It Is Never Too Late to Mend. Charles Reade Reade

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Название It Is Never Too Late to Mend
Автор произведения Charles Reade Reade
Жанр Языкознание
Серия
Издательство Языкознание
Год выпуска 0
isbn 4057664591944



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A man out of a thousand! No little weakness, like the rest of us, sir. You are a great man, sir. You are a model of a man of bus—”

      “Good-morning,” growled Meadows roughly, and turned his back.

      “Good-morning, sir,” said Peter mellifluously. And opening the back door about ten inches, he wriggled out like a weasel going through a chink in a wall.

      William Fielding fell like a child into the trap. “Give me time, and it will be all right,” is the debtor's delusion. William thanked Crawley for not pressing him, and so compelling him to force a sale of all his hogs, fat or lean. Crawley received his thanks with a leer, returned in four days, got the judgment signed, and wriggled away with it to Meadows' back door.

      “You take out an arrest”—Meadows gave him a pocketbook—“put it in this, and keep it ready in your pocket night and day.”

      “I dare say it will come into use before the year is out, sir.”

      “I hope not.”

      George Fielding gone to Australia to make a thousand pounds by farming and cattle-feeding, that so he may claim old Merton's promised consent to marry Susan. Susan observing Mr. Eden's precepts even more religiously than when he was with her; active, full of charitable deeds, often pensive, always anxious, but not despondent now, thanks to the good physician. Meadows falling deeper and deeper in love, but keeping it more jealously secret than ever; on his guard against Isaac, on his guard against William, on his guard against John Meadows; hoping everything from time and accidents, from the distance between the lovers, from George's incapacity, of which he had a great opinion—“He will never make a thousand pence”—but not trusting to the things he hoped. On the contrary, watching with keen eye, and working with subtle threads to draw everybody into his power who could assist or thwart him in the object his deep heart and iron will were set on. William Fielding going down the hill Meadows was mounting; getting the better of his passion, and substituting, by degrees, a brother-in-law's regard.

      Flowers and weeds have one thing in common—while they live they grow. Natural growth is a slow process, to describe it day by day a slower. For the next four months matters glided so quietly on the slopes I have just indicated that an intelligent calculation by the reader may very well take the place of a tedious chronicle by the writer. Moreover, the same monotony did not hang over every part of our story. These very four months were eventful enough to one of our characters; and through him, by subtle and positive links, to every man and every woman who fills any considerable position in this matter-of-fact romance. Therefore our story drags us from the meadows round Grassmere to a massive, castellated building, glaring red brick with white stone corners. These colors and their contrast relieve the stately mass of some of that grimness which characterizes the castles of antiquity; but enough remains to strike some awe into the beholder.

      Two round towers flank the principal entrance. On one side of the right-hand tower is a small house constructed in the same style as the grand pile. The castle is massive and grand. This, its satellite, is massive and tiny, like the frog doing his little bit of bull—like Signor Hervio Nano, a tremendous thick dwarf now no more. There is one dimple to all this gloomy grandeur—a rich little flower-garden, whose frame of emerald turf goes smiling up to the very ankle of the frowning fortress, as some few happy lakes in the world wash the very foot of the mountains that hem them. From this green spot a few flowers look up with bright and wondering wide-opened eyes at the great bullying masonry over their heads; and to the spectator of both, these sparks of color at the castle-foot are dazzling and charming; they are like rubies, sapphires and pink topaz in some uncouth angular ancient setting.

      Between the central towers is a sharp arch, filled by a huge oak door of the same shape and size, which, for further security or ornament, is closely studded with large diamond-headed nails. A man with keys at his girdle like the ancient housewives opens the huge door to you with slight effort, so well oiled is it. You slip under a porch into an inclosed yard, the great door shuts almost of itself, and now it depends upon the housewifely man whether you ever see the vain, idle and every-way objectionable world again.

      Passing into the interior of the vast building, you find yourself in an extensive aisle traversed at right angles by another of similar dimensions, the whole in form of a cross. In the center of each aisle is an iron staircase, so narrow that two people cannot pass, and so light and open that it merely ornaments, not obstructs, the view of the aisle. These staircases make two springs; the first takes them to the level of two corridors on the first floor. Here there is a horizontal space of about a yard, whence the continuation staircase rises to the second and highest floor. This gives three corridors, all studded with doors opening on small separate apartments, whereof anon.

      Nearly all the inmates of this grim palace wear a peculiar costume and disguise, one feature of which is a cap of coarse materials, with a vizor to it, which conceals the features all but the chin and the eyes, which last peep, in a very droll way, through two holes cut for that purpose.

      They are distinguished by a courteous manner to strangers, whom they never fail to salute in passing, with great apparent cordiality; indeed, we fear we shall never meet in the busy world with such uniform urbanity as in this and similar retreats. It arises from two causes. One is that here strangers are welcome from their rarity; another, that politeness is a part of the education of the place, which, besides its other uses, is an adult school of manners, morals, religion, grammar, writing and cobbling.

      With the exception of its halls and corridors, the building is almost entirely divided into an immense number of the small apartments noticed above. These are homely inside, but exquisitely clean. The furniture, movable and fixed, none of which is superfluous, can be briefly described. A bedstead, consisting of the side walls of the apartment; polished steel staples are fixed in these walls, two on each side the apartment at an elevation of about two feet and a half. The occupant's mattress (made of cocoa bark) has two stout steel hooks at each end; these are hooked into the staples, and so he lies across his abode. A deal table the size of a pocket-handkerchief; also a deal tripod. A waterspout so ingeniously contrived that, turned to the right it sends a small stream into a copper basin, and to the left into a bottomless close stool at some distance. A small gas-pipe tipped with polished brass. In one angle of the wall a sort of commode, or open cupboard; on whose shelves a bright pewter plate, a knife and fork and a wooden spoon. In a drawer of this commode yellow soap and a comb and brush. A grating down low for hot air to come in, if it likes, and another up high for foul air to go out, if it chooses. On the wall a large placard containing rules for the tenant's direction, and smaller placards containing texts from Scripture, the propriety of returning thanks after food, etc.; a slate and a couple of leathern kneeguards used in polishing the room. And that is all. But the deal furniture is so clean you might eat off it. The walls are snow, the copper basin and the brass gaspipe glitter like red gold and pale gold, and the bed-hooks like silver hot from the furnace. Altogether it is inviting at first sight.

      To one of these snowy snug retreats was now ushered an acquaintance of ours, Tom Robinson. A brief retrospect must dispose of his intermediate history.

      When he left us he went to the county bridewell, where he remained until the assizes, an interval of about a month. He was tried; direct evidence was strong against him, and he defended himself with so much ingenuity and sleight of intellect that the jury could not doubt his sleight of hand and morals, too. He was found guilty, identified as a notorious thief, and condemned to twelve months' imprisonment and ten years' transportation. He returned to the county bridewell for a few days, and then was shifted to the castellated building.

      Tom Robinson had not been in jail this four years, and, since his last visit great changes had begun to take place in the internal economy of these skeleton palaces and in the treatment of their prisoners.

      Prisons might be said to be in a transition state. In some, as in the county bridewell Robinson had just left, the old system prevailed in full force. The two systems vary in their aims. Under the old, the jail was a finishing school of felony and petty larceny. Under the new, it is intended to be a penal hospital for diseased and contagious souls.

      The treatment of prisoners is not at present invariable. Within certain limits the law unwisely