fear. Some years ago I lost a friend, and a few months afterwards visited the house where I had last seen him. It was deserted, and though in the midst of a city, its vast halls and spacious apartments occasioned the same sense of loneliness as if it had been situated on an uninhabited heath. I walked through the vacant chambers by twilight, and none save I awakened the echoes of their pavement. The far mountains (visible from the upper windows) had lost their tinge of sunset; the tranquil atmosphere grew leaden coloured as the golden stars appeared in the firmament; no wind ruffled the shrunk-up river which crawled lazily through the deepest channel of its wide and empty bed; the chimes of the Ave Maria had ceased, and the bell hung moveless in the open belfry: beauty invested a reposing world, and awe was inspired by beauty only. I walked through the rooms filled with sensations of the most poignant grief. He had been there; his living frame had been caged by those walls, his breath had mingled with that atmosphere, his step had been on those stones, I thought:—the earth is a tomb, the gaudy sky a vault, we but walking corpses. The wind rising in the east rushed through the open casements, making them shake;—methought, I heard, I felt—I know not what—but I trembled. To have seen him but for a moment, I would have knelt until the stones had been worn by the impress, so I told myself, and so I knew a moment after, but then I trembled, awe-struck and fearful. Wherefore? There is something beyond us of which we are ignorant. The sun drawing up the vaporous air makes a void, and the wind rushes in to fill it,—thus beyond our soul's ken there is an empty space; and our hopes and fears, in gentle gales or terrific whirlwinds, occupy the vacuum; and if it does no more, it bestows on the feeling heart a belief that influences do exist to watch and guard us, though they be impalpable to the coarser faculties.

      I have heard that when Coleridge was asked if he believed in ghosts,—he replied that he had seen too many to put any trust in their reality; and the person of the most lively imagination that I ever knew echoed this reply. But these were not real ghosts (pardon, unbelievers, my mode of speech) that they saw; they were shadows, phantoms unreal; that while they appalled the senses, yet carried no other feeling to the mind of others than delusion, and were viewed as we might view an optical deception which we see to be true with our eyes, and know to be false with our understandings. I speak of other shapes. The returning bride, who claims the fidelity of her betrothed; the murdered man who shakes to remorse the murderer's heart; ghosts that lift the curtains at the foot of your bed as the clock chimes one; who rise all pale and ghastly from the churchyard and haunt their ancient abodes; who, spoken to, reply; and whose cold unearthly touch makes the hair stand stark upon the head; the true old-fashioned, foretelling, flitting, gliding ghost,—who has seen such a one?

      I have known two persons who at broad daylight have owned that they believed in ghosts, for that they had seen one. One of these was an Englishman, and the other an Italian. The former had lost a friend he dearly loved, who for awhile appeared to him nightly, gently stroking his cheek and spreading a serene calm over his mind. He did not fear the appearance, although he was somewhat awe-stricken as each night it glided into his chamber, and,

      Ponsi del letto insula sponda manca.

      [placed itself on the left side of the bed]

      This visitation continued for several weeks, when by some accident he altered his residence, and then he saw it no more. Such a tale may easily be explained away;—but several years had passed, and he, a man of strong and virile intellect, said that "he had seen a ghost."

      The Italian was a noble, a soldier, and by no means addicted to superstition: he had served in Napoleon's armies from early youth, and had been to Russia, had fought and bled, and been rewarded, and he unhesitatingly, and with deep relief, recounted his story.

      This Chevalier, a young, and (somewhat a miraculous incident) a gallant Italian, was engaged in a duel with a brother officer, and wounded him in the arm. The subject of the duel was frivolous; and distressed therefore at its consequences he attended on his youthful adversary during his consequent illness, so that when the latter recovered they became firm and dear friends. They were quartered together at Milan, where the youth fell desperately in love with the wife of a musician, who disdained his passion, so that it preyed on his spirits and his health; he absented himself from all amusements, avoided all his brother officers, and his only consolation was to pour his love-sick plaints into the ear of the Chevalier, who strove in vain to inspire him either with indifference towards the fair disdainer, or to inculcate lessons of fortitude and heroism. As a last resource he urged him to ask leave of absence; and to seek, either in change of scene, or the amusement of hunting, some diversion to his passion. One evening the youth came to the Chevalier, and said, "Well, I have asked leave of absence, and am to have it early tomorrow morning, so lend me your fowling-piece and cartridges, for I shall go to hunt for a fortnight." The Chevalier gave him what he asked; among the shot there were a few bullets. "I will take these also," said the youth, "to secure myself against the attack of any wolf, for I mean to bury myself in the woods."

      Although he had obtained that for which he came, the youth still lingered. He talked of the cruelty of his lady, lamented that she would not even permit him a hopeless attendance, but that she inexorably banished him from her sight, "so that," said he, "I have no hope but in oblivion." At length lie rose to depart. He took the Chevalier's hand and said, "You will see her to-morrow, you will speak to her, and hear her speak; tell her, I entreat you, that our conversation tonight has been concerning her, and that her name was the last that I spoke." "Yes, yes," cried the Chevalier, "I will say any thing you please; but you must not talk of her any more, you must forget her." The youth embraced his friend with warmth, but the latter saw nothing more in it than the effects of his affection, combined with his melancholy at absenting himself from his mistress, whose name, joined to a tender farewell, was the last sound that he uttered.

      When