The Complete Jimmie Dale Mysteries (All 4 Novels in One Edition). Frank L. Packard

. . . How? . . . Why—er—tell him you're going to run a full page of him in the Sunday edition, and you want him to sit for a sketch. He'd go anywhere for that. . . . Yes. . . . Half an hour. . . . YES. . . . Good-bye."

      Jimmie Dale hung up the receiver; and, hastily now, began to write upon a pad that lay before him on the desk. The minutes passed. As he wrote, he scored out words and lines here and there, substituting others. At the end he had covered three large pages with, to any one but himself, an indecipherable scrawl. These he shoved aside now, and, very carefully, very legibly, made a copy on fresh sheets. As he finished, he heard a car draw up in front of the house. Jimmie Dale folded the copied sheets neatly, tucked them in his pocket, lighted a cigarette, and was lolling lazily in his chair as Jason announced: "Mr. Carruthers, sir, and another gentleman to see you."

      "Show them up, Jason," instructed Jimmie Dale.

      Jimmie Dale rose from his chair as they came in. Jason, well-trained servant, closed the door behind them.

      "Hello, Carruthers; hello, inspector," said Jimmie Dale pleasantly, and waved them to seats. "Take this chair, Carruthers." He motioned to one at his elbow. "Glad to see you, inspector—try that one in front of the desk, you'll find it comfortable."

      Carruthers, trying to catch Jimmie Dale's eye for some sort of a cue, and, failing, sat down. Inspector Clayton stared at Jimmie Dale.

      "Oh, it's YOU, eh?" His eyes roved around the room, fastened for an instant on some of Jimmie Dale's work on an easel, came back finally to Jimmie Dale—and he plumped himself down in the chair indicated. "Thought you was more'n a cub reporter," he remarked, with a grin. "You were too slick with your pencil. Pretty fine studio you got here. Carruthers says you're going to draw me."

      Jimmie Dale smiled—not pleasantly—and leaned suddenly over the desk.

      "Yes," he said slowly, a grim intonation in his voice, "going to draw you—TRUE TO LIFE."

      With an exclamation, Clayton slued around in his chair, half rose, and his shifty eyes, small and cunning, bored into Jimmie Dale's face.

      "What d'ye mean by that?" he snapped out

      "Just exactly what I say," replied Jimmie Dale curtly. "No more, no less. But first, not to be too abrupt, I want to join with the newspapers in congratulating you on the remarkable—shall I call it celerity, or acumen?—with which you solved the mystery of Metzer's death, and placed the murderer behind the bars. It is really remarkable, inspector, so remarkable, in fact, that it's almost—SUSPICIOUS. Don't you think so? No? Well, that's what Mr. Carruthers was good enough to bring you up here to talk over—in an intimate and confidential way, you know."

      Inspector Clayton surged up from his chair to his feet, his fists clenched, the red sweeping over his face—and then he shook one fist at Carruthers.

      "So that's your game, is it!" he stormed. "Trying to crawl out of that twenty-five thousand reward, eh? And as for you"—he turned on Jimmie Dale—"you've rigged up a nice little plant between you, eh? Well, it won't work—and I'll make you squirm for this, both of you, damn you, before I'm through!" He glared from one to the other for a moment—then swung on his heel. "Good-afternoon, gentlemen," he sneered, as he started for the door.

      He was halfway across the room before Jimmie Dale spoke.

      "Clayton!"

      Clayton turned. Jimmie Dale was still leaning over the desk, but now one elbow was propped upon it, and in the most casual way a revolver covered Inspector Clayton.

      "If you attempt to leave this room," said Jimmie Dale, without raising his voice, "I assure you that I shall fire with as little compunction as though I were aiming at a mad dog—and I apologise to all mad dogs for coupling your name with them." His voice rang suddenly cold. "Come back here, and sit down in that chair!"

      The colour ebbed slowly from Clayton's face. He hesitated—then sullenly retraced his steps; hesitated again as he reached the chair, and finally sat down.

      "What—what d'ye mean by this?" he stammered, trying to bluster.

      "Just this," said Jimmie Dale. "That I accuse you of the murder of Jake Metzer—IT WAS YOU WHO MURDERED METZER."

      "Good God!" burst suddenly from Carruthers.

      "You lie!" yelled Clayton—and again he surged up from his chair.

      "That is what Stace Morse said," said Jimmie Dale coolly. "Sit down!"

      Then Clayton tried to laugh. "You're—you're having a joke, ain't you? It was Stace—I can prove it. Come down to headquarters, and I can prove it. I got the goods on him all the way. I tell you"—his voice rose shrilly—"it was Stace Morse."

      "You are a despicable hound," said Jimmie Dale, through set lips. "Here"—he handed the revolver over to Carruthers—"keep him covered, Carruthers. You're going to the CHAIR for this, Clayton," he said, in a fierce monotone. "The chair! You can't send another there in your place—this time. Shall I draw you now—true to life? You've been grafting for years on every disreputable den in your district. Metzer was going to show you up; and so, Metzer being in the road, you removed him. And you seized on the fact of Stace Morse having paid a visit to him this afternoon to fix the crime on—Stace Morse. Proofs? Oh, yes, I know you've manufactured proofs enough to convict him—if there weren't stronger proofs to convict YOU."

      "Convict ME!" Clayton's lower jaw hung loosely; but still he made an effort at bluster. "You haven't a thing on me—not a thing—not a thing."

      Jimmie Dale smiled again—unpleasantly.

      "You are quite wrong, Clayton. See—here." He took a sheet of paper from the drawer of his desk.

      Clayton reached for it quickly. "What is it?" he demanded.

      Jimmie Dale drew it back out of reach.

      "Just a minute," he said softly. "You remember, don't you, that in the presence of Carruthers here, of myself, and of half a dozen reporters, you stated that you had been alone with Metzer in his room at three o'clock yesterday, and that it was you—alone—who found the body later on at nine o'clock? Yes? I mention this simply to show that from your own lips the evidence is complete that you had an OPPORTUNITY to commit the crime. Now you may look at this, Clayton." He handed over the sheet of paper.

      Clayton took it, stared at it, turning it over from first one side to the other. Then a sort of relief seemed to come to him and he gulped.

      "Nothing but a damned piece of blank paper!" he mumbled.

      Jimmie Dale reached over and took back the sheet.

      "You're wrong again, Clayton," he said calmly. "It WAS quite blank before I handed it to you—but not now. I noticed yesterday that your hands were generally moist. I am sure they are more so now—excitement, you know. Carruthers, see that he doesn't interrupt."

      From a drawer, Jimmie Dale took out a little black bottle, the notebook he had used the day before, and the photograph Carruthers had sent him. On the sheet of paper Clayton had just handled, Jimmie Dale sprinkled a little powder from the bottle.

      "Lampblack," explained Jimmie Dale. He shook the paper carefully, allowing the loose powder to fall on the desk blotter—and held out the sheet toward Clayton. "Rather neat, isn't it? A very good impression, too. Your thumb print, Clayton. Now don't move. You may look—not touch." He laid the paper down on the desk in front of Clayton. Beside it he placed the notebook, open at the sketch—a black thumb print now upon it. "You recall handling this yesterday, I'm sure, Clayton. I tried the same experiment with the lampblack on it this morning, you see. And this"—beside the notebook he placed the police photograph; that, too, in its enlargement, showed, sharply defined, a thumb print on a diamond-shaped background. "You will no doubt recognise it as an official photograph, enlarged, taken of the gray seal on Metzer's forehead—AND THE THUMB PRINT OF METZER'S MURDERER. You have only to glance at the little scar at the edge of the centre loop to satisfy yourself that the three are identical. Of course, there are a dozen other points of similarity equally indisputable, but—"

      Jimmie