Cosmopolis — Complete. Paul Bourget

of those Circoli Barsanti, to whom a refractory corporal gave his name.

      But, on examining the dusty cartoons of the old book-stall, the police discovered nothing except a prodigious quantity of grotesque verses directed against the Piedmontese and the French, against the Germans and the Triple Alliance, against the Italian republicans and the ministers, against Cavour and Signor Crispi, against the University of Rome and the Inquisition, against the monks and the capitalists! It was, no doubt, one of those pasquinades which his customers watched him at work upon, thinking, as he did so, how Rome abounded in paradoxical meetings.

      For, in 1867, that same old Garibaldian exchanged shots at Mentana with the Pope’s Zouaves, among whom was Marquis de Montfanon, for so was called the visitor awaiting Ribalta’s pleasure. Twenty-three years had sufficed to make of the two impassioned soldiers of former days two inoffensive men, one of whom sold old volumes to the other! And there is a figure such as you will not find anywhere else—the French nobleman who has come to die near St. Peter’s.

      Would you believe, to see him with his coarse boots, dressed in a simple coat somewhat threadbare, a round hat covering his gray head, that you have before you one of the famous Parisian dandies of 1864? Listen to this other history. Scruples of devoutness coming in the wake of a serious illness cast at one blow the frequenter of the ‘Cafe Anglais’ and gay suppers into the ranks of the pontifical zouaves. A first sojourn in Rome during the last four years of the government of Pius IX, in that incomparable city to which the presentiment of the approaching termination of a secular rule, the advent of the Council, and the French occupation gave a still more peculiar character, was enchantment. All the germs of piety instilled in the nobleman by the education of the Jesuits of Brughetti ended by reviving a harvest of noble virtues, in the days of trial which came only too quickly. Montfanon made the campaign of France with the other zouaves, and the empty sleeve which was turned up in place of his left arm attested with what courage he fought at Patay, at the time of that sublime charge when the heroic General de Sonis unfurled the banner of the Sacred Heart. He had been a duelist, sportsman, gambler, lover, but to those of his old companions of pleasure whom chance brought to Rome he was only a devotee who lived economically, notwithstanding the fact that he had saved the remnants of a large fortune for alms, for reading and for collecting.

      Every one has that vice, more or less, in Rome, which is in itself the most surprising museum of history and of art. Montfanon is collecting documents in order to write the history of the French nobility and of the Church. His mistresses of the time when he was the rival of the Gramont-Caderousses and the Demidoffs would surely not recognize him any more than he would them. But are they as happy as he seems to have remained through his life of sacrifice? There is laughter in his blue eyes, which attest his pure Germanic origin, and which light up his face, one of those feudal faces such as one sees in the portraits hung upon the walls of the priories of Malta, where plainness has race. A thick, white moustache, in which glimmers a vague reflection of gold, partly hides a scar which would give to that red face a terrible look were it not for the expression of those eyes, in which there is fervor mingled with merriment. For Montfanon is as fanatical on certain subjects as he is genial and jovial on others. If he had the power he would undoubtedly have Ribalta arrested, tried, and condemned within twenty-four hours for the crime of free-thinking. Not having it, he amused himself with him, so much the more so as the vanquished Catholic and the discontented Socialists have several common hatreds. Even on this particular morning we have seen with what indulgence he bore the brusqueness of the old bookseller, at whom he gazed for ten minutes without disconcerting him in the least. At length the revolutionist seemed to have finished his epigram, for with a quiet smile he carefully folded the sheet of paper, put it in a wooden box which he locked. Then he turned around.

      “What do you desire, Marquis?” he asked, without any further preliminary.

      “First of all, you will have to read me your poem, old redshirt,” said Montfanon, “which will only be my recompense for having awaited your good pleasure more patiently than an ambassador. Let us see whom are you abusing in those verses? Is it Don Ciccio or His Majesty? You will not reply? Are you afraid that I shall denounce you at the Quirinal?”

      “No flies enter a closed mouth,” replied the old conspirator, justifying the proverb by the manner in which he shut his toothless mouth, into which, indeed, at that moment, neither a fly nor the tiniest grain of dust could enter.

      “An excellent saying,” returned the Marquis, with a laugh, “and one I should like to see engraved on the facade of all the modern parliaments. But between your poetry and your adages have you taken the time to write for me to that bookseller at Vienna, who owns the last copy of the pamphlet on the trial of the bandit Hafner?”

      “Patience,” said the merchant. “I will write.”

      “And my document on the siege of Rome, by Bourbon, those three notarial deeds which you promised me, have you dislodged them?”

      “Patience, patience,” repeated the merchant, adding, as he pointed with a comical mixture of irony and of despair to the disorder in his shop, “How can you expect me to know where I am in the midst of all this?”

      “Patience, patience,” repeated Montfanon. “For a month you have been singing that old refrain. If, instead of composing wretched verses, you would attend to your correspondence, and, if, instead of buying continually, you would classify this confused mass. … But,” said he, more seriously, with a brusque gesture, “I am wrong to reproach you for your purchases, since I have come to speak to you of one of the last. Cardinal Guerillot told me that you showed him, the other day, an interesting prayer-book, although in very bad condition, which you found in Tuscany. Where is it?”

      “Here it is,” said Ribalta, who, leaping over several piles of volumes and thrusting aside with his foot an enormous heap of cartoons, opened the drawer of a tottering press. In that drawer he rummaged among an accumulation of odd, incongruous objects: old medals and old nails, bookbindings and discolored engravings, a large leather box gnawed by insects, on the outside of which could be distinguished a partly effaced coat-of-arms. He opened that box and extended toward Montfanon a volume covered with leather and studded. One of the clasps was broken, and when the Marquis began to turn over the pages, he could see that the interior had not been better taken care of than the exterior. Colored prints had originally ornamented the precious work; they were almost effaced. The yellow parchment had been torn in places. Indeed, it was a shapeless ruin which the curious nobleman examined, however, with the greatest care, while Ribalta made up his mind to speak.

      “A widow of Montalcino, in Tuscany, sold it to me. She asked me an enormous price, and it is worth it, although it is slightly damaged. For those are miniatures by Matteo da Siena, who made them for Pope Pius II Piccolomini. Look at the one which represents Saint Blaise, who is blessing the lions and panthers. It is the best preserved. Is it not fine?”

      “Why try to deceive me, Ribalta?” interrupted Montfanon, with a gesture of impatience. “You know as well as I that these miniatures are very mediocre, and that they do not in the least resemble Matteo’s compact work; and another proof is that the prayerbook is dated 1554. See!” and, with his remaining hand, very adroitly he showed the merchant the figures; “and as I have quite a memory for dates, and as I am interested in Siena, I have not forgotten that Matteo died before 1500. I did not go to college with Machiavelli,” continued he, with some brusqueness, “but I will tell you that which the Cardinal would have told you if you had not deceived him by your finesse, as you tried to deceive me just now. Look at this partly effaced signature, which you have not been able to read. I will decipher it for you. Blaise de Mo, and then a c, with several letters missing, just three, and that makes Montluc in the orthography of the time, and the b is in a handwriting which you might have examined in the archives of that same Siena, since you come from there. Now, with regard to this coat-of-arms,” and he closed the book to detail to his stupefied companion the arms hardly visible on the cover, “do you see a wolf, which was originally of gold, and turtles of gales? Those are the arms which Montluc has borne since the year 1554, when he was made a citizen of Siena for having defended it so bravely against the terrible Marquis de Marignan. As for the box,” he took it in its turn to study it, “these are really the half-moons of