The Making of a Marchioness & Its Sequel, The Methods of Lady Walderhurst. Frances Hodgson Burnett

character, one sees that a nice creature might be a nice companion.”

      “You are quite right,” was Lady Maria’s reply, as she held up her lorgnette and watched the cart spin down the avenue. “I am selfish myself, and I realise that is the reason why Emily Fox-Seton is becoming the lodestar of my existence. There is such comfort in being pandered to by a person who is not even aware that she is pandering. She doesn’t suspect that she is entitled to thanks for it.”

      That evening Mrs. Ralph came shining to dinner in amber satin, which seemed to possess some quality of stimulating her to brilliance. She was witty enough to collect an audience, and Lord Walderhurst was drawn within it. This was Mrs. Ralph’s evening. When the men returned to the drawing-room, she secured his lordship at once and managed to keep him. She was a woman who could talk pretty well, and perhaps Lord Walderhurst was amused. Emily Fox-Seton was not quite sure that he was, but at least he listened. Lady Agatha Slade looked a little listless and pale. Lovely as she was, she did not always collect an audience, and this evening she said she had a headache. She actually crossed the room, and taking a seat by Miss Emily Fox-Seton, began to talk to her about Lady Maria’s charity-knitting which she had taken up. Emily was so gratified that she found conversation easy. She did not realise that at that particular moment she was a most agreeable and comforting companion for Agatha Slade. She had heard so much of her beauty during the season, and remembered so many little things that a girl who was a thought depressed might like to hear referred to again. Sometimes to Agatha the balls where people had collected in groups to watch her dancing, the flattering speeches she had heard, the dazzling hopes which had been raised, seemed a little unreal, as if, after all, they could have been only dreams. This was particularly so, of course, when life had dulled for a while and the atmosphere of unpaid bills became heavy at home. It was so to-day, because the girl had received a long, anxious letter from her mother, in which much was said of the importance of an early preparation for the presentation of Alix, who had really been kept back a year, and was in fact nearer twenty than nineteen.

      “If we were not in Debrett and Burke, one might be reserved about such matters,” poor Lady Claraway wrote; “but what is one to do when all the world can buy one’s daughters’ ages at the booksellers’?”

      Miss Fox-Seton had seen Lady Agatha’s portrait at the Academy and the way in which people had crowded about it. She had chanced to hear comments also, and she agreed with a number of persons who had not thought the picture did the original justice.

      “Sir Bruce Norman was standing by me with an elderly lady the first time I saw it,” she said, as she turned a new row of the big white-wool scarf her hostess was knitting for a Deep-Sea Fisherman’s Charity. “He really looked quite annoyed. I heard him say: ‘It is not good at all. She is far, far lovelier. Her eyes are like blue flowers.’ The moment I saw you, I found myself looking at your eyes. I hope I didn’t seem rude.”

      Lady Agatha smiled. She had flushed delicately, and took up in her slim hand a skein of the white wool.

      “There are some people who are never rude,” she sweetly said, “and you are one of them, I am sure. That knitting looks nice. I wonder if I could make a comforter for a deep-sea fisherman.”

      “If it would amuse you to try,” Emily answered, “I will begin one for you. Lady Maria has several pairs of wooden needles. Shall I?”

      “Do, please. How kind of you!”

      In a pause of her conversation, Mrs. Ralph, a little later, looked across the room at Emily Fox-Seton bending over Lady Agatha and the knitting, as she gave her instructions.

      “What a goodnatured creature that is!” she said.

      Lord Walderhurst lifted his monocle and inserted it in his unillumined eye. He also looked across the room. Emily wore the black evening dress which gave such opportunities to her square white shoulders and firm column of throat; the country air and sun had deepened the colour on her cheek, and the light of the nearest lamp fell kindly on the big twist of her nut-brown hair, and burnished it. She looked soft and warm, and so generously interested in her pupil’s progress that she was rather sweet.

      Lord Walderhurst simply looked at her. He was a man of but few words. Women who were sprightly found him somewhat unresponsive. In fact, he was aware that a man in his position need not exert himself. The women themselves would talk. They wanted to talk because they wanted him to hear them.

      Mrs. Ralph talked.

      “She is the most primeval person I know. She accepts her fate without a trace of resentment; she simply accepts it.”

      “What is her fate?” asked Lord Walderhurst, still gazing in his unbiassed manner through his monocle, and not turning his head as he spoke.

      “It is her fate to be a woman who is perfectly well born, and who is as penniless as a charwoman, and works like one. She is at the beck and call of any one who will give her an odd job to earn a meal with. That is one of the new ways women have found of making a living.”

      “Good skin,” remarked Lord Walderhurst, irrelevantly. “Good hair—quite a lot.”

      “She has some of the nicest blood in England in her veins, and she engaged my last cook for me,” said Mrs. Ralph.

      “Hope she was a good cook.”

      “Very. Emily Fox-Seton has a faculty of finding decent people. I believe it is because she is so decent herself”—with a little laugh.

      “Looks quite decent,” commented Walderhurst. The knitting was getting on famously.

      “It was odd you should see Sir Bruce Norman that day,” Agatha Slade was saying. “It must have been just before he was called away to India.”

      “It was. He sailed the next day. I happen to know, because some friends of mine met me only a few yards from your picture and began to talk about him. I had not known before that he was so rich. I had not heard about his collieries in Lancashire. Oh!”—opening her big eyes in heartfelt yearning,—“how I wish I owned a colliery! It must be so nice to be rich!”

      “I never was rich,” answered Lady Agatha, with a bitter little sigh. “I know it is hideous to be poor.”

      “I never was rich,” said Emily, “and I never shall be. You”—a little shyly—“are so different.”

      Lady Agatha flushed delicately again.

      Emily Fox-Seton made a gentle joke. “You have eyes like blue flowers,” she said. Lady Agatha lifted the eyes like blue flowers, and they were pathetic.

      “Oh!” she gave forth almost impetuously, “sometimes it seems as if it does not matter whether one has eyes or not.”

      It was a pleasure to Emily Fox-Seton to realise that after this the beauty seemed to be rather drawn toward her. Their acquaintance became almost a sort of intimacy over the wool scarf for the deep-sea fisherman, which was taken up and laid down, and even carried out on the lawn and left under the trees for the footmen to restore when they brought in the rugs and cushions. Lady Maria was amusing herself with the making of knitted scarfs and helmets just now, and bits of white or gray knitting were the fashion at Mallowe. Once Agatha brought hers to Emily’s room in the afternoon to ask that a dropped stitch might be taken up, and this established a sort of precedent. Afterward they began to exchange visits.

      The strenuousness of things was becoming, in fact, almost too much for Lady Agatha. Most unpleasant things were happening at home, and occasionally Castle Clare loomed up grayly in the distance like a spectre. Certain tradespeople who ought, in Lady Claraway’s opinion, to have kept quiet and waited in patience until things became better, were becoming hideously persistent. In view of the fact that Alix’s next season must be provided for, it was most awkward. A girl could not be presented and properly launched in the world, in a way which would give her a proper chance, without expenditure. To the Claraways expenditure meant credit, and there were blots as of tears on the letters in which Lady Claraway reiterated that the tradespeople were behaving horribly. Sometimes, she said once in desperation, things looked as if they