The Complete Jimmie Dale Mysteries (All 4 Novels in One Edition). Frank L. Packard

that they had found there, played over it as though indeed by the sense of touch alone they could read the contents—and he drew his body gradually erect.

      It was another of those mysterious missives from—HER. The texture of the paper was invariably the same—like this one. How had it come there? Collusion with the coat boy at the club? That was hardly probable. Perhaps it had been there before he had entered the club for dinner—he remembered, now, that there had been several people passing, and that he had been jostled slightly in crossing the sidewalk. What, however, did it matter? It was there mysteriously, as scores of others had come to him mysteriously, with never a clew to her identity, to the identity of his—he smiled a little grimly—accomplice in crime.

      He took the envelope from his pocket and stared at it. His fingers had not been at fault—it was one of hers. The faint, elusive, exquisite fragrance of some rare perfume came to him as he held it.

      "I'd give," said Jimmie Dale wistfully to himself—"I'd give everything I own to know who you are—and some day, please God, I will know."

      Jimmie Dale tore the envelope very gently, as though the tearing almost were an act of desecration—and extracted the letter from within. He began to read aloud hurriedly and in snatches:

      "DEAR PHILANTHROPIC CROOK: Charleton Park Manor—Markel's house is the second one from the gates on the right-hand side—library leads off reception hall on left, door opposite staircase—telephone in reception hall near vestibule entrance, left-hand side—safe is one of your father's make, No. 14,321—clothes closet behind the desk—probably will be kept in cash box—five servants; two men, three maids—quarters on top story—Markel and wife occupy room over library—French windows to dining room on opposite side of the house—opening on the lawn—get it TO-NIGHT, Jimmie—TO-MORROW WOULD BE TOO LATE—dispose of it—see fit—Henry Wilbur, Marshall Building, Broadway—fifth story—"

      Through the glass-panelled front of the car, Jimmie Dale could see his chauffeur's back, and the hand that held the letter dropped now to his side, and Jimmie Dale stared—at his chauffeur's back. Then, presently, he read the letter again, as though committing it to memory now; and then, tearing the paper into tiny shreds, as he did with every one of her communications, he reached out of the window and allowed the little pieces to filter gradually from his hand.

      The Gray Seal! He smiled in his whimsical way. If it were ever known! He, Jimmie Dale, with his social standing, his wealth, his position—the Gray Seal! Not a police official, not a secret-service bureau probably in the civilised world, but knew the name—not a man, woman, or child certainly in this great city around him but to whom it was as familiar as their own! Danger? Yes. A battle of wits? Yes. His against everybody's—even against Carruthers', his old college chum! For, even as a reporter, before he had risen to the editorial desk, and even now that he had, Carruthers had been one of the keenest on the scent of the Gray Seal.

      Danger? Yes. But it was worth it! Worth it a thousand times for the very lure of the danger itself; but worth it most of all for his association with her who, by some amazing means, verging indeed on the miraculous, came into touch with all these things, and supplied him with the data on which to work—that always some wrong might be righted, or gladness come where there had been gloom before, or hope where there had been despair—that into some fellow human's heart should come a gleam of sunshine. Yes, in spite of the howls of the police, the virulent diatribes of the press, an angry public screaming for his arrest, conviction, and punishment, there were those perhaps who even on their bended knees at night asked God's blessing on—the Gray Seal!

      Was it strange, then, after all, that the police, seeking a clew through motive, should have been driven to frenzy on every occasion in finding themselves forever confronted with what, from every angle they were able to view it, was quite a purposeless crime! On one point only they were right, the old dogma, the old, old cry, old as the institution of police, older than that, old since time immemorial—CHERCHEZ LA FEMME! Quite right—but also quite purposeless! Jimmie Dale's eyes grew wistful. He had been "hunting for the woman in the case" himself, now, for months and years indefatigably, using every resource at his command—quite purposelessly.

      Jimmie Dale shrugged his shoulders. Why go over all this to-night—there were other things to do. She had come to him again—and this time with a matter that entailed more than ordinary difficulty, more than usual danger, that would tax his wits and his skill to the utmost, not only to succeed, but to get out of it himself with a whole skin. Markel—eh? Jimmie Dale leaned back in his seat, clasped his hands behind his head—and his eyes, half closed now, were studying Benson's back again through the plate-glass front.

      He was still sitting in that position as the car approached his residence on Riverside Drive—but, as it came to a stop, and Benson opened the door, it was a very alert Jimmie Dale that stepped to the sidewalk.

      "Benson," he said crisply, "I am going downtown again later on, but I shall drive myself. Bring the touring car around and leave it in front of the house. I'll run it into the garage when I get back—you need not wait up."

      "Very good, sir," said Benson.

      In the hallway, Jason, the butler, who had been butler to Jimmie Dale's father before him, took Jimmie Dale's hat and coat.

      "It's a fine evening, Master Jim," said the privileged old man affectionately.

      Jimmie Dale took out his silver cigarette case, selected a cigarette, tapped it daintily on the cover of the case—and accepted the match the old man hastily produced.

      "Yes, Jason." said Jimmie Dale, pleasantly facetious, "it a fine night, a glorious night, moon and stars and a balmy breeze—quite too fine, indeed, to remain indoors. In fact, you might lay out my gray ulster; I think I will go for a spin presently, when I have changed."

      "Yes, sir," said Jason. "Anything else, Master Jim?"

      "No; that's all, Jason. Don't sit up for me—you may go to bed now."

      "Thank you, sir," said the old man.

      Jimmie Dale went upstairs, opened the door of his own particular den on the right of the landing, stepped inside, closed the door, switched on the light—and Jimmie Dale's debonair nonchalance dropped from him as a mask instantly—and it was another Jimmie Dale—the professional Jimmie Dale.

      Quick now in every action, he swung aside the portiere that curtained off the squat, barrel-shaped safe in the little alcove, opened the safe, took out that curious leather girdle with its kit of burglar's tools, added to it a flashlight and an automatic revolver, closed the safe—and passed into his dressing room. Here, he proceeded to divest himself rapidly of his evening clothes, selecting in their stead a suit of dark tweed. He heard Jason come up the stairs, pass along the hall, and mount the second flight to his own quarters; and presently came the sound of an automobile without. The dressing room fronted on the Drive—Jimmie Dale looked out. Benson was just getting out of the touring car. Slipping the leather girdle, then, around his waist, Jimmie Dale put on his vest, then his coat—and walked briskly downstairs.

      Jason had laid out a gray ulster on the hall stand. Jimmie Dale put it on, selected a leather cap with motor-goggle attachment that pulled down almost to the tip of his nose, tucked a slouch hat into the pocket of the ulster, and, leaving the house, climbed into his car.

      He glanced at his watch as he started—it was a quarter of eleven. Jimmie Dale's lips pursed a little.

      "I guess it'll make a night of it, and a tight squeeze, at that, to get back under cover before daylight," he muttered. "I'll have to do some tall speeding."

      But at first, across the city and through Brooklyn, for all his impatience, it was necessarily slow—after that, Jimmie Dale took chances, and, once on the country roads of Long Island, the big, powerful car tore through the night like a greyhound whose leash is slipped.

      A half hour passed—Jimmie Dale's eyes shifting occasionally from the gray thread of road ahead of him under the glare of the dancing lamps, to the road map spread out at his feet, upon which, from time to time, he focused his pocket flashlight. And then, finally, he slowed the car to a snail's pace—he should be very