Название | THE COMPLETE NOVELS OF JOSEPH CONRAD (All 20 Novels in One Edition) |
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Автор произведения | Джозеф Конрад |
Жанр | Языкознание |
Серия | |
Издательство | Языкознание |
Год выпуска | 0 |
isbn | 9788075839923 |
“Arabs, no doubt,” muttered Almayer to himself, peering into the solid blackness. “What are they up to now? Some of Abdulla’s business; curse him!”
The boat was very close now.
“Oh, ya! Man!” hailed Almayer.
The sound of voices ceased, but the paddles worked as furiously as before. Then the bush in front of Almayer shook, and the sharp sound of the paddles falling into the canoe rang in the quiet night. They were holding on to the bush now; but Almayer could hardly make out an indistinct dark shape of a man’s head and shoulders above the bank.
“You Abdulla?” said Almayer, doubtfully.
A grave voice answered—
“Tuan Almayer is speaking to a friend. There is no Arab here.”
Almayer’s heart gave a great leap.
“Dain!” he exclaimed. “At last! at last! I have been waiting for you every day and every night. I had nearly given you up.”
“Nothing could have stopped me from coming back here,” said the other, almost violently. “Not even death,” he whispered to himself.
“This is a friend’s talk, and is very good,” said Almayer, heartily. “But you are too far here. Drop down to the jetty and let your men cook their rice in my campong while we talk in the house.”
There was no answer to that invitation.
“What is it?” asked Almayer, uneasily. “There is nothing wrong with the brig, I hope?”
“The brig is where no Orang Blanda can lay his hands on her,” said Dain, with a gloomy tone in his voice, which Almayer, in his elation, failed to notice.
“Right,” he said. “But where are all your men? There are only two with you.”
“Listen, Tuan Almayer,” said Dain. “To-morrow’s sun shall see me in your house, and then we will talk. Now I must go to the Rajah.”
“To the Rajah! Why? What do you want with Lakamba?”
“Tuan, to-morrow we talk like friends. I must see Lakamba to-night.”
“Dain, you are not going to abandon me now, when all is ready?” asked Almayer, in a pleading voice.
“Have I not returned? But I must see Lakamba first for your good and mine.”
The shadowy head disappeared abruptly. The bush, released from the grasp of the bowman, sprung back with a swish, scattering a shower of muddy water over Almayer, as he bent forward, trying to see.
In a little while the canoe shot into the streak of light that streamed on the river from the big fire on the opposite shore, disclosing the outline of two men bending to their work, and a third figure in the stern flourishing the steering paddle, his head covered with an enormous round hat, like a fantastically exaggerated mushroom.
Almayer watched the canoe till it passed out of the line of light. Shortly after the murmur of many voices reached him across the water. He could see the torches being snatched out of the burning pile, and rendering visible for a moment the gate in the stockade round which they crowded. Then they went in apparently. The torches disappeared, and the scattered fire sent out only a dim and fitful glare.
Almayer stepped homewards with long strides and mind uneasy. Surely Dain was not thinking of playing him false. It was absurd. Dain and Lakamba were both too much interested in the success of his scheme. Trusting to Malays was poor work; but then even Malays have some sense and understand their own interest. All would be well—must be well. At this point in his meditation he found himself at the foot of the steps leading to the verandah of his home. From the low point of land where he stood he could see both branches of the river. The main branch of the Pantai was lost in complete darkness, for the fire at the Rajah’s had gone out altogether; but up the Sambir reach his eye could follow the long line of Malay houses crowding the bank, with here and there a dim light twinkling through bamboo walls, or a smoky torch burning on the platforms built out over the river. Further away, where the island ended in a low cliff, rose a dark mass of buildings towering above the Malay structures. Founded solidly on a firm ground with plenty of space, starred by many lights burning strong and white, with a suggestion of paraffin and lamp-glasses, stood the house and the godowns of Abdulla bin Selim, the great trader of Sambir. To Almayer the sight was very distasteful, and he shook his fist towards the buildings that in their evident prosperity looked to him cold and insolent, and contemptuous of his own fallen fortunes.
He mounted the steps of his house slowly.
In the middle of the verandah there was a round table. On it a paraffin lamp without a globe shed a hard glare on the three inner sides. The fourth side was open, and faced the river. Between the rough supports of the high-pitched roof hung torn rattan screens. There was no ceiling, and the harsh brilliance of the lamp was toned above into a soft half-light that lost itself in the obscurity amongst the rafters. The front wall was cut in two by the doorway of a central passage closed by a red curtain. The women’s room opened into that passage, which led to the back courtyard and to the cooking shed. In one of the side walls there was a doorway. Half obliterated words—“Office: Lingard and Co.”—were still legible on the dusty door, which looked as if it had not been opened for a very long time. Close to the other side wall stood a bent-wood rocking-chair, and by the table and about the verandah four wooden armchairs straggled forlornly, as if ashamed of their shabby surroundings. A heap of common mats lay in one corner, with an old hammock slung diagonally above. In the other corner, his head wrapped in a piece of red calico, huddled into a shapeless heap, slept a Malay, one of Almayer’s domestic slaves—“my own people,” he used to call them. A numerous and representative assembly of moths were holding high revels round the lamp to the spirited music of swarming mosquitoes. Under the palm-leaf thatch lizards raced on the beams calling softly. A monkey, chained to one of the verandah supports—retired for the night under the eaves—peered and grinned at Almayer, as it swung to one of the bamboo roof sticks and caused a shower of dust and bits of dried leaves to settle on the shabby table. The floor was uneven, with many withered plants and dried earth scattered about. A general air of squalid neglect pervaded the place. Great red stains on the floor and walls testified to frequent and indiscriminate betel-nut chewing. The light breeze from the river swayed gently the tattered blinds, sending from the woods opposite a faint and sickly perfume as of decaying flowers.
Under Almayer’s heavy tread the boards of the verandah creaked loudly. The sleeper in the corner moved uneasily, muttering indistinct words. There was a slight rustle behind the curtained doorway, and a soft voice asked in Malay, “Is it you, father?”
“Yes, Nina. I am hungry. Is everybody asleep in this house?”
Almayer spoke jovially and dropped with a contented sigh into the armchair nearest to the table. Nina Almayer came through the curtained doorway followed by an old Malay woman, who busied herself in setting upon the table a plateful of rice and fish, a jar of water, and a bottle half full of genever. After carefully placing before her master a cracked glass tumbler and a tin spoon she went away noiselessly. Nina stood by the table, one hand lightly resting on its edge, the other hanging listlessly by her side. Her face turned towards the outer darkness, through which her dreamy eyes seemed to see some entrancing picture, wore a look of impatient expectancy. She was tall for a half-caste, with the correct profile of the father, modified and strengthened by the squareness of the lower part of the face inherited from her maternal ancestors—the Sulu pirates. Her firm mouth, with the lips slightly parted and disclosing a gleam of white teeth, put a vague suggestion of ferocity into the impatient expression of her features. And yet her dark and perfect eyes had all the tender softness of expression common to Malay women, but with a gleam of superior intelligence; they looked gravely, wide open and steady, as if facing